Il ribelle di Giava

Fred MacMurray is the captain of a schooner sailing in Dutch East Indies waters. He's gotten wind of some fabulous diamonds, and possession of dancing girl Vera Ralston who knows where they are. Meanwhile, he has to deal with John Russell, who's the owners' representative aboard the ship, pirate Robert Douglas, and the fact that the diamonds are on a little island in the Sunda Strait called Krakatoa. And, of course, it's 1883.

It's certainly not a great movie by any means, but under the direction of reliable Joseph Kane and, for Republic Pictures, an 'A' budget, it's a swell movie for kids and men who have never quite grown up. Jack Marta handles the Technicolor cameras well, and if it seems all bright cloths and sets from Republic's disappearing serial department, it does what is expected of cheap historical fiction. Certainly the Lydecker Brothers must have had fun setting up the special effects for when Krakatoa blows up. With Victor McLaglen, Claude Jarman Jr., and Grant Withers.

Good guys vs, pirates in a race for a fortune in diamonds. Lots of action and much violence, especially in a scene where Vera Ralston, who plays an escaped slave girl, is captured by the bad guys and whipped to make her tell where the diamonds are. She dosen't tell and pays for it, leading to the explosive ending of a great erupting volcano scene.

Republic Pictures knew how to do two things really well—action and special effects. Both are on showcase display in this south seas epic. Okay, no one expects deep think or character development from the studio of the matinée western, and this 90-minutes doesn't disappoint. For Republic, story was just an excuse to stage barroom brawls and shootouts, anyway. The plot here appears a cut-and-paste job from one of their many Saturday afternoon serials (e.g. a masked mastermind), while the characters seldom rise above stereotype.

Still, studio honcho Yates spent what for them was a bundle. He even went out and hired A- list Fred MacMurray to pair up with his hapless sweetie Vera Hruba Ralston. MacMurray, always the professional, gives his sea captain his all, while native girl Ralston has little more to do than get dragged around. I'm still puzzled, however, by handsome John Russell's presence in what seems a tacked-on role. Maybe it was something of a screen test for bigger and better things.

Anyway, the Trucolor is gorgeous, the action fast and furious if often mindless, while Krakatoa blows up real good. So, if you want your eyes entertained at the same time your brain takes a rest, be sure to tune in.

In glorious trucolour! Another Republic storybook masterpiece from the last 5 years of the studio, this is an Indiana Jones pirate/volcano movie before anyone thought of Indie...or Did Spielberg Lucas see this aged 8 are regurgitate it into the 80s as with Star Wars 70s epics from other Republic (serial) adventures of the 40s. Actually, don't Spielberg Lucas owe Republic Studios a lot!!.......FAIR WIND TO JAVA stayed in cinema circulation even after 1960 and was often seen in cinema screens at Kids matinees with other Republic films like TOBOR or the hopeless western botch PAWNEE. The 1969 cinerama sized KRAKATOA EAST OF JAVA (it was west, actually) might have attempted a bigger screen and scope, but this 1953 version with Fred and the pirates - and genuinely beautiful art direction and great modelwork, is a lot more fun. Even Vera the acting wife came out of this one well.

A sort of mini-De Mille picture from Republic studios, A Fair Wind To Java is a fast-moving adventure story set in the south seas. Fred MacMurray is excellent as the hero, really quite at home in the sort of costume picture role one wouldn't expect to find him in. What absurdities there are in the story are offset to a large degree by the actor's surprising moral authority as the humane captain. Vera Ralston is lovely if unexceptional as the heroine. The supporting cast is fine and energetic. As always, the Lydecker brothers provide superb special effects on a limited budget. Overall, a watchable, old-fashioned movie, if a tad anachronistic for the fifties. The ending provides genuine spectacle, and is well worth the wait.