La grande nebbia

Always enjoy a film in which Ida Lupino directs and stars in the same film. This story has a twisted tale about a guy named Harry Graham, (Edmond O'Brien) who is married to a very successful woman, Eve Graham, (Joan Fontaine), who devotes her entire life to her business along with her husband who is a traveling salesman for their company. When Eve found out she could not have any children, she unknowingly neglected her husband and they went their separate ways, only seeing each other maybe once or twice a month. Harry meets up with a young woman, Phyllis Martin, ( Ida Lupino ) on a tour bus in Los Angeles and they both get interested in each other. One day, out of the blue Eve Graham asks Harry if he would like to adopt a child and so they engage the help of Mr. Jordan, (Edmund Gwenn) who works for a child adoption agency. Mr. Jordan explains that he will have to investigate both of their backgrounds and Mr. Jordan begins to have his doubts about Harry. It is at this point in the film when it gets very interesting. This is truly a great 1953 film Classic; I was surprised to learn that Joan Fontaine and Ida Lupino were both married to Collier Young who wrote the screenplay for this film.

Ida Lupino directs and costars in "The Bigamist," a 1953 film starring Edmond O'Brien, Joan Fontaine and Edmund Gwenn, as well as Lupino. O'Brien and Fontaine play a married San Francisco couple, Harry and Eve Graham, who are unable to have children and are planning to adopt. Eve is a very successful businesswoman; Harry is a traveling salesman with a big territory in Los Angeles. Harry becomes quite nervous when he realizes that a thorough background check must be done before the adoption can take place. Mr. Jordan (Gwenn), who works for the adoption agency, knows something is wrong but can't quite put his finger on it. Eventually he finds out - Harry Graham is Harrison Graham in Los Angeles, and there he has another wife (Lupino) and a new baby. Harry tells Jordan the whole story of meeting Eve (Lupino) in Los Angeles, drifting into an affair with her, learning she was pregnant and being unable to abandon her.

Well directed by Lupino, the film pushes the sympathy toward Harry and his dilemma and keeps a good pace and interest throughout. Fontaine was no longer a big movie star, having passed the magic age of 30 several years before, and she can be seen often in these black and white B movies of the '50s. She does a good job and looks quite glamorous, but Lupino's role is the showier one. Edmond O'Brien does an excellent job as the beleaguered Harry.

This film truly was a family affair - this screenplay about a man with two wives was written by Collier Young, the ex-husband of Lupino and, at that time, the current husband of Fontaine; and Fontaine's mother, Lillian Fontaine, plays Lupino's landlady. Worth seeing, if only to wonder what went on during the filming.

This film is centred on freezer salesman Harry Graham. He and his wife, Eve, are hoping to adopt a baby. Before this can be done adoption agent Mr Jordon must do a background check on each of them. His checks take him to Los Angeles where Harry spends much of his time. Here he meets Harry again and makes a shocking discovery... he has another wife, Phyllis, and a baby son. He is horrified but listens as Harry tells the story of how he came to meet, fall in love with, and finally marry Phyllis.

I found this to be an interesting film; it certainly wasn't the sort of topic I expected to be explored in a film of this era... especially given its sympathetic portrayal of Harry. While he is clearly misleading the two women the way his second relationship starts feels almost accidental and more than once he plans to do the 'right thing' but then something happens to stop him. Edmond O'Brien does an impressive job as Harry and gets fine support from Joan Fontaine and Ida Lupino as Eve and Phyllis. Ida Lupino also does an impressive directing job at a time when women directors were incredibly rare. The story is told in a way that makes it easy to believe Harry's behaviour and the fact that he got away with it for so long. Overall I'd certainly recommend this to fans of older films looking for something rather different.

Ida Lupino, the trail blazing female director, both stars and directs in this extraordinary 1953 film "The Bigamist".

Ms. Lupino made interesting films and tackled some difficult subject matter. This being one of them, the plot conveyed in the title. However, Ms. Lupino, brings sympathy and understanding to all 3 main characters, herself playing Phyllis, Joan Fontaine playing Eve, the barren wife and the travelling tortured salesman played by Edmond O'Brien. Twee in-jokes aside and a few groan-worthy melodramatic moments, the film has aged well.

Eve plays the business woman extremely well. Everything starts to turn on its head when she decides she does want a child after all and they proceed with the adoption process.

Lupino plays the tough farm girl, working at menial jobs in the city and all too ready to have a romance. Her vulnerability is beautifully portrayed. Her pregnancy is handled with subtlety.

Edmund Gwenn plays the adoption agency investigator and does an admirable job.

The climax comes in the courtroom scene and this is where some melodrama comes into play but it does not affect the restraint shown by the director in letting the audience decide the moral outcome.

8 out of 10. Recommended.

Ida Lupino sparkles as the director and star of this deeply moving romantic drama. The subject of bigamy is unusual for a Hollywood movie of that era and is handled in an intelligent, compassionate way.

Edmond O'Brien convincingly portrays a traveling salesman in love with two women -- his cute, barren, career-minded pre-feminist wife (Joan Fontaine) and a lonely, stunningly beautiful waitress (Lupino) -- neither of whom know of the other's existence.

The direction is excellent and elicits beautifully nuanced performances from the entire cast. O'Brien is portrayed as a decent human being who becomes entangled in a romantic triangle and tries to find a viable solution for everyone. Unfortunately, his well-intentioned plan to be a loving husband to both women comes unstuck when a nit-picking adoption investigator (Edmund Gwenn) probes too deeply.

Although not classic film noir, there is some sharp, insightful dialog. For example, the courtroom scene effectively challenges traditional American values when the judge sympathetically remarks: "If you had simply taken her as your mistress instead of marrying her, you would not be here now."

This is a well-crafted and provocative movie that showcases Lupino's considerable talent as an actress, director, and student of human nature. Ida Lupino was an extraordinary woman, years ahead of her time. Enjoy.