VALUTAZIONE IMDb
6,9/10
759
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFollows three women through their first day of freedom after they are released from prison.Follows three women through their first day of freedom after they are released from prison.Follows three women through their first day of freedom after they are released from prison.
- Regia
- Sceneggiatura
- Star
John Adams
- Tube Train Passenger
- (non citato nei titoli originali)
Edward Dentith
- Police Officer on Fire Brigade Ladder
- (non citato nei titoli originali)
Edward Evans
- Commissionaire
- (non citato nei titoli originali)
Hilda Fenemore
- Granny's Daughter
- (non citato nei titoli originali)
Otto Friese
- Subway Passenger
- (non citato nei titoli originali)
Robert Gregory
- Passer-by
- (non citato nei titoli originali)
Fred Griffiths
- Newspaper Seller
- (non citato nei titoli originali)
Recensioni in evidenza
Yvonne Mitchell, Joan Collins and Kathleen Harrison are released from prison into the hustle and bustle of London on the same day, with varying degrees of resolution to go straight. They agree to meet for dinner at a posh restaurant -- Miss Mitchell's treat. The movie covers the day and their varying success.
It's well performed by three actresses: Miss Harrison plays her scrublady from SCROOGE, transported a century and a quarter into the future. jugged on fifteen counts of shoplifting; Miss Mitchell is an well-to-do young woman who loved unwisely but too well and took the fall for her burglar boyfriend; and Joan Collins.... well, she looks like a cheap piece of goods, but she's scheduled to marry a bus driver.
It's based on a novel and the screenplay is, I fear, somewhat muddled, with the random nature of events leading to random outcomes. The actresses give excellent performances, and director Jack Lee, in cooperation with cinematographer Geoffrey Unsworth, sets up the final fifteen minutes in a striking manner. He clearly had a fine eye for the streets of the city, having worked for the GPO as assistant director to LONDON CAN TAKE IT! His abilities helming a fiction movie were shakier, but given the performances and visuals, this one is worth a look.
It's well performed by three actresses: Miss Harrison plays her scrublady from SCROOGE, transported a century and a quarter into the future. jugged on fifteen counts of shoplifting; Miss Mitchell is an well-to-do young woman who loved unwisely but too well and took the fall for her burglar boyfriend; and Joan Collins.... well, she looks like a cheap piece of goods, but she's scheduled to marry a bus driver.
It's based on a novel and the screenplay is, I fear, somewhat muddled, with the random nature of events leading to random outcomes. The actresses give excellent performances, and director Jack Lee, in cooperation with cinematographer Geoffrey Unsworth, sets up the final fifteen minutes in a striking manner. He clearly had a fine eye for the streets of the city, having worked for the GPO as assistant director to LONDON CAN TAKE IT! His abilities helming a fiction movie were shakier, but given the performances and visuals, this one is worth a look.
Atmospherically shot by veteran cameraman Geoffrey Unsworth (who later shot '2001'), this melodrama detailing the adventures of three women released from Holloway the same morning probably looks a lot better today than it did when it originally came out, aided by picturesque London location work as it looked in the chilly fifties and the noble features of Yvonne Mitchell in ravishing close-up while led astray by louse Terence Morgan.
Ideal for a winter's Sunday afternoon. Well scripted, directed, and photographed, with some interesting location shots of 1950s London.
Rather cliched plot, but some nice period detail, if your interested in old film of London, youll really enjoy this tearjerking melodrama. A very young Joan Collins is adorable as the easily led West End girl Stella. Plenty of other classic British Movie faces too.
Everybody deserves another chance. Newly released from prison, three women face the challenges of reformed life on the "outside". Each have their own plans for moving on with life. The youngest (played by a stunningly beautiful Joan Collins in her first leading film role) is determined to marry a sincere young man with whom she had kept in correspondence. The second one appears to have been innocently convicted due to a shifty boyfriend who left her to take the wrap for the crime he had committed. The third is a sweet little old lady who routinely got convicted of shop lifting. - The film follows all three women through their first day of freedom. Young Joan Collins is excited when her fiancé suggests a very near wedding date. The innocent one finds employment, and the old lady goes back to her modest boarding house where her beloved little dog "Johnnie" was waiting for her return. - Of course there are complication, lots of drama, and a heart breaking ending. The grim realities of early 1950s life in London make for a believable backdrop to the individual character studies. Life was tough, and for single women even tougher. Adding a prison record only adds to the challenge. - I was very much entertained by this film. A simple story told with warmth and empathy. Be sure to have your Kleenex box handy, it's a mushy one!
Lo sapevi?
- QuizThe Coach & Horses pub, seen in the final scene, became famous later on as the bohemian meeting place for the personnel of the satirical magazine, 'Private Eye'; its infamously rude landlord, Norman Balon, appeared in the magazine. Richard Ingrams, who edited "Private Eye" for 23 years, often said, with relish, that the pub served "the worst food in London" - which is why it was used.
- BlooperGranny Quilliam buys a quantity of meat from the butcher although meat rationing was still in force at the time the film was released and didn't end until July 1954.
- ConnessioniFeatured in The Secret History of Our Streets: Portland Road (2012)
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Dettagli
- Tempo di esecuzione
- 1h 21min(81 min)
- Colore
- Proporzioni
- 1.33 : 1
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