VALUTAZIONE IMDb
6,6/10
9583
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaOn a Kenyan safari, white hunter Victor Marswell has a love triangle with seductive American socialite Eloise Kelly and anthropologist Donald Nordley's cheating wife Linda.On a Kenyan safari, white hunter Victor Marswell has a love triangle with seductive American socialite Eloise Kelly and anthropologist Donald Nordley's cheating wife Linda.On a Kenyan safari, white hunter Victor Marswell has a love triangle with seductive American socialite Eloise Kelly and anthropologist Donald Nordley's cheating wife Linda.
- Candidato a 2 Oscar
- 3 vittorie e 4 candidature totali
Samburu
- Themselves
- (as Samburu tribe of Kenya Colony)
Wagenia
- Themselves
- (as Wagenia tribe of Belgian Congo)
Bahaya
- Themselves
- (as Bahaya tribe of Tanganyika)
M'Beti
- Themselves
- (as M'Beti tribe of French Equatorial Africa)
Asa Etula
- Young Native Girl
- (non citato nei titoli originali)
Bruce Seton
- Wilson
- (non citato nei titoli originali)
Recensioni in evidenza
'Mogambo' is not one of the greatest of John Ford's films, but it is still a solid piece of work. Clark Gable is at his manliest, and Grace Kelly is cast perfectly (though her performance is not so perfect). However, Ava Gardner steals the show. Scenes without her seem dead. Scenes with her are charged with sexy movement and funny double-talk. Of course, Ford himself makes great use of the African landscape, applying his brilliant American West photography to the jungles and rivers of Africa. A good piece of entertainment and recommended for John Ford fans.
This fifties remake of Red Dust' casts Clark Gable again as the man trapped by the attention of two very different women. Instead of Mary Astor we have Grace Kelly as the repressed rich girl, while Jean Harlow's earthy character is portrayed by sensual Ava Gardner, a predatory animal in the hot jungle. The fourth player in the quartet (playing Kelly's husband) is Donald Sinden.
Aside from re-setting the action, changing the name of Gable's character, and giving the movie a Technicolor treatment, Mogambo doesn't update the 30s classic that much. Gable is still portrayed as irresistible to women as he was when twenty years younger, and the plot still simmers in the way it did before.
Naturally all the stars went on to other interesting things after this Gable left MGM to spend his last few years as a lucrative freelance; Kelly had a couple more major roles before marrying into Monaco royalty; and Gardner moved into more mature sexpot roles (such as her similar role opposite Richard Burton in The Night of the Iguana' a decade later). Sinden remains best known for his television work but on film he was more than adequate with the more showy co-stars in Mogambo.
This movie is not bad at all if you have a couple of hours to spend wondering how the various twists and turns will unfold.
Aside from re-setting the action, changing the name of Gable's character, and giving the movie a Technicolor treatment, Mogambo doesn't update the 30s classic that much. Gable is still portrayed as irresistible to women as he was when twenty years younger, and the plot still simmers in the way it did before.
Naturally all the stars went on to other interesting things after this Gable left MGM to spend his last few years as a lucrative freelance; Kelly had a couple more major roles before marrying into Monaco royalty; and Gardner moved into more mature sexpot roles (such as her similar role opposite Richard Burton in The Night of the Iguana' a decade later). Sinden remains best known for his television work but on film he was more than adequate with the more showy co-stars in Mogambo.
This movie is not bad at all if you have a couple of hours to spend wondering how the various twists and turns will unfold.
Some stunning Technicolor photography of African footage and beautiful AVA GARDNER are the sole reasons for watching John Ford's MOGAMBO, a remake of "Red Dust" that starred Jean Harlow twenty years before this was made.
Harlow's co-star, CLARK GABLE, is back reprising his role as the great white hunter (what happened to STEWART GRANGER???), but Gable has mellowed quite a bit and looks a bit too tired to be the love interest of both AVA GARDNER and GRACE KELLY--which is what the plot really boils down to. However, he is more than able to tame both of them.
GRACE KELLY still has the affected way of reciting her lines in a prim and princess-like way and is the less interesting of the two females. AVA GARDNER, on the other hand, livens up the story with her sarcastic one-liners and her ability to size up any situation and call a spade a spade. She's honest, frank and completely charming in her own way and walks off with every scene she's in, fully deserving her sole Oscar nomination.
But if you're looking for a real good story, MOGAMBO is not it. It has all the realism of a picture postcard despite the fact that much of it was filmed in colorful Africa. But the use of stock footage is also apparent as are shots of Gable and others before a process screen.
Fans of the stars should enjoy this one, but be warned--it's not without some serious flaws, mostly due to a weak script.
Harlow's co-star, CLARK GABLE, is back reprising his role as the great white hunter (what happened to STEWART GRANGER???), but Gable has mellowed quite a bit and looks a bit too tired to be the love interest of both AVA GARDNER and GRACE KELLY--which is what the plot really boils down to. However, he is more than able to tame both of them.
GRACE KELLY still has the affected way of reciting her lines in a prim and princess-like way and is the less interesting of the two females. AVA GARDNER, on the other hand, livens up the story with her sarcastic one-liners and her ability to size up any situation and call a spade a spade. She's honest, frank and completely charming in her own way and walks off with every scene she's in, fully deserving her sole Oscar nomination.
But if you're looking for a real good story, MOGAMBO is not it. It has all the realism of a picture postcard despite the fact that much of it was filmed in colorful Africa. But the use of stock footage is also apparent as are shots of Gable and others before a process screen.
Fans of the stars should enjoy this one, but be warned--it's not without some serious flaws, mostly due to a weak script.
I would like to share with those of you who might be interested to know that my Father Mr Abiodun Oke Hughes was part of the tribal cast in this film.
I remember growing up with that in mind and though I did a search for the cast tribe here on this site, unfortunately there wasn't one available to me.
So I wanted to do this, so all concerned would know how much we all still have the fondest memories of all his wondrous adventures while he was growing up.
Dad was only just in his 30's when this film was made and when I captured that 5 second shot of him out in the jungle, though it's only for a few seconds it still makes me proud to see it.
It still amazes me to know that my Dad worked along side the most unforgettable stars.
I guess I'm very proud to know the things I do about him. So I'd like to add my Father's memory for those of you out there, not only for my Family but also for my Dad. (may he rest in peace) So here's to you Daddy.
Abiodun Oke Hughes (19-12 to 19-86) We all love and Miss you
Ruth x
I remember growing up with that in mind and though I did a search for the cast tribe here on this site, unfortunately there wasn't one available to me.
So I wanted to do this, so all concerned would know how much we all still have the fondest memories of all his wondrous adventures while he was growing up.
Dad was only just in his 30's when this film was made and when I captured that 5 second shot of him out in the jungle, though it's only for a few seconds it still makes me proud to see it.
It still amazes me to know that my Dad worked along side the most unforgettable stars.
I guess I'm very proud to know the things I do about him. So I'd like to add my Father's memory for those of you out there, not only for my Family but also for my Dad. (may he rest in peace) So here's to you Daddy.
Abiodun Oke Hughes (19-12 to 19-86) We all love and Miss you
Ruth x
This is a strange, but good picture coming from John Ford. It's not about the usual themes he normally tackles, it lacks the usual supporting cast from a Ford film. Yet it is a good piece of movie making.
In a biography of John Ford by his grandson he said that Gable and Ford were friends for years, not particularly close, but friends nonetheless. Whenever they were together Ford and Gable talked about working together. Finally Gable got MGM to get Ford for his next film and it was Mogambo.
I like Mogambo because it was the start of a trend in Hollywood to show some realism when dealing with Africa. To this day there are people in the United States whose knowledge about things African were gained from Tarzan movies. African Queen, King Solomon's Mines, and Mogambo were all shot on location and all show the native Africans in reality. I was a kid at this time and my first bit of education about Africa came from Ramar of the Jungle. This is light years better.
Gable was criticized for reprising a role he did 20 years earlier in Red Dust. The plot line stays the same, but in Red Dust, Gable is the hard-nosed manager of a rubber plantation in Malaya. Gable as Vic Marswell here is a world weary and cynical game hunter and safari guide. Both portrayals are very good and very different.
By all accounts it was not a happy set. The usual problems with location in Africa presented themselves. In addition Frank Sinatra was on the set. He was waiting on word whether he would get the part he sought in From Here To Eternity. At the time he was married to Ava Gardner and there's was one of the most tempestuous marriages in Hollywood history. He was jealous of Gable as he was of all Gardner's leading men. To be just Ava kind of encouraged the jealous. When Harry Cohn gave him the word about From Here To Eternity he left with the gratitude of Ford, Gable, Gardner and everyone else, he'd become a royal pain in the neck.
Ava Gardner was one of the most beautiful women God ever created and a lot of times she could get by with that. But when called on to act she could. As Eloise "honeybear" Kelly she's as cynical in her own way as Gable was. They were a perfect fit. This was the last of three films she and Gable made.
I don't think Grace Kelly is shown to best advantage here. Her British accent was a bit affected. I'm not sure why MGM just didn't cast a British actress like Deborah Kerr in the part. Of course she also was involved with From Here To Eternity if I remember.
Mogambo because of the location shooting and much bigger budget is better than its predecessor Red Dust. For all the unhappiness on the set, the stars and its director did some good work.
In a biography of John Ford by his grandson he said that Gable and Ford were friends for years, not particularly close, but friends nonetheless. Whenever they were together Ford and Gable talked about working together. Finally Gable got MGM to get Ford for his next film and it was Mogambo.
I like Mogambo because it was the start of a trend in Hollywood to show some realism when dealing with Africa. To this day there are people in the United States whose knowledge about things African were gained from Tarzan movies. African Queen, King Solomon's Mines, and Mogambo were all shot on location and all show the native Africans in reality. I was a kid at this time and my first bit of education about Africa came from Ramar of the Jungle. This is light years better.
Gable was criticized for reprising a role he did 20 years earlier in Red Dust. The plot line stays the same, but in Red Dust, Gable is the hard-nosed manager of a rubber plantation in Malaya. Gable as Vic Marswell here is a world weary and cynical game hunter and safari guide. Both portrayals are very good and very different.
By all accounts it was not a happy set. The usual problems with location in Africa presented themselves. In addition Frank Sinatra was on the set. He was waiting on word whether he would get the part he sought in From Here To Eternity. At the time he was married to Ava Gardner and there's was one of the most tempestuous marriages in Hollywood history. He was jealous of Gable as he was of all Gardner's leading men. To be just Ava kind of encouraged the jealous. When Harry Cohn gave him the word about From Here To Eternity he left with the gratitude of Ford, Gable, Gardner and everyone else, he'd become a royal pain in the neck.
Ava Gardner was one of the most beautiful women God ever created and a lot of times she could get by with that. But when called on to act she could. As Eloise "honeybear" Kelly she's as cynical in her own way as Gable was. They were a perfect fit. This was the last of three films she and Gable made.
I don't think Grace Kelly is shown to best advantage here. Her British accent was a bit affected. I'm not sure why MGM just didn't cast a British actress like Deborah Kerr in the part. Of course she also was involved with From Here To Eternity if I remember.
Mogambo because of the location shooting and much bigger budget is better than its predecessor Red Dust. For all the unhappiness on the set, the stars and its director did some good work.
Lo sapevi?
- QuizClark Gable did not get along with director John Ford during filming, and at one point walked off the set in protest at Ford's treatment of Ava Gardner. Ford also made several remarks about Gable's age and weathered appearance.
- BlooperWhen Honey Bear is awaiting the boat to take away (first time round), she is seen sitting on her suitcases and trunks. Then she walks down the slope with just her umbrella in her hand, bids Marswell good bye and hops in the boat. The captain lifts the gangway and off they sail away, forgetting her bags on the shore.
- Citazioni
Eloise Kelly: Look, Buster, don't you get overstimulated with me!
- Curiosità sui creditiOpening Title Card reads: Metro-Goldwyn-Mayer is grateful beyond measure to the government officials of Kenya Colony, Tanganyika, the Uganda Protectorate and the Republic of French Equatorial Africa, whose limitless co-operation made this motion picture possible.
- ConnessioniEdited into Trader horn il cacciatore bianco (1973)
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Dettagli
Botteghino
- Budget
- 3.103.000 USD (previsto)
- Tempo di esecuzione1 ora 56 minuti
- Proporzioni
- 1.37 : 1
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