Straniero in patria

George montgomery is jack mccall, a southerner, fighting for the union army. When he's accused of aiding the enemy, he must make a run for it to clear his own name. Trying to prove one's own innocence was the plot for about half the westerns ever made! No singing cowboys in this one (hello gene autry, roy rogers!) but this one does have its share of galloping horses, gun fights, fistfights, and saloons. Pretty low key. Pretty scenerry of the california hills. Filmed in spherical technicolor, at the iverson ranch, according to imdb. Directed by sidney salkow. He had directed a bunch of the lone wolf films. It's okay. Nothing too amazing. It's another western.

A good-looking Columbia Technicolor western with a Civil War backdrop that for some reason calls it's central antagonists Jack McCall and Wild Bill Hickok.

Aside from being set in the wrong decade, viewers who saw Porter Hall or Lon Chaney as McCall would be surprised to see this new handsome and upright incarnation by George Montgomery. Somebody involved in the production must have seen a photograph of Hickok, since Douglas Kennedy in the role has the only authentic Wild West moustache in the film.

As an historian, I can't let this pass. :-) Jack McCall shot Aces&8s Wild Bill Hickok in the back of the head, dead, and this film tries to turn him into a victim and hero. ?? The historical McCall claimed Hickok had treated him unjustly in Abilene, and the verdict in Deadwood was the historical one - do some research. :-)

Lots of colorful action, and Angela Stevens is a very beautiful bad girl with an angel's heart who saves our ... hero ... from a noose and throws in with him. And Jay Silverheels was a convincing Sioux Red Cloud, even with that gargantuan headdress.

The stagecoach robbery was a Robin Hood affair - the victim poor highway ... persons.

Loved the way it started ambivalently/confusingly in the Civil War.

The producer obviously enjoyed desecrating Old West history. I'm amazed an honorable George Montgomery went along with it.

Good thing another US Marshall, Wyatt Earp, died in 1929, before this film was produced.

Jack McCall Desperado is a truly revisionist look at the old west where Wild Bill Hickok's backshooting killer was really the good guy. George Montgomery plays McCall who according to this film was a much misunderstood man.

From the early silent days it was fashionable, especially in the B westerns like Jack McCall Desperado to take western characters of legend and fashion plots around their name that had absolutely nothing to do with the lives these people led. James Butler Hickok might not in real life have been a movie cowboy hero, but Jack McCall was nothing but a backshooting punk.

However in this story, Montgomery is a southern man who volunteers for the northern armies and then gets tricked by some southern troops into giving away northern positions. The fact that these guys are in Union Blue when he does it means nothing because he can't prove it. Later on Montgomery is chased to his southern mansion home where Sergeant Hickok kills McCall's father and his cousin James Seay his mother. And McCall's still a wanted man.

Even after the war is over Montgomery's a fugitive and Hickok played by Douglas Kennedy and Seay are in business. Hickok is now marshal of Deadwood City in the Dakota Territory where he's using his influence to betray the Sioux and get a nice Indian war started.

Jack McCall Desperado is an almost Kafkaesque revision of western lore with Montgomery as McCall as a bit of an idiot who constantly is getting tricked by much cleverer people than himself. It's far from a great western, but wow is it ever interesting.

Director Sidney Salkow, about whose work I know very little, apparently cranked out quite a few B Westerns in his day, and this one is not exactly bad to look at, cinematographically, but it suffers from a poor script. On the plus side, it posts a gripping beginning but loses steam.

According to other reviewers, one desperado by the name of Jack McCall did exist in the real West, and apparently he was a bad seed, shooting people in the back, among other dastardly deeds!

Well, thank God for little mercies, Montgomery portrays an upstanding character who has inadvertently given away the position of his Union troop HQ to Confederate men in Union uniform, and he has to clear his name, and save his neck from the noose for high treason, by tracking down the man to whom he drew the map... on the back of an envelope addressed to Jack McCall. That tells you that Jack would never rate the sharpest knife in the drawer. Still, although he shoots other men facing them, he is not above jumping jail and enlisting the help of pretty Angela Stevens, known in saloon circles as thieving Rose.

That the reb who can clear his name survives years of secession war, postwar yank-reb enmity, and all the shootouts at Deadwood and all over the Far West, gives you a measure of this desperado's faith in favorable fate. More faith than I have in ever retrieving the 76' I invested in this BS fest. 5/10.