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IMDbPro

Monica e il desiderio

Titolo originale: Sommaren med Monika
  • 1953
  • T
  • 1h 36min
VALUTAZIONE IMDb
7,5/10
17.082
LA TUA VALUTAZIONE
Harriet Andersson in Monica e il desiderio (1953)
A pair of teenagers meet one summer day, start a reckless affair and abandon their families to be with one another.
Riproduci trailer1: 55
1 video
99+ foto
Coming-of-AgeHoliday RomanceTeen RomanceDramaRomance

Una coppia di adolescenti si incontra un giorno d'estate, inizia una relazione spericolata e abbandona le proprie famiglie per stare insieme.Una coppia di adolescenti si incontra un giorno d'estate, inizia una relazione spericolata e abbandona le proprie famiglie per stare insieme.Una coppia di adolescenti si incontra un giorno d'estate, inizia una relazione spericolata e abbandona le proprie famiglie per stare insieme.

  • Regia
    • Ingmar Bergman
  • Sceneggiatura
    • Per Anders Fogelström
    • Ingmar Bergman
  • Star
    • Harriet Andersson
    • Lars Ekborg
    • Dagmar Ebbesen
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,5/10
    17.082
    LA TUA VALUTAZIONE
    • Regia
      • Ingmar Bergman
    • Sceneggiatura
      • Per Anders Fogelström
      • Ingmar Bergman
    • Star
      • Harriet Andersson
      • Lars Ekborg
      • Dagmar Ebbesen
    • 84Recensioni degli utenti
    • 87Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Trailer [OV]
    Trailer 1:55
    Trailer [OV]

    Foto150

    Visualizza poster
    Visualizza poster
    Visualizza poster
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    + 142
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    Interpreti principali42

    Modifica
    Harriet Andersson
    Harriet Andersson
    • Monika Eriksson
    Lars Ekborg
    Lars Ekborg
    • Harry Lund
    Dagmar Ebbesen
    Dagmar Ebbesen
    • Fru Lindström - Harrys faster
    Åke Fridell
    Åke Fridell
    • Ludwig Eriksson - Monikas far
    Naemi Briese
    Naemi Briese
    • Monikas mor
    Åke Grönberg
    Åke Grönberg
    • Verkmästaren - Harrys arbetskamrat
    Sigge Fürst
    Sigge Fürst
    • Johan - Lagerbasen på Forsbergs
    John Harryson
    John Harryson
    • Lelle - Harrys rival
    Wiktor Andersson
    Wiktor Andersson
    • Ölgubbe
    • (non citato nei titoli originali)
    Renée Björling
    Renée Björling
    • Görans fru
    • (non citato nei titoli originali)
    Astrid Bodin
    • En fru i gårdsfönstret
    • (non citato nei titoli originali)
    Tor Borong
    • Lumphandlare
    • (non citato nei titoli originali)
    Ernst Brunman
    Ernst Brunman
    • Tobakshandlare
    • (non citato nei titoli originali)
    Bengt Brunskog
    Bengt Brunskog
    • Sicke - Monikas kavaljer
    • (non citato nei titoli originali)
    Bengt Eklund
    Bengt Eklund
    • Förste man på grönsakslagret
    • (non citato nei titoli originali)
    Carl-Axel Elfving
    Carl-Axel Elfving
    • Harrys arbetskamrat i tågkupén
    • (non citato nei titoli originali)
    Hans Ellis
    • Svensson
    • (non citato nei titoli originali)
    Gösta Ericsson
    • Direktör Forsberg
    • (non citato nei titoli originali)
    • Regia
      • Ingmar Bergman
    • Sceneggiatura
      • Per Anders Fogelström
      • Ingmar Bergman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti84

    7,517K
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    Recensioni in evidenza

    10Quinoa1984

    a sleeper-classic, naturalistic, with trademark-Bergman imagery

    Summer with Monika is a very fine, sometimes masterful showcase of what would be to come with Ingmar Bergman's more notable and personal dramas. That is, in the technical side of things; here he uses a lot of shots that are simply there for the location, the imagery of the rocks and beach and waters where the characters are at. It's much more in a sense of a documentary of these two people than a usual tale of young love. But it's a good story at the core, and in it Bergman also establishes one of the actresses that would become crucial to his career.

    Harriet Andersson is remarkable as the happy, though high strung and (as one in my generation might call) 'needy' Monika, who works at a vegetable stand. She meets Harry (Ekberg) in a bar one day, and the two hit it off after later seeing a movie. Monika's home life is the pits, as is Harry's work environment. So, they act on an impulse to get away for the summer to an island. Out of that comes what is very natural in a relationship- happiness, love, despair, hunger, and the oncoming (unplanned) child. The third act goes as how one might expect, but the way it's filmed and acted is still extraordinary.

    Once Bergman gets his film on the water, he just shoots and shoots. Some of this may not seem to go anywhere, some of it may just seem like shots of animals and rocks. But I have a feeling Bergman was likely inspired by either painters or the neo-realists with their documentary feel. If nothing else, everything feels very much alive and real with how the characters talk and act to each other, and that doesn't lose its ground after fifty years.

    Some shots here and there (one when Monika is out one night, when Harry is not at home, is intriguing on how it just stays on her, and how it's lit) are some of the more memorable ones of the 1950's for the director. I also liked how the characters were believably stuck in the middle of a very plausible dilemma- do they keep on going on with a great, bit love affair alone and off from civilization, or do they face up to what they have to do with living? It's a tragic, somewhat obvious conclusion, but the way it's told is how it scores some points.

    Basically, Summer with Monika is a fresh, dark love story that may appeal to those looking for a good alternative to a film of today loaded with cynicism or delight in the shrill conventions with the characters. One may have seen characters like Monika and Harry in other films, yet they are fitting for the style of Bergman's precise bittersweet whimsy and depth.
    10Chris Knipp

    A classic in a pristine new print from Janus

    Ingmar Bergman's Monika (Summer with Monika) (1953) is the story of two Stockholm teenagers, stock boy Harry (Lars Ekborg) and voluptuous, impulsive Monika (Harriet Andersson), who meet and fall in love and run away for a summer on a motorboat on the Stockholm archipelago escaping from work and all responsibility. Monika becomes pregnant and they return to the city and marry – but things turn bad. This first powerful feature by the Swedish master is simple and sweet but nonetheless rich in emotional wrenching events. The film, which depicts teenage unwed sex, was shockingly sensual for its time. In 2006 the intensity of Harriet Andersson's uninhibited performance is still impressive and this story is just as heartbreaking as it was over half a century ago.

    Presented as part of the Janus Films sidebar of the 2006 New York Film Festival at Lincoln Center in another gorgeous pristine-looking new print with a rich black and white tonal range that may look better than the original did.
    9ilpohirvonen

    A film that delights and horrifies

    Sommaren med Monika, often translated as Monika, the Story of a Bad Girl, but directly it is Summer with Monika, I prefer the latter. Summer with Monika is Ingmar Bergman's early masterful classic. It's European modernism and as many of Bergman's films of that era, this film too dealt with social issues. Even that Ingmar Bergman himself was from a bourgeois family, Summer with Monika builds around the working class. It's a story about two youngsters who fall in love and start living a life of their own.

    Monika is a minor girl who doesn't get along with her parents. Her only escape from the harsh family life is romantic cinema and her boyfriend, Harry. In result of the distressing life Monika and Harry escape the city to archipelago for the summer. When the summer's over and they come back, the love between them starts to fade.

    I have yet not seen as strong film about young parenthood as this. It shows the truth in a very realistic light, Bergman doesn't add any glamor to its characters' lives, which he never does. This is the social theme of Summer with Monika, young parenthood and the subject is still very current, which makes the film timeless. No director of today has succeed in making as good description of the life like that.

    Summer with Monika is so beautifully made that it delights you. The plot also has some points that delight the audience, but I was mostly touched by the beauty of the narrative and cinematography. Both of these are clearly European modernism in Summer with Monika. The camera goes behind the reality, it shows the true emotions of the characters. A very impressive scene of the film is when Monika watches directly to the camera. This shocking destruction of the fourth wall and the illusion of cinema, was probably the first one ever made. My information of this is not accurate or reliable, but at least Summer with Monika was one of the first ones, that did this.

    A very powerful film of love, youth, parenthood, frustration and life.
    8Xstal

    A Game of Two Halves...

    Monika feels trapped, in despair, her future is bleak and laid bare, she needs to break free, escape, run and flee, with a boy who is willing to care.

    Harry is a boy that can care, spends his days wishing he was elsewhere, now he's met a nice girl, and they're off for a whirl, a summer like no other can compare.

    To love, through a long hot summer, without a care or a bother, just to be in the arms of each other, to smother, enrapture and cover - what could possibly go wrong! Monika and Harry find the inevitable fork in the road, where habit and repetition branch from joy and satisfaction, and sacrifice will not recompense or suffice, at least for one.

    Contains that look that says it all.
    7MOscarbradley

    No masterpiece but essential nevertheless

    He wasn't always the old glum maestro. Although the young lovers in "Summer with Monika" might have fitted quite easily into a British Kitchen Sink film, this early Bergman is less grim than we later came to expect and although minor, this film has much to admire; it actually reminded me a bit of "A Kind of Loving".

    A young Harriet Andersson is Monika and Lars Ekborg is Harry, the boy who loves her enough to want to spend a lot longer than just the summer with her. You might say that for Bergman this is a very simple picture filled with very simple people but Bergman treats them with a fair degree of sympathy. Monika may be just a little tart or simply a young woman trapped in an early marriage while Harry is always seen as trying to do the decent thing and the ending, if not exactly upbeat, is less of a Bergman downer than usual. No masterpiece, then, but an essential part of the canon nevertheless.

    Altri elementi simili

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    7,7
    Sorrisi di una notte d'estate
    Un'estate d'amore
    7,5
    Un'estate d'amore
    Una vampata d'amore
    7,4
    Una vampata d'amore
    Una lezione d'amore
    7,0
    Una lezione d'amore
    Il volto
    7,5
    Il volto
    Come in uno specchio
    7,9
    Come in uno specchio
    Donne in attesa
    7,0
    Donne in attesa
    Il silenzio
    7,7
    Il silenzio
    La vergogna
    8,0
    La vergogna
    Passione
    7,6
    Passione
    La fontana della vergine
    8,0
    La fontana della vergine
    Sogni di donna
    7,0
    Sogni di donna

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      In François Truffaut's I 400 colpi (1959), the poster that René and Antoine steal from the cinema is of Harriet Andersson in this film.
    • Citazioni

      Monika Eriksson: Spring is here. Did you notice?

      Harry Lund: Yes.

      Monika Eriksson: One shouldn't work on a day like this.

      Harry Lund: No, it's really crazy.

      Monika Eriksson: Let's go away and never come back. We'll see the whole wide world. Are you game?

      Harry Lund: Sure, let's go.

    • Versioni alternative
      First US release, marketed for the drive in theater circuit, ran only 62 minutes, was dubbed, and featured a different score by jazz musician Les Baxter.
    • Connessioni
      Edited into Histoire(s) du cinéma: Une vague nouvelle (1999)
    • Colonne sonore
      An der schönen blauen Donau / The Blue Danube, Op. 314
      Composed by Johann Strauss (1867)

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    Domande frequenti15

    • How long is Summer with Monika?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 9 settembre 1961 (Italia)
    • Paese di origine
      • Svezia
    • Lingua
      • Svedese
    • Celebre anche come
      • Summer with Monika
    • Luoghi delle riprese
      • Riddarfjärden, Stoccolma, Contea di Stoccolma, Svezia(Boat dock under the Western Bridge at Marieberg)
    • Azienda produttrice
      • Svensk Filmindustri (SF)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 484.000 SEK (previsto)
    • Lordo in tutto il mondo
      • 14.459 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 36 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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