Aggiungi una trama nella tua linguaThis semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen trea... Leggi tuttoThis semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen treatment for the life of Eva Tanguay, and Jessel is unhappy with what the writers present him... Leggi tuttoThis semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen treatment for the life of Eva Tanguay, and Jessel is unhappy with what the writers present him. He tells them to look up Eddie McCoy, Eva's one-time partner, for the real inside story ... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Orchestra Leader - 'I Don't Care'
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- Orchestra Leader
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- Dancer
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- Stage Manager
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- Audience Member
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- Dancer
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- Keith Theatre Manager
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- Nurse
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- Theatre Callboy
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Recensioni in evidenza
To start the framing device of having George Jessel mounting a biography of Eva Tanguay is a wasted and contrived waste of time and should have been scuttled. Then the story such as it is tells you nothing of the real Miss Tanguay.
Mitzi is a talented girl, an excellent dancer and pleasing personality but she is given little too work with but she does wear feathers well. None of the male actors are given characters that make any sense. At least Oscar Levant gives his patented amusingly dry performance and gets a spotlight piano number which is the best thing in the movie. The leading man Bob Graham playing the fictitious Larry Woods is so bland he practically evaporates from the screen and makes no impact in the picture at all.
If you like flashy production numbers, staged by the legendary Jack Cole, than this has plenty to enjoy but if you want narrative structure along with them you won't find that here.
Lo sapevi?
- QuizChoreographer Jack Cole's penchant for multi-level dance numbers meant that there was always the possibility of dancers getting hurt. Mitzi Gaynor indeed fell on her back during the filming of "Beale Street Blues" while descending a flight of stairs. She also slid off a 16-foot platform while filming the more abstract "I Don't Care" number; she credited her feathery costume with cushioning her fall.
- Curiosità sui crediti(Opening) credits begin after a production number is interrupted because Eva Tanguay is performing badly ("Something's wrong"); we never find out what. Similarly, the end of the film injects a present-time character into the final flashback ("I wanted to see how it ended.") The End.
- ConnessioniFeatured in Merely Marvelous: The Dancing Genius of Gwen Verdon (2019)
- Colonne sonoreAs Long As You Care (I Don't Care)
Music by Joe Cooper
Lyrics by George Jessel
Sung by Bob Graham
Staged by Seymour Felix
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- I Don't Care
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 18 minuti
- Proporzioni
- 1.37 : 1