Forte Algeri

The usual desert hokum, with a noisy woodwind score by Michel Michelet (that bursts into piano at the end) but a budget that didn't run to colour; but fortunately embellished by elegantly stylised sets (probably left over from previous productions) lit to heighten their impact by master cameraman John Seitz (plus cool second unit work).

Top-billed Yvonne de Carlo as a glamorous spy photographs well in black & white (as 'The Munsters' later demonstrated), has a fabulous wardrobe and can ride a horse, while a good supporting cast - including Raymond Burr as a villainous Emir - keep straight faces.

Low grade, low budget junk on the same level as 1955's Escape to Burma, although that film was actually better. There's hardly a believable moment in the whole script, the best parts the African desert, the actual tribesman extras, and Raymond Burr and Yvonne DeCarlo. Potential viewers other than RB and YD completists can skip it.

For a plot, "Fort Algiers" leaves nothing to the imagination. And very little hidden. Right away, we know who the bad guy is, so there's no intrigue at all to this film. It's not very well directed or edited, and the acting is just so-so. One reason to watch it is to see Raymond Burr before he became Perry Mason and found his niche on TV. Another reviewer commented that he or she could see why he left Hollywood. Yes, it's obvious that he wasn't much of an actor. Even in these early films of his – I've watched a couple lately, his weight must be over 300 pounds.

The romance and spying in this are just plain hokey. It's not even a very good picture of life in the Foreign Legion. Yvonne de Carlo has one of her roles as a foreigner, and she probably does the best acting job for the whole film. The battle scene provides a little action but even that seems awfully stagy. The tribes must have been a few miles away when the oil field workers spotted them approaching. Once they charged at full gallop, it took forever for them to cover the ground to the oil wells. While the film quality is very good, the production values are clearly second-rate.

This just isn't a film I can recommend.

This adventure movie proves that Lesley Selander was not only a western film maker. Ok, this movie is told, written and acted as a western; just replace Arabs by Indians and Foreign Legion by the US Cavalry. Remember Selander's DESERT SANDS, another French Foreign Legion film. The exotic part is present, despite a black and white photography, such a shame, especially with a superb Yvonne De Carlo in a Mata Hari like character. Raymond Burr is outstanding as the evil guy; how could it be else? This movie belongs to the French Foreign legion ones and that makes me think one more time of my grief concerning DESERT HELL, from director Charles Marquis Warren. A so rare film that no one seems to have ever seen it. The review on Imdb looks very like the copycat of a dictionnary comment.

It's been well over a year since I had mentioned I'd be renting this one on DVD, after being impressed with Lesley Selander's neglected low-budget horror effort THE VAMPIRE'S GHOST (1945). At the time, I had even joked about the fact that the director's filmography included six(!) pictures with the word "fort" in their title – this, of course, being one of them.

Despite the lowly rating, I enjoyed the film for what it was – a thoroughly unassuming romantic adventure. Its B-movie roots are evident in the ample stock footage (particularly during the final desert charge on an oil well – which also presents an incongruity in wardrobe, with heroes and villains dressed in outfits from different time periods!) but also the choice of leading man, Carlos Thompson: the Argentinian actor made only a handful of English-language films (none very notable, though his last film was the delightful French WWII comedy LA VIE DE Château [1966] with Catherine Deneuve) and committed suicide back home in 1990.

Anyway, FORT ALGIERS was really a vehicle for Yvonne De Carlo, who specialized in such forgettable exotic fare around this time; here, she's a French agent who had forsaken lover Thompson for 'the cause' – but meets up with him again when she's sent to spy on evil Arab potentate Raymond Burr (highly amusing in a turban). Leif Erickson delivers an unbelievably hammy performance as Thompson's arrogant sergeant – though his character is eventually softened when selected for the hero's buddy in a mission (in which Thompson has to rescue De Carlo from Burr when the girl's cover is blown); the rest of the cast includes such familiar faces as John Dehner, Anthony Caruso and Robert Warwick.