La maschera di cera

I love Vincent Price, my all time favourite horror actor. 'House Of Wax' is an important movie in his career, because it was his first legitimate horror film, after thirty something pictures in a variety of genres. This really is where the Price persona fans know and love began. He made non-horror pictures after this, it was a few years later that he made 'The Fly' and the William Castle movies which made him a horror star, something cemented later in the 60s with Roger Corman's Poe movies. But you can see Vincent Price horror icon right here. He's terrific as Jarrod and he would draw upon this role for 'The Mad Magician', and later, the Phibes movies and 'Theatre Of Blood'. 'House Of Wax' is a remake of 'Mystery Of The Wax Museum' made twenty years earlier. In that one Lionel Atwill played the Price role (different name, but same character). Atwill was great but Price is even better, as is the movie overall. 'House Of Wax' sticks pretty much to the earlier movie, but with a few changes, most notably the absence of the girl reporter character that Fay Wray played in the original. In this, the policeman played by Frank Lovejoy ('In A Lonely Place') takes on a similar role. Phyllis Kirk is good as the female lead, better in my opinion than Glenda Farrell in the earlier picture. The supporting cast also includes Carolyn "Morticia Addams" Jones, and an early appearance by Charles Bronson, who plays a deaf mute named Igor. 'House Of Wax' was made specifically for 3D, so there's a few gimmicky shots, but that doesn't spoil the movie, which to me is a horror classic that every fan of the genre should see.

The House of Wax is a true horror classic! I saw it for the first time in 1953 at a local theatre in 3-D.

I have seen it many times since on video. It never ceases to entertain.

While watching it today I noticed something for the very first time: a most interesting anachronism.

This film takes place in old New York circa 1900. Every indoor scene has a gaslight in it, and the fire department responds with a horse-drawn wagon. Well, in one of the early scenes in the film Prof. Jarrod(Vincent Price)is conducting a prospective investor, Sidney Wallace(Paul Cavanagh), on a tour of his wax museum. There are gas lights everywhere. They arrive at an exhibit and Prof. Jarrod flips a wall switch, and presto the exhibit is illuminated in light. Somebody goofed!

If you've never seen The House of Wax, watch it. You'll love it.

One more interesting note. Dabbs Greer who plays Sergeant Jim Shane in this film also plays old Paul Edgecomb in the 1999 thriller The Green Mile.

I saw the remake recently of House of Wax and mainly that was because I just wanted to see Paris Hilton die once and for all! I was a satisfied customer, but the movie actually turned out to be pretty good, so I was very curious to see the original, especially since I love Vincent Price. Who wouldn't love him? He's the king of B-Horror Movies. He has brought us House of Wax, the original haunting tale of an artist who went too far to create his works of art.

Henry Jarrod is an artist who has devoted his life to his wax museum, but when his partner is upset with the investment and wishing it had better success, he offers to burn the place down and split the insurance money with Henry. But Henry refuses, his partner goes through with it by burning the place down and knocking Henry unconscious and leaving him for dead. But a little while later, his partner convinces the insurance company that Henry is dead and collects the insurance money, but things start to happen like the partner dies but it looks like suicide and Cathy's, our leading lady, best friend is murdered by a horribly disfigured man and her best friend's body disappears only to happen to look like a figure of Henry's new exhibit.

House of Wax maybe be tame by today's standards, but just think of the time, no one ever thought in a million years of something this horrific. A sick artist taking our corpses or killing us just because we would inspire him, it's a scary thought. Vincent Price added so much horror and beauty to this picture that will never be forgotten once you have seen it.

8/10

My great uncle was in this movie, being the barker. Watch this movie and get out of the way of his ''tricks''. His name was Reggie Rymal. I'm Larry...

My uncle was an entertainer and comedian in the early 1950s and was well known for his paddle-ball skills. He performed standup comedy and paddle-ball at hotels around the country. He appeared on many television shows during the early days of TV including "The Eddie Cantor Show, You Asked For It, and Ladies Choice.

I have always felt he was chosen for this movie due to the contribution in content for the 3-D effects. He was simply an amazing guy.

Perhaps I've been lucky. I've only seen this film twice in the past 15 years, but both times were in 3D, the second time last night. The crowd just loved it, with a big round of applause at the end.

The paddle ball scene is a highlight, but the reprise of the paddle ball is even more hilarious. It's completely over the top, and helps to create the carnival atmosphere that makes the film so effective in a large group.

The really dramatic 3D effects in this film are played for laughs, and I think that's one of the keys to its overall success. Director André De Toth treats the gimmick as a gimmick, and doesn't try to get more out of it than that. Hitchcock, in "Dial M For Murder", tried to use the technology for dramatic effect, but that was a complete failure. The gimmick gets in the way of real drama. The attempted murder of Grace Kelly in "Dial M" is more shocking in 2D. In 3D, you're completely jolted out of your involvement in the scene when Grace's grasping hand comes lunging halfway out into the audience at you.

In "House of Wax", the effect found its real home, a melodramatic thriller, played by everyone with tongue firmly in cheek.

De Toth composes his shots really nicely, I think. There's some foregrounding of chandeliers and other props, but never too much. He mostly holds back on the effect until he can make the best use of it -- the paddle ball, the can-can dancer's round bottom, the bust of Charles Bronson at the end. There is one great 3D thrill, the shot where Bronson, playing Vincent Price's evil mute assistant, has to grapple with policeman Frank Lovejoy. Bronson appears to leap out of the audience and onto the screen; it's an unexpected moment, and a real treat.