Tempeste sotto i mari

Directed by Robert D. Webb and released in 1953, this saga of competing sea sponge divers was noted for its drop-dead gorgeous cinematography and a brilliant score by composer Bernard Herrmann--and these remain the great assets of the film to this day.

The story is pure melodrama given an exotic twist. The Petrakis and Rhys families earn their livings by diving for sea sponges, but when the Rhys family, led by father Thomas (Richard Boone) resort to dirty tricks the Petrakis family, led by father Mike (Gilbert Roland) are forced to resort to risky dives at the dangerous 'Twelve Mile' reef; at the same time a love affair between son Tony Petrakis (Robert Wagner) and daughter Gwyneth Rhys (Terry Moore) further complicate the rivalry. Needless to say, tragedy results.

Both Wagner and Moore were considered rising stars when the film was made, and although Wagner makes for an unconvincing Greek both give enjoyable performances as the star-crossed lovers caught Romeo and Juliet fashion between battling families. Even so, the acting honors here go to Gilbert Roland and Richard Boone as the warring fathers with a special nod to Peter Graves as Arnold, an overly aggressive Rhys diver. Several notable character actors, including J. Carroll Nash, Jay Novello, and Harry Carey Jr. round out the cast.

Although the cast is solid, the plot is more than a little predictable--but the chief thing is the photography and the score. REEF was among the earliest productions made in Cinemascope, and everyone concerned was determined to make it as visually attractive as possible. The result is some truly beautiful cinematography, particularly in reference to the film's many underwater scenes. The score by Bernard Herrmann, who would later be best known for his work on such Hitchcock films as VERTIGO, also captures the beauty of the sea to remarkable effect.

Unfortunately, REEF seems to have fallen into public domain, and there are numerous DVD and VHS releases on the market. In most cases they are abominable things: the cinemascope has been reduced to pan and scan, the colors are muddy, and the sound is poor. There are, however, at least a few available that give you some idea of what all the 1953 fuss was about. Although they are hardly renowned for the quality of their product, the Digiview Productions release is actually quite good; the Digital Gold release is also more than respectable.

Gary F. Taylor, aka GFT, Amazon Reviewer

All in all, the 90-minutes amounts to a better movie than its near 5-plus user rating. The plot's no brain twister- Greek sponge divers compete with Anglo counterparts off the coast of Florida. That could be a tricky ethnic premise but it's nicely finessed Romeo and Juliet style.

There's no way early TV could compete with this Cinemascope panorama. The beautifully colorized ocean sights are stunning, while the murky underwater presents a good contrast. Not surprisingly, studios hoped this kind of visual wonder would induce couch potatoes back into theatres. Then too, it's no wonder Wagner's career took off with this showing, even though he's coiffed in unlikely black curly hair. Happily, the young actor proves both spirited and likable in the central role of the Greek son working to equal his dad's (Roland) leadership skills. Roland too amounts to a riveting screen presence, while a face-off between him and Anglo leader Richard Boone would have shaken the rafters. Anyway, I had my hopes. And catch that "lifeline" sending air to the diver. It looks awfully meager given the many hazards below. No wonder Wagner's Tony says he's terrified every time he goes under. I'll keep that in mind next time I use a kitchen sponge.

A number of these folks went on to stellar careers, including Peter Graves who gets to practice his fistic skills. No, there's little in this A-production to call memorable. But for a non-rainy evening, it's an enduring slice of movie entertainment.

Robert Webb directs this terrific underwater adventure. Two families of different ethnic background rival for sponges in the Gulf of Mexico off the west coast of Florida. One family of Greek decent is led by Mike Petrakis(Gilbert Roland)and his son Tony(Robert Wagner). Their efforts of diving for valuable sponges are thwarted by Thomas Rhys(Richard Boone)and his team of divers. Arnold(Peter Graves)is the aggressive diver that leads raids on the Petrakis sponge hauls as well as competes with young Tony for the affection of Gwyneth Rhys(Terry Moore). Highlights are Wagner fighting with an octopus; Moore in a swimsuit; and the great underwater scenes. Notice Wagner's dyed black hair. In supporting roles are two veteran actors J. Carrol Naish and Jay Novello. It is said this is the third movie filmed in Cinemascope. It garnered critical acclaim for the breakthrough underwater cinematography.

Although I would not want to minimize the dangers of deep sea diving which were even more before the invention of scuba gear, the idea that sponge diving is the most dangerous profession in the world as Rock Hudson's narration tells us is a bit much. Yet it's the underwater scenes in Beneath The 12 Mile Reef that hold the audiences attention. On the surface it's your average soap opera about two young people who get together despite the objections of the father of one of them.

Robert Wagner is the boy and Terry Moore the girl. Wagner is the son of Gilbert Roland and Angela Clarke and Wagner and Roland are sponge divers, a trade brought over from the old country. They've settled in Florida and continue to work, but when they try to dive in another area Wagner and Roland find that it's been staked out by Richard Boone and his family who is protective of their turf in general and don't like the Greeks that have settled there. Moore's got a nasty boyfriend in Peter Graves, but she sure likes what she sees in Wagner who isn't named Adonis Petrakis for nothing. He certainly was a lovely sight for the teenage girls back in 1953.

Beneath The 12 Mile Reef got an Oscar nomination for best color cinematography in 1953 but lost to Shane at the ceremony. It's because of those underwater sequences which still hold up well today.

This film also gives you one of the very few opportunities to see Harry Carey, Jr. in a non-western film, playing one of Terry Moore's brothers. Peter Graves just does not cut it as a villain, except in Stalag 17 where his all American personality is what makes him the surprise informant. And J. Carrol Naish, Hollywood's all purpose ethnic plays a sidekick role to Wagner and Roland. I'm sorry Roland was not in the film all the way, he's a favorite player of mine, but his death scene is a frightening one and the best in the film out of the sea.

Beneath The 12 Mile Reef is an average romantic soap opera with some really good color cinematography in the ocean depths. Would the players had a better story to go with the scenery.

I am a Floridian who doesn't live all that far from Tarpon Springs...the small town in which "Beneath the 12-Mile Reef" was set. Even today, it's big claim to fame is their sponge diving trade. And, when you see the youths jump into the harbor to recover the crucifix tossed into the water, well, that's a tradition the Greek Orthodox community still celebrates to this day. It's a lot more touristy today and if you visit the quaint little shops, you'll notice many sell copies of this film.

According to this story, the quality of the sponges the divers are retrieving has declined and the 12-Mile Reef is a piece of virgin territory where the sponges still are abundant. Naturally, it's tougher and more dangerous to go there...and some of it is because thieves and/or folks claiming the waters are theirs sometimes set upon the boats and steal their harvests.

While I really wanted to love "Beneath the 12-Mile Reef", I felt very ambivalent about it after seeing it. The film was okay...just a time-passer and apart from nice nice local scenery and underwater shots, the story just never impresses nor does it annoy.





By the way, some scenes were filmed in the Keys as well as the Bahamas. I assume they were picked mostly because the water is far clearer there and much better for underwater shots. I've scuba dove the areas and know that there's a huge difference in the clarity of these waters.