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Appuntamento col destino

Titolo originale: Turn the Key Softly
  • 1953
  • 1h 21min
VALUTAZIONE IMDb
6,9/10
760
LA TUA VALUTAZIONE
Appuntamento col destino (1953)
CrimineDramma

Aggiungi una trama nella tua linguaFollows three women through their first day of freedom after they are released from prison.Follows three women through their first day of freedom after they are released from prison.Follows three women through their first day of freedom after they are released from prison.

  • Regia
    • Jack Lee
  • Sceneggiatura
    • John Brophy
    • Maurice Cowan
    • Jack Lee
  • Star
    • Yvonne Mitchell
    • Terence Morgan
    • Joan Collins
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,9/10
    760
    LA TUA VALUTAZIONE
    • Regia
      • Jack Lee
    • Sceneggiatura
      • John Brophy
      • Maurice Cowan
      • Jack Lee
    • Star
      • Yvonne Mitchell
      • Terence Morgan
      • Joan Collins
    • 31Recensioni degli utenti
    • 5Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto41

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    + 34
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    Interpreti principali27

    Modifica
    Yvonne Mitchell
    Yvonne Mitchell
    • Monica Marsden
    Terence Morgan
    Terence Morgan
    • David
    Joan Collins
    Joan Collins
    • Stella Jarvis
    Kathleen Harrison
    Kathleen Harrison
    • Granny Quilliam
    Thora Hird
    Thora Hird
    • Mrs. Rowan, landlady
    Dorothy Alison
    Dorothy Alison
    • Joan
    Glyn Houston
    Glyn Houston
    • Bob
    Geoffrey Keen
    Geoffrey Keen
    • Mr. Gregory
    Russell Waters
    • George Jenkins
    Clive Morton
    Clive Morton
    • Walters
    John Adams
    • Tube Train Passenger
    • (non citato nei titoli originali)
    Edward Dentith
    Edward Dentith
    • Police Officer on Fire Brigade Ladder
    • (non citato nei titoli originali)
    Edward Evans
    Edward Evans
    • Commissionaire
    • (non citato nei titoli originali)
    Lyn Evans
    Lyn Evans
    • Butcher
    • (non citato nei titoli originali)
    Hilda Fenemore
    Hilda Fenemore
    • Granny's Daughter
    • (non citato nei titoli originali)
    Otto Friese
    • Subway Passenger
    • (non citato nei titoli originali)
    Robert Gregory
    • Passer-by
    • (non citato nei titoli originali)
    Fred Griffiths
    • Newspaper Seller
    • (non citato nei titoli originali)
    • Regia
      • Jack Lee
    • Sceneggiatura
      • John Brophy
      • Maurice Cowan
      • Jack Lee
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti31

    6,9760
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    Recensioni in evidenza

    7planktonrules

    This one certainly features a unique story!

    "Turn the Key Softly" is an interesting film and well worth your time. It's the story about three women who are released from prison on the same day. It follows each through their first day out and is a very melancholy story...one that will NOT be leaving you happy! There...you've been warned.

    The three ladies (one of which is a very young Joan Collins) all leave prison and the story clearly illustrates that you just can't go back to your old life. In one case, it's because family no longer want anything to do with one of the women. And, in another case, one returns to her crook boyfriend...something which clearly is NOT in her best interests. As for the final one, her story is a bit hard to categorize other than she likes nice things.

    Overall, this is a very good film for three reasons. It's best quality is that it's unique in so many ways...a major plus. It also has some terrific acting as well as brilliant cinematography--particularly late in the film during a chase sequence. Overall, not a lot to complain about apart from the depressing nature of some of the stories.
    6splendidchap

    Superior 50s B Movie

    Ideal for a winter's Sunday afternoon. Well scripted, directed, and photographed, with some interesting location shots of 1950s London.
    8davidtraversa-1

    Turn the Key Softly

    I loved this movie! The three women destinies in a large metropolis (London -1950s) after they come out of jail with very different expectations seems to be quite an usual storyline in those years. London itself --as any large city-- looks completely different from the present London, although through this gloriously misty black and white photography it has a nostalgic Memory Lane feeling absolutely unique.

    One wishes to have been able to walk those streets and feel that particular atmosphere, completely gone by now.

    The film: It's so very well acted and edited that when it comes to the end, it seems to have only lasted for ten or fifteen minutes. The three women stories are quite banal but engaging because they are displayed alternately so we get to know these characters one by one and at the same time, since they run parallel lives and will keep in touch through different daily happenings.

    The beauty and sex appeal of a young Joan Collins was something to be seen. She was gorgeous! specially at the beginning, when still in jail and without any noticeable make up, she was stunning. As stunning as Joan, but on a different level was Yvonne Mitchell, a sedated beauty, classy and cool, very elegant and certainly as grand as any titled lady (many titled ladies will kill their grandmothers if they could look like her).

    The sequence on top of the building with the intervening police was quite nerve wreaking and superbly filmed and edited. The scenes with the old lady --Kathleen Harrison-- and her beloved dog, Johnny, were the sentimental segment that cemented the different episodes among these three women.

    There is a crucial scene where the title "Turn the key softly" makes sense because it was dependent on that, that one of the protagonists could escape a cruel and unjust outcome. Even if nowadays the strings pulled in this movie to keep one interested in the story telling are too obvious, the film doesn't fail in entertaining one from beginning to end.
    7kryshughes

    Clasic B & W british B picture Drama

    The full gamut of life in the london of the fifties. Humor and pathos in that delicate british mix that the studios of the day excelled at. The characters are well portrayed particully that played by Kathleen Harrison. A simple tale of three women - released on the same day and time from prison - of vastly different backgrounds, the film basicly revoloves around a dinner engagment proposed and payed for by Yvonne Mitchel. The events prior and post this dinner comprise the body of the film
    9thursdaysrecords

    Empathetic look into first day of freedom from prison for 3 women

    Everybody deserves another chance. Newly released from prison, three women face the challenges of reformed life on the "outside". Each have their own plans for moving on with life. The youngest (played by a stunningly beautiful Joan Collins in her first leading film role) is determined to marry a sincere young man with whom she had kept in correspondence. The second one appears to have been innocently convicted due to a shifty boyfriend who left her to take the wrap for the crime he had committed. The third is a sweet little old lady who routinely got convicted of shop lifting. - The film follows all three women through their first day of freedom. Young Joan Collins is excited when her fiancé suggests a very near wedding date. The innocent one finds employment, and the old lady goes back to her modest boarding house where her beloved little dog "Johnnie" was waiting for her return. - Of course there are complication, lots of drama, and a heart breaking ending. The grim realities of early 1950s life in London make for a believable backdrop to the individual character studies. Life was tough, and for single women even tougher. Adding a prison record only adds to the challenge. - I was very much entertained by this film. A simple story told with warmth and empathy. Be sure to have your Kleenex box handy, it's a mushy one!

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    Trama

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    Lo sapevi?

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    • Quiz
      The Coach & Horses pub, seen in the final scene, became famous later on as the bohemian meeting place for the personnel of the satirical magazine, 'Private Eye'; its infamously rude landlord, Norman Balon, appeared in the magazine. Richard Ingrams, who edited "Private Eye" for 23 years, often said, with relish, that the pub served "the worst food in London" - which is why it was used.
    • Blooper
      Granny Quilliam buys a quantity of meat from the butcher although meat rationing was still in force at the time the film was released and didn't end until July 1954.
    • Connessioni
      Featured in The Secret History of Our Streets: Portland Road (2012)
    • Colonne sonore
      Plaisir d'Amour
      (uncredited)

      Music by Jean-Paul-Égide Martini

      Arranged by Mischa Spoliansky

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    Dettagli

    Modifica
    • Data di uscita
      • 3 agosto 1953 (Svezia)
    • Paese di origine
      • Regno Unito
    • Lingua
      • Inglese
    • Celebre anche come
      • Turn the Key Softly
    • Luoghi delle riprese
      • Portland Road, Notting Hill, Londra, Inghilterra, Regno Unito
    • Azienda produttrice
      • Maurice Cowan Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 21min(81 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.33 : 1

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