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Viaggio a Tokyo

Titolo originale: Tôkyô monogatari
  • 1953
  • T
  • 2h 17min
VALUTAZIONE IMDb
8,1/10
74.801
LA TUA VALUTAZIONE
POPOLARITÀ
4153
925
Setsuko Hara and Chishû Ryû in Viaggio a Tokyo (1953)
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Psychological DramaDrama

Una coppia di genitori anziani di Onomichi, piccolo porto a sud del Giappone, si reca a Tokyo a far visita ai due figli sposati. L'accoglienza che ricevono è tiepida, sia il figlio che la fi... Leggi tuttoUna coppia di genitori anziani di Onomichi, piccolo porto a sud del Giappone, si reca a Tokyo a far visita ai due figli sposati. L'accoglienza che ricevono è tiepida, sia il figlio che la figlia sono troppo occupati dai loro impieghi giornalieri...Una coppia di genitori anziani di Onomichi, piccolo porto a sud del Giappone, si reca a Tokyo a far visita ai due figli sposati. L'accoglienza che ricevono è tiepida, sia il figlio che la figlia sono troppo occupati dai loro impieghi giornalieri...

  • Regia
    • Yasujirô Ozu
  • Sceneggiatura
    • Kôgo Noda
    • Yasujirô Ozu
  • Star
    • Chishû Ryû
    • Chieko Higashiyama
    • Sô Yamamura
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,1/10
    74.801
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4153
    925
    • Regia
      • Yasujirô Ozu
    • Sceneggiatura
      • Kôgo Noda
      • Yasujirô Ozu
    • Star
      • Chishû Ryû
      • Chieko Higashiyama
      • Sô Yamamura
    • 263Recensioni degli utenti
    • 117Recensioni della critica
    • 100Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Film più votato #214
    • Premi
      • 3 vittorie totali

    Video1

    Trailer [OV]
    Trailer 4:16
    Trailer [OV]

    Foto398

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    Interpreti principali30

    Modifica
    Chishû Ryû
    Chishû Ryû
    • Shukichi Hirayama
    Chieko Higashiyama
    Chieko Higashiyama
    • Tomi Hirayama
    Sô Yamamura
    Sô Yamamura
    • Koichi Hirayama
    Setsuko Hara
    Setsuko Hara
    • Noriko Hirayama
    Haruko Sugimura
    Haruko Sugimura
    • Shige Kaneko
    Kuniko Miyake
    Kuniko Miyake
    • Fumiko Hirayama - his wife
    Kyôko Kagawa
    Kyôko Kagawa
    • Kyôko Hirayama
    Eijirô Tôno
    Eijirô Tôno
    • Sanpei Numata
    Nobuo Nakamura
    Nobuo Nakamura
    • Kurazo Kaneko
    Shirô Ôsaka
    • Keizo Hirayama
    Hisao Toake
    • Osamu Hattori
    Teruko Nagaoka
    Teruko Nagaoka
    • Yone Hattori
    Mutsuko Sakura
    • Oden-ya no onna
    Toyo Takahashi
    Toyo Takahashi
    • Rinka no saikun
    • (as Toyoko Takahashi)
    Tôru Abe
    Tôru Abe
    • Tetsudou-shokuin
    Sachiko Mitani
    • Aparto no onna
    Zen Murase
    • Minoru Hirayama - Koichi's son
    Mitsuhiro Môri
    • Isamu Hirayama - Koichi's son
    • Regia
      • Yasujirô Ozu
    • Sceneggiatura
      • Kôgo Noda
      • Yasujirô Ozu
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti263

    8,174.8K
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    Riepilogo

    Reviewers say 'Tokyo Story' is celebrated for its deep dive into family dynamics and generational gaps. It follows an elderly couple's visit to their children in Tokyo, exploring tradition versus modernity and complex relationships. Critics laud Ozu's minimalist approach, static camera, and slow pacing for fostering intimacy. Performances by Ryu and Higashiyama are hailed for authenticity and emotional weight. Despite some finding the pace slow, the film's universal themes and execution solidify its status as a cinematic masterpiece.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    10bobbie-16

    beautiful meditation on old age and family; simple and moving

    I can't take my mind off this movie. The story is both universally human (old age, the end of life, parents and children) and specifically Japanese. The movie tells the viewer so much about Japanese middle class life in the 1950s: eating and sleeping; mourning the war dead; clothes and home furnishings; spoiled kids; a doctor's office; a schoolroom; life in Tokyo and small towns; how family members talk to each other; old men's drinking habits; a resort hotel. But while we see all these details of a real time and place, we are constantly drawn into reflection on the meaning of human life and relationships. The reflection emerges effortlessly from the simple narrative and the specifics. The director never annoyingly tells us how to feel, he is not preaching and not drawing attention to himself. (There is none of that "hey, I'm making a moving movie" crud that you get in Hollywood treatment of these topics). He just lets the story unfold in a quiet, natural way. It's not for folks who only like "action" movies. I put "action" in quotes because this movie is about the real action in life--enjoying life, sharing it with others, facing the end of it.
    10RM851222

    Great movie

    Greetings from Lithuania.

    "Tokyo Story" (1953) is an ageless story about family, love and realizing of true values in life. This is a sad but at the same time inspiring story - but enough about stories - this movie shows life as it is - still.

    I loved the performances in this movie by simply everyone involved, as well as great directing and amazing writing. Although the movie is 2 h 15 min long and its a black and white "old" movie don't be fooled - this is a great movie that makes you think about your life and especially the people you love and that you have to love them while their are still here with you, because life is very short and better make most of it with the people you love. Great movie.
    10GyatsoLa

    A cinema of tears

    I can vividly remember the first time i saw this movie - it was during a festival of Japanese movies in an art house cinema here in Dublin. I must admit to never having heard of Ozu before, i went out of boredom and casual curiosity. I was embarrassed at the end to find myself in tears. I quickly wiped them away in that subtle way guys do when they don't want anyone to know, and got out to leave. What struck me was that even as the credits were finishing, I was one of the first to go. As i walked up the aisle I realized that most of the nearly full cinema was still sitting quietly, without the usual post movie chatter - and more than half of the audience had tears pouring down their faces. I have never, ever witnessed that in a cinema.

    Since then, i've watched it on DVD, and had to think a lot about why such a simple movie is so powerful, and so many people rate it as one of the greatest ever. And why i find myself agreeing with that rating, i truly think it is in the top 10 ever made - certainly the top 5 of any I've seen. But its hard at first to know why. It doesn't have the greatest script of any movie, there are few things in it that are truly original. The acting is great, but not the greatest ever seen, and the technical qualities are just average. I've come to the conclusion that the reason for its greatness is that it comes closest to pure art in cinema. By pure art, i mean art that in its simplicity but technical genius still reveals deep truths about our lives. When i think about Tokyo Story I don't find myself comparing it to other movies, instead I think of a Rembrandt self portrait, a Vermeer painting, or my favourite short story, 'The Dead' by James Joyce. It is simple, unadorned, and deeply wise. I realise in writing this I'm rapidly approaching pseuds corner, but this is my genuine conclusion (writing as someone who is shamefully uneducated in most of the arts).

    Of course there have been many great movies about families, about growing old, about the nature of life.... but I think somehow Ozu achieved a sort of perfection with Tokyo Story. Thats why its the only movie I would give a '10' to.
    10spqrclaudius

    Extraordinary Portrayal of Real Life

    A fantastic film that belies the simplicity of its plot, Tokyo Story is the tale of a vacation gone sadly awry, with an elderly man and woman visiting from the countryside pushed to the sidelines by their busy children in the city. The younger generation (and by extension the "new" Japan) turns its back on the family from which it arose- because of selfishness, because of necessity, or because it's simply the way of the world. The movie provides no easy answers- its melancholy ambiguity is part of its charm. Whatever the case, Ozu delights in portraying the details of everyday life. The emotional resonances of this movie are extraordinary, and some shots (a child picking flowers, an old couple framed by the sea, a woman sitting forlornly at her work desk) are enough to give a sensitive film-goer the shivers. Despite the testimony of some critics, the film is not totally devoid of melodramatic elements (some stock characters and cloying musical motifs spring readily to mind), but the film is founded upon such an obvious love and respect for the importance of real-world interactions that it's hard not to be anything other than enthralled by it.
    8aakostar

    Very interesting movie however it needs some patience from the moviegoer

    Tokyo monogatari (or Tokyo Story) is a very human story. It contains a lot of everyday life which at times can make it difficult to follow since it may feel a little bit slow.

    However who is patient gets rewarded. And Ozus way of telling this story is very quiet but effective. The images he produces and the very minimalist camera work creates a rhythm that sucks the viewer in and slowly opens him/her up for the sad but essential ending of this movie.

    Ozu never tries to impose his story to the viewer. It looks like he follows his actors very disciplined and calm. This very structured and clear camera-work will alienate many modern moviegoers who are used to much more dynamic images. However lovers of purist cinema and fans of Aki Kaurismaki will probably love it.

    Impressing also to see how close the everyday life of Japan in the mid 50s is to the western way of life.

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    Trama

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    Lo sapevi?

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    • Quiz
      The film is notable for its use of the "tatami-mat" shot, in which the camera height is low and remains largely static throughout.
    • Blooper
      (At around 1hr 45 mins) When the children are visiting their mother at home and leave the room to talk with the father in an adjoining room, just as they sit on the floor, the shadow of the boom-mic can be seen to drop into the scene and back out again, just over the son's head on the top right of the screen. This shadow is well into the frame against the edge of what appears to be a bookshelf and should not be considered a masking mistake of the projectionist.
    • Citazioni

      Kyoko: [after the rest of the family had left] I think they should have stayed a bit longer.

      Noriko: But they're busy.

      Kyoko: They're selfish. Demanding things and leaving like this.

      Noriko: They have their own affairs.

      Kyoko: But you have yours too. They're selfish.

      Noriko: But Kyoko...

      Kyoko: Wanting her clothes right after her death. I felt so sorry for poor mother. Even strangers would have been more considerate!

      Noriko: But look Kyoko. At your age I thought so too. But children do drift away from their parents. A woman has her own life, apart from her parents, when she becomes Shige's age. She meant no harm I'm sure. They have to look after their own lives.

      Kyoko: I wonder: I won't ever be like that. Then what's the point of family?

      Noriko: But children become like that, gradually.

      Kyoko: Then... you, too?

      Noriko: I may become like that in spite of myself.

      Kyoko: Isn't life disappointing?

      Noriko: Yes, it is.

    • Connessioni
      Featured in Tokyo-Ga (1985)

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    Dettagli

    Modifica
    • Data di uscita
      • 22 giugno 2015 (Italia)
    • Paese di origine
      • Giappone
    • Lingue
      • Giapponese
      • Inglese
    • Celebre anche come
      • Cuentos de Tokio
    • Luoghi delle riprese
      • Tokyo, Giappone
    • Aziende produttrici
      • Shochiku
      • Entertain Me Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo in tutto il mondo
      • 93.881 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 17 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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