Tà-tà Tì-tì Zin-zin Bum!

Oddly enough I was introduced to Toot Whistle Plunk and Boom as well as Melody through the Disney Sing-a-long-songs series.(that's true of a fair few Disney films and shorts actually) It's been one of my favourites ever since. The animation is done in a very interesting style and looks good. It may look limited to some, but I for one was taken by the colourful abstract look of it, and visuals-wise it does stand out among the rest of the Disney shorts. Toot Whistle Plunk and Boom is also jam-packed with gags, which do brilliantly with teaching us things about music while also entertaining us. The plunk section is and always has been my personal favourite. The simple story has relentless energy, not once did or do I feel bored watching. The music is outstanding, it is catchy and fit perfectly with each gag, the way the harmonies blended was also remarkable and I never tire of the resonant bass voice of Thurl Ravenscroft. The characters are colourful and amusing, and the vocal talents of Bill Thompson are splendidly utilised. Thompson sounds as though he loves what his owl character is teaching and his voice is full of exuberance. All in all, a unique short that is perfect for kids and adults regardless of how knowledgeable they are or not of music. 10/10 Bethany Cox

As I said above, I really wanted to hate this film...but I couldn't. The reason I wanted to give this film a savage review is that it represents a style of animation that I hate--the very modern and minimalistic animation that came into vogue in the 1950s and lasted through the 70s. Up until films like TOOT WHISTLE PLUNK AND BOOK and films by (uggh) UPA Studios, animation had been very detailed and higher quality. Gorgeous backgrounds and high frame-rates were the norm in the 40s and into the 50s with studios like Looney Tunes, MGM and Disney. But, with the success of very simplistic UPA films like Gerald McBoing-Boing and Mr. Magoo (beating out traditional films for Oscars AND costing a fraction to make), Disney decided to experiment with this splashier but tremendously easy style of animation. So, for the style of this film and what it represented, I wanted to hate the film.

The problem is that although I disliked the art, I couldn't help but like the film--even though it was quite educational. In fact, now that I finished the film, I am still amazed because I usually watch animation to have fun--not learn things! But, I found that I enjoyed the learning.

The film is about the basic parts of music and how all instruments fall within four broad categories--those that go 'toot', those that whistle, those that are plucked ('plunk') and those that are struck ('boom'). This may seem silly, but it really did make sense and made me understand and appreciate music a lot more. In particular, I learned why horns are all curvy and how a trumpet works--and that's really cool.

Overall, a great film to teach anyone (not just kids) about the fundamentals of music AND it does it in a way that isn't boring. Who would have thought this was possible?!

If you think that Disney animators were only good at drawing cutesy animals in the 1950's then you need to see this film. The animation style is like nothing you've ever seen in a Disney film. While it does have its share of cute animals (the setting is a classroom full of birds), many of the characters are strange, geometric looking creations. I especially enjoyed the ancient Egyptian characters modeled after ancient Egyptian art. This is an educational short on the origins of music, but also works as a great comedy. The "Plunk" section is the best! It's a one joke bit, but it never gets old.

This short, Disney's best in some time, won an Oscar and clearly shows an influence from the animation style of the UPA studios that were doing remarkable work in the 1950s. Disney did a number of shorts that were different stylistically and in tone than the work they had produced in the 1930s and 1940s and this is probably the best of those shorts. I's good to see that it's available, even if it's only on a DVD as additional material. Most recommended.

I must have seen this half a dozen times in elementary school in the 70s, but had not seen it since. I remember enjoying it, and, as a musician, I have thought of it many times.

I watched this again recently, and it's really a gem, except for the unfortunate racial stereotypes. We see clownish caricatures of Chinese, and we see a quartet of black-faced minstrel players.

The few cringey moments were disappointing, but it was 1953, and sensibilities were different. That doesn't excuse it or explain it, but I'm not going to 'cancel' Disney or even this one film because of it. Who knows how our current society will be judged in 70 years? That said, I understand why this wasn't included in the offerings provided by Disney+.

The animation is refreshingly different than other projects coming out of Disney in the early 50s. The music is great, and it's a great lesson in musical instrument families (even if they did put the piano in the string section).

Watch it. Enjoy it. Remember times were different then. Remember your history and how far we've come, and how far we have to go.