Il risveglio del dinosauro

When I was a kid,I would cry every time I saw the ending of this movie.I couldn't help feeling sorry for the monster,dying alone in a world he never knew. Ray Harryhausen was at his best when he designed the Rhedosaurus. This was a monster with a personality,and dare I say it,charm? Every little movement of the beast almost made you think you were watching an actual living creature,and not some stop motion puppet,like the awful Giant Behemoth. My favorites: the beast sniffing at the lighthouse before he knocks it down;the way he playfully bats at the wrecked car he stepped on,when he turns his back and lashes his tail at the shotgun toting cops,even the way it squints its eyes in the sun.The death scene was well done,and the music,as the flaming roller coaster collapses behind the beast's dead body,still sends a chill up my spine. The worst part of the movie was the casting,especially the male and female leads. Paul Christian's accent is almost impossible to understand at times,and his acting is wooden.Paula Raymond may seem pretty by '50's standards,but I think she has a pronounced overbite and adenoids,the way her mouth is always hanging open! Her acting was also pretty limp.Cecil Kelloway was a delight,as usual,and Ken Tobey was unusually restrained,not trying to hit on Raymond,as he seemed to do in most of his movies. The funniest line in the movie was Kelloway asking Tobey:"What makes you think there are no flying saucers?"(A dig at Tobey's role in The Thing.)Still in all,this is timeless sci-fi classic that holds up well,even today.

Nuclear testing out in the arctic rouses a prehistoric Rhedosaurs from its icy incarcerated sleep. It promptly lays waste to everything that gets in its path, and its next stop is New York City.

The Beast from 20,000 Fathoms stands as one of the most important of the 50s sci-fi/creature feature films that filled the screens during that particular decade. Notable for being the first picture where Ray Harryhausen had total control over the effects {and thus setting his career on an upward route}, it is also one of two pictures from 1953 that would be the first adaptations of the gifted writings of Ray Bradbury (the other being It Came from Outer Space).

Watching it now you can see just what a template movie it was to be for the genre, the perils of nuclear testing a vivid jolt of paranoia, the rugged alpha male, the svelt sexy strong lady, and of course the creature to terrify all who come into contact with it, yep it's safe to say that this picture has all the trademarks. The Rhedosaurus {completely made up name} is a wonderful creation from Harryhausen, a giant stalking lizard who sinks ships for fun, pulls down lighthouses, and has no problems about feasting on local police officers, it's safe to say that since being woken from his sleep he is in a very bad mood!. The ending is wonderful, as the giant beast finds himself cloaked in a roller-coaster with mankind fighting the good fight, a perfect finish to a hugely enjoyable picture. 8/10

Ray Harryhausen's first solo effort at stop-motion resulted in one of the best monster movies of the 1950's.

This was the first of the many rampage films of the 1950's and was a great success at the box office. Ray's stop-motion Redosaurus is magnificent, considering the low budget.

One of the best scenes in this movie is where the Rhedosaurus eats the policeman. The acting is rather good and the cast includes Kenneth Tobey (The Thing From Another World) and an early appearance from Lee Van Cleef before he stared with the 'carrot' in It Conquered the World.

I enjoyed this movie and rate it 5 stars out of 5. Great stuff.

Influential in many ways. Seminal to say the least. This is the first Monster to be unleashed by the awakening awesomeness of the Atomic Bomb. This is Ray Harryhausen's first solo outing (he was Willis O'Brien's (King Kong) assistant on Mighty Joe Young (1949).

It has a crisp Black and White look and is a sharply defined matte of Monster and surroundings. From the early sets on the frozen tundra, to the depths of the Ocean, to the New York City Streets, to the Amusement Park finale, this is a beautiful low-budget Film.

There are some stiff Performances and some that are lively. It pulls few punches in its depressing display of Radioactive Paranoia. Some unforgettable Highlights include the eerie Lighthouse encounter, the viciously impressive looking Dinosaur wreaking havoc between Skyscrapers, and the Roller Coaster imprisonment and execution.

Note: Will all Godzilla and Toho fans please nod, bow, and applaud.

"The Beast From 20,000 Fathoms" is, quite simply, the best dinosaur-on-the-loose movie ever made. I would say "best monster-on-the-loose movie ever made" if it weren't for that King Kong guy (need we even say which version?). I loved "The Beast" when I was a little kid, and today--some 40 years later--the movie still knocks me out. Forty years ago I loved the fact that, unlike a lot of similar movies that followed in its wake, you don't have to wait a long time for the Beast to make its appearance. It shows up in the first 10 minutes of the film and makes regular appearances thereafter. The look of the creature is very realistic; one of Ray Harryhausen's greatest creations. There are so many terrific set pieces in this film that one doesn't know where to begin, but the attack on the lighthouse, beautifully done in silhouette; the initial sighting of the Beast from the bathysphere; the Beast's attack on lower Manhattan; and the grand finale at the Coney Island roller coaster are certainly all standouts. Music, acting and photography are all first rate, and the script is intelligent and moves along briskly and with purpose. But the main attraction of the movie is the Beasty himself, and every moment that he is on screen is riveting. This picture is a true classic; the inspiration for Godzilla and all the other thawed-out creatures that followed. I have seen this one over 50 times and never seem to get tired o f it. I have seen it several times on the big screen, at one of NYC's many revival theatres, and it is always greeted with cheers whenever the Beast theme begins during the opening whirlpool credits. The movie is well loved and remembered for good reason: It's the best in its class! By the way, it took me many, many years to figure out, but the Professor's last word in the diving bell is "cantileveric." 10/10