VALUTAZIONE IMDb
6,5/10
608
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA former soldier on holiday in the French Riviera recalls his time in France during WWII, and his love for a French peasant woman.A former soldier on holiday in the French Riviera recalls his time in France during WWII, and his love for a French peasant woman.A former soldier on holiday in the French Riviera recalls his time in France during WWII, and his love for a French peasant woman.
- Regia
- Sceneggiatura
- Star
Martine Alexis
- Une prostituée à la Conciergerie
- (non citato nei titoli originali)
Edmond Ardisson
- L'hôtelier de Villefranche-sur-Mer
- (non citato nei titoli originali)
Marc Arian
- Un parisien qui fait fête aux soldats américains
- (non citato nei titoli originali)
Grégoire Aslan
- Le policier français au bistrot Aux Deux Anges
- (non citato nei titoli originali)
Recensioni in evidenza
I just saw "An Act of Love" on cable television and I was amazed at the high production values of this film. Kirk Douglas has never given a bad performance in any film and here he has just the right touch as an actor. The story was mesmerizing and the ending was as sad and moving as any film that I have ever seen. I hope against hope that someday I can purchase this film on video or on DVD.
A low-key film with a fine cast. Unfortunately, it's so low-key as to seem nearly aimless for the first half. The pace and interest do pick up, however, toward the end.
As World war II grinds slowly to a halt in Europe, an innocent French girl on the brink of prostitution and a cynical but lonely GI fall in love in the City of Lights - where, due to the war, the lights don't always work, A flaw, at least as the film plays on television, is that the French accents are sometimes hard to understand. And there are plenty of them.
Though ten years too old for the role, not unusual for actors in war movies before the '70s, Douglas turns in a solid performance as Pfc. Teller, the wounded American soldier now stationed at an army headquarters in Paris. But it is the lovely Dany Robin, rarely seen in America, who deserves most of the acting credit for keeping the rather unfocused story interesting. Fernand Ledoux is adequately brooding and resentful. The eighteen-year-old Brigitte Bardot is already beautiful, but look sharp or you may miss her.
The real scene-stealer here, though, is the slinky Barbara Laage, who shows herself to be a fine actress in very nearly her only American film. Too bad she breezes out of the picture a third of the way through.
The on-location shots of Paris are also a plus in a film that sometimes flirts dangerously with soap opera. Not a classic or even a forgotten classic, but worth your time if bittersweet love is your cup of tea.
As World war II grinds slowly to a halt in Europe, an innocent French girl on the brink of prostitution and a cynical but lonely GI fall in love in the City of Lights - where, due to the war, the lights don't always work, A flaw, at least as the film plays on television, is that the French accents are sometimes hard to understand. And there are plenty of them.
Though ten years too old for the role, not unusual for actors in war movies before the '70s, Douglas turns in a solid performance as Pfc. Teller, the wounded American soldier now stationed at an army headquarters in Paris. But it is the lovely Dany Robin, rarely seen in America, who deserves most of the acting credit for keeping the rather unfocused story interesting. Fernand Ledoux is adequately brooding and resentful. The eighteen-year-old Brigitte Bardot is already beautiful, but look sharp or you may miss her.
The real scene-stealer here, though, is the slinky Barbara Laage, who shows herself to be a fine actress in very nearly her only American film. Too bad she breezes out of the picture a third of the way through.
The on-location shots of Paris are also a plus in a film that sometimes flirts dangerously with soap opera. Not a classic or even a forgotten classic, but worth your time if bittersweet love is your cup of tea.
10pgi2141
I am amazed, and wonder why this movie is unavailable. I would love to get a copy, in any format, as I would be happy to see it over and over. I have not felt this way about many movie in my life. Over the years I have looked for it but always forgot the correct name. It did make a lasting impression on me as a young man.Does anyone know if this movie will become available soon? As the movie ends I wondered what would become of Teller, how would he move on? The poignancy of his dilemma has always come into my mind with a reading of Shakespeare's sonnets. Especially: How heavy do journey on the way When what I seek, my weary travel's end, Doth teach that ease and that repose to say," Thus far the miles are measured from thy friend." The beast that bears me,tired with my woe Plods dully on, to bear that weight in me, As if by some instinct the wretch did know His rider loved not speed, being made from thee. The bloody spur cannot provoke him on, That sometimes anger thrusts into his hide, Which heavily he answers with a groan, More sharp to me than spurring to his side; For that same groan doth put this in my mind My grief lies onward and my joy behind.
That is how Teller must have felt as he was shipped out to separate him from his love. His return to France after the war, his encounter with the officer who thought he had done him a favor,the wallpaper; all heartbreaking. Do not miss this movie- it can change one's life.
As I said above, I cannot understand why this movie languishes in obscurity and wonder if anyone can provide an answer. I can only imagine some contractual problem must exist that does not allow this movies to be mass marketed like many of the other Kirk Douglas masterpieces.
That is how Teller must have felt as he was shipped out to separate him from his love. His return to France after the war, his encounter with the officer who thought he had done him a favor,the wallpaper; all heartbreaking. Do not miss this movie- it can change one's life.
As I said above, I cannot understand why this movie languishes in obscurity and wonder if anyone can provide an answer. I can only imagine some contractual problem must exist that does not allow this movies to be mass marketed like many of the other Kirk Douglas masterpieces.
More than any other movie I've seen, this one draws a dark picture of what the statistical enormity and bureaucratic obscenity of WWII did to individuals during (and after) the Second World War. This is a love story set against the new way of dealing with the logistics of millions of people on the move in wartime Europe -- on either side. The big point is that it's difficult to draw a line between the sides in the brutal impersonality of the events that crush people like the characters in this story.
Kirk Douglas is great, of course, and the direction in the film is always intersting. Hard to believe this was made as late as 53.
See this if you can -- I saw it on TCM recently in a Kirk Douglas festival. For that matter, watch all the Kirk Douglas flicks you can -- the guy had either great taste or great luck.
Kirk Douglas is great, of course, and the direction in the film is always intersting. Hard to believe this was made as late as 53.
See this if you can -- I saw it on TCM recently in a Kirk Douglas festival. For that matter, watch all the Kirk Douglas flicks you can -- the guy had either great taste or great luck.
Act of Love (1953) is a bittersweet love story about the star-crossed relationship between a World War II GI and a young Parisian during the Allied liberation of Paris. KIRK DOUGLAS plays Robert Teller, an Army PFC who, while stationed in France toward the end of World War II, meets and falls in love with a destitute French woman, Lise Gudayec (DANY ROBIN). When Teller seeks permission to marry Lise, his condescending commanding officer (GEORGE MATHEWS) has Teller transferred because he considers the young woman to be an opportunist. The transfer has tragic consequences.
The film's ending is highly emotional when Teller visits the small French Riviera hotel that Lise told him about. At the hotel he has a bitter encounter with his former commanding officer. And it is in one of the hotel rooms that Teller, while recalling the descriptive words of Lise, fully realizes how truly beautiful was their brief love affair. Get out the hankies for this ending. The film marked the debut of French-born Robin in an English-speaking film. Robin, who began her career as a ballerina with the Paris Opera, made her screen debut in 1946 at the age of 19 in the French film Les Portes de la Nuit (Gates of the Night).
Filmed in Paris and on the French Riviera, Act of Love was one of three films that Douglas made abroad during 1952 and '53. The other two were The Juggler (1953), which was filmed in Israel, and Ulysses (1954), which was filmed in Italy. During the three-picture, near-two-year filming schedule, Douglas spent a total of just one month in the United States.
Act of Love also marked the first appearance in an English-speaking film by BRIGITTE BARDOT, who would subsequently gain fame with her pouting good looks and curvaceous figure as France's "sex kitten." In Act of Love, Bardot portrays Mimi, a friend of Lise.
Act of Love was based on the 1949 novel The Girl on the Via Flaminia by ALFRED HAYES. The film's screenplay was by German writer Joseph KESSEL and American novelist-screenwriter IRWIN SHAW. Shaw's other well-known film credits included Fire Down Below (1957) and The Young Lions (1958). Kessel also wrote the French dialogue for the version released in France, titled Un acte d'amour.
For the record: Robin retired from film-making in 1969, after completing the ALFRED HITCHCOCK spy thriller Topaz. She and her husband, British producer MICHAEL SULLIVAN, died in a fire in 1995. She was 68. Robin was known for her dislike of journalists even during the height of her career. Because of this, journalists in 1953 and '54 presented her with the annual Lemon Prize, which is given to the nastiest French actress.
The film's ending is highly emotional when Teller visits the small French Riviera hotel that Lise told him about. At the hotel he has a bitter encounter with his former commanding officer. And it is in one of the hotel rooms that Teller, while recalling the descriptive words of Lise, fully realizes how truly beautiful was their brief love affair. Get out the hankies for this ending. The film marked the debut of French-born Robin in an English-speaking film. Robin, who began her career as a ballerina with the Paris Opera, made her screen debut in 1946 at the age of 19 in the French film Les Portes de la Nuit (Gates of the Night).
Filmed in Paris and on the French Riviera, Act of Love was one of three films that Douglas made abroad during 1952 and '53. The other two were The Juggler (1953), which was filmed in Israel, and Ulysses (1954), which was filmed in Italy. During the three-picture, near-two-year filming schedule, Douglas spent a total of just one month in the United States.
Act of Love also marked the first appearance in an English-speaking film by BRIGITTE BARDOT, who would subsequently gain fame with her pouting good looks and curvaceous figure as France's "sex kitten." In Act of Love, Bardot portrays Mimi, a friend of Lise.
Act of Love was based on the 1949 novel The Girl on the Via Flaminia by ALFRED HAYES. The film's screenplay was by German writer Joseph KESSEL and American novelist-screenwriter IRWIN SHAW. Shaw's other well-known film credits included Fire Down Below (1957) and The Young Lions (1958). Kessel also wrote the French dialogue for the version released in France, titled Un acte d'amour.
For the record: Robin retired from film-making in 1969, after completing the ALFRED HITCHCOCK spy thriller Topaz. She and her husband, British producer MICHAEL SULLIVAN, died in a fire in 1995. She was 68. Robin was known for her dislike of journalists even during the height of her career. Because of this, journalists in 1953 and '54 presented her with the annual Lemon Prize, which is given to the nastiest French actress.
Lo sapevi?
- QuizKirk Douglas also did the French language version's dialogue.
- Citazioni
Robert Teller: The River Seine. All my life I wanted to see it. Finally I saw it, with a gun in my hand. Travel, twentieth-century style.
- ConnessioniFeatured in Veraz (1991)
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Dettagli
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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