Amanti latini

Beautiful blonde Lana Turner (as Nora Taylor) worries men may want her because she is worth $37 million dollars. She is engaged to handsome blond John Lund (as Paul Chevron), who is worth $48 million dollars. It sounds like a good match, but Ms. Turner is still worried. When she was poor, a greedy boy stole all her marbles, she tells her analyst. Both Turner and Mr. Lund go to picturesque Brazil, where he plays polo. Turner wears expensive clothes and meets muscle-glistening Ricardo Montalban (as Roberto Santos). They are mutually attracted. Turner decides to hide her $37 million estate from Mr. Montalban, because she (now) thinks men are not interested in marrying beautiful and wealthy women. Honest. This story is as silly as it sounds. However, it is worth watching to see how the crew at MGM could pull out the big guns; in this case, for Turner and Montalban. The production always looks great.

***** Latin Lovers (8/12/53) Mervyn LeRoy ~ Lana Turner, Ricardo Montalban, John Lund, Louis Calhern

"Latin Lovers" is a tough movie to love. After all, the main character, Nora (Lana Turner), is very rich AND very arrogant. Through much of the film she seems to think she is entitled due to her money...yet she also is worried a man might want her for her money. Oddly, despite this, she is uninterested in marrying her long-time boyfriend (John Lund)...who is even richer than her.

When the boyfriend goes to Brazil to play polo, she follows and soon is smitten with Roberto (Ricardo Montalban). She worries he, too, wants her money. And, when she tells him she's loaded, he's thrilled...futher convincing her that all men want is her cash, not her circa 1953 hot bod.

In addition to Nora acting dumb and annoying through much of the film, the two men in her life aren't exactly prizes either--though you still often wonder WHAT they see in her! This is because Nora OFTEN gets angry and huffy and is as pleasant as a lion with a toothache. So, with some unlikable characters all you have left is the nice MGM gloss...which this one has in spades.

There is enough music in this film-minus the big name singers and dancers of the era-to make it a must-see musical. Although at times her hair looks like actual platinum, Lana Turner appears in so many mind-bogglingly gorgeous outfits that her wardrobe alone makes the movie worth watching. Then there is Ricardo Montalban in perhaps the sexiest (especially for those who remember him as Khan in Star Trek) film role of his career as a leading man, his singing voice dubbed by one Carlos Julio Ramírez in "A Little More of Your Amour." My favorite lines from that song: "Your samba is a stand-out, but I wish that you would hand out a little more of your amore." Turner is gorgeous throughout, and Montalban equals her sexiness on every level. Next-to-the-best treat: the great Rita Morena as the jealous Brazilian who stands in contrast to the excesses of wealth on display in the film. Bonus: Jean Hagen (of "Singin' in the Rain") as Turner's sidekick.

This is highly entertaining fluff. Lana Turner looks lovely, so it is probably carping to comment on her limited acting ability. Ricardo Montalban is suitably macho. The film is saved for me by the other actors with John Lund showing a deft comic touch and making his character more than one dimensional, which it surely would have been had the earlier choice, Michael Wilding played the role. Louis Calhern steals most of his scenes as Montalban's grandfather - the fact that he was only 25 years older apparently bothered no one. There are some nice touches in the writing and the costumes and cinematography are beautiful. All in all there is plenty to enjoy.

Shallow time-filler, directed by the estimable Mervyn LeRoy (who must have been a bit embarrassed), this picture-postcard travelogue-cum-romance should have put Ricardo Montalban on the map as a huge matinée idol. Montalban never quite broke the ethnic barrier to become a Valentino-type player in Hollywood, and filmdom certainly missed a prime opportunity. Montalban swaggers and struts and exudes mucho charisma as a horse rancher in Brazil who falls for vacationing heiress Lana Turner. Semi-musical piece of Hollywood factory gloss entertains in its fashion, but you'll be ashamed of yourself in the morning. Turner is so aloof that even Ricardo fails to melt her icy exterior, but the South American flavor is amusingly captured and the picture looks good enough to eat. ** from ****