VALUTAZIONE IMDb
6,6/10
9363
LA TUA VALUTAZIONE
Un feroce dinosauro risvegliato da un test atomico nell'Artico terrorizza il Nord Atlantico e New York City.Un feroce dinosauro risvegliato da un test atomico nell'Artico terrorizza il Nord Atlantico e New York City.Un feroce dinosauro risvegliato da un test atomico nell'Artico terrorizza il Nord Atlantico e New York City.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Paul Hubschmid
- Prof. Tom Nesbitt
- (as Paul Christian)
Paula Hill
- Miss Ryan
- (as Mary Hill)
Fred Aldrich
- Radio Operator
- (non citato nei titoli originali)
Gertrude Astor
- Screaming Woman
- (non citato nei titoli originali)
James Best
- Charlie - Radar Man
- (non citato nei titoli originali)
Recensioni in evidenza
Nuclear testing out in the arctic rouses a prehistoric Rhedosaurs from its icy incarcerated sleep. It promptly lays waste to everything that gets in its path, and its next stop is New York City.
The Beast from 20,000 Fathoms stands as one of the most important of the 50s sci-fi/creature feature films that filled the screens during that particular decade. Notable for being the first picture where Ray Harryhausen had total control over the effects {and thus setting his career on an upward route}, it is also one of two pictures from 1953 that would be the first adaptations of the gifted writings of Ray Bradbury (the other being It Came from Outer Space).
Watching it now you can see just what a template movie it was to be for the genre, the perils of nuclear testing a vivid jolt of paranoia, the rugged alpha male, the svelt sexy strong lady, and of course the creature to terrify all who come into contact with it, yep it's safe to say that this picture has all the trademarks. The Rhedosaurus {completely made up name} is a wonderful creation from Harryhausen, a giant stalking lizard who sinks ships for fun, pulls down lighthouses, and has no problems about feasting on local police officers, it's safe to say that since being woken from his sleep he is in a very bad mood!. The ending is wonderful, as the giant beast finds himself cloaked in a roller-coaster with mankind fighting the good fight, a perfect finish to a hugely enjoyable picture. 8/10
The Beast from 20,000 Fathoms stands as one of the most important of the 50s sci-fi/creature feature films that filled the screens during that particular decade. Notable for being the first picture where Ray Harryhausen had total control over the effects {and thus setting his career on an upward route}, it is also one of two pictures from 1953 that would be the first adaptations of the gifted writings of Ray Bradbury (the other being It Came from Outer Space).
Watching it now you can see just what a template movie it was to be for the genre, the perils of nuclear testing a vivid jolt of paranoia, the rugged alpha male, the svelt sexy strong lady, and of course the creature to terrify all who come into contact with it, yep it's safe to say that this picture has all the trademarks. The Rhedosaurus {completely made up name} is a wonderful creation from Harryhausen, a giant stalking lizard who sinks ships for fun, pulls down lighthouses, and has no problems about feasting on local police officers, it's safe to say that since being woken from his sleep he is in a very bad mood!. The ending is wonderful, as the giant beast finds himself cloaked in a roller-coaster with mankind fighting the good fight, a perfect finish to a hugely enjoyable picture. 8/10
"The Beast From 20,000 Fathoms" is one of many "nuclear explosion thaws out the pre-historic monster" movies popular in the 1950's. What sets this film apart from other similarly themed films, are the superior special effects created by the legendary Ray Harryhausen.
His dinosaur is as good as you will see in any sci-fi movie. It moves without that jerky motion common in so many stop-motion monsters (i.e. King Kong). The "monster destroys the city" sequence is outstanding. There is also an excellent fight between an octopus and a shark that is very exciting. The best sequence takes place at the end of the film when the monster is cornered in an amusement park.
As in all such movies, the human actors are incidental to the plot. The German/Swiss actor Paul Christian (aka Hubschmid) plays the requisite scientist, Paula Raymond and Cecil Kellaway are the "dinosaur experts" and Kenneth Tobey and Donald Woods play the sceptical military types. There are also a number of recognizable "B" movie faces from the period such as Lee Van Cleef, Steve Brodie, Jack Pennick and James Best.
One of the best atomic monster movies from the 50s.
His dinosaur is as good as you will see in any sci-fi movie. It moves without that jerky motion common in so many stop-motion monsters (i.e. King Kong). The "monster destroys the city" sequence is outstanding. There is also an excellent fight between an octopus and a shark that is very exciting. The best sequence takes place at the end of the film when the monster is cornered in an amusement park.
As in all such movies, the human actors are incidental to the plot. The German/Swiss actor Paul Christian (aka Hubschmid) plays the requisite scientist, Paula Raymond and Cecil Kellaway are the "dinosaur experts" and Kenneth Tobey and Donald Woods play the sceptical military types. There are also a number of recognizable "B" movie faces from the period such as Lee Van Cleef, Steve Brodie, Jack Pennick and James Best.
One of the best atomic monster movies from the 50s.
This film is not only a great science fiction film, but it is also one of the most influential as well. Within a few years of its release, giant monster films began to pop up from every major studio. Everything from giant ants, tarantulas, praying mantises and gila monsters began to pop up all over the place. But, perhaps its biggest influence was felt in Japan. This film is often sighted as being the main inspiration for Gojira (Godzilla). This film is defintely a classic.
Ray Harryhausen's first solo effort at stop-motion resulted in one of the best monster movies of the 1950's.
This was the first of the many rampage films of the 1950's and was a great success at the box office. Ray's stop-motion Redosaurus is magnificent, considering the low budget.
One of the best scenes in this movie is where the Rhedosaurus eats the policeman. The acting is rather good and the cast includes Kenneth Tobey (The Thing From Another World) and an early appearance from Lee Van Cleef before he stared with the 'carrot' in It Conquered the World.
I enjoyed this movie and rate it 5 stars out of 5. Great stuff.
This was the first of the many rampage films of the 1950's and was a great success at the box office. Ray's stop-motion Redosaurus is magnificent, considering the low budget.
One of the best scenes in this movie is where the Rhedosaurus eats the policeman. The acting is rather good and the cast includes Kenneth Tobey (The Thing From Another World) and an early appearance from Lee Van Cleef before he stared with the 'carrot' in It Conquered the World.
I enjoyed this movie and rate it 5 stars out of 5. Great stuff.
A ferocious dinosaur awakened by an Arctic atomic test terrorizes the North Atlantic and, ultimately, New York City.
When producers Dietz and Chester were negotiating with Bradbury to rewrite their screenplay, he reminded them that both works shared a similar theme of a prehistoric sea monster and a lighthouse being destroyed. The producers, who wished to share Bradbury's reputation and popularity, promptly bought the rights to his story and changed the film's title.
The film is worth watching because of the involvement of Bradbury and Ray Harryhausen, as well as having a supporting role from Lee Van Cleef. It may not be amazing, but the effects are rather good and it is a piece of 1950s science cheese that can be enjoyed if you just suspend disbelief for an hour.
Most interesting is the alleged influence this movie had on "Godzilla". This film is semi-forgotten, or at least not widely seen. But it had a dinosaur rise following an atomic blast and then destroy a city, trampling the army and electricity in its path. Sounds like Godzilla! And indeed, this was a primary influence on the Japanese monster film, which has since become one of the most culturally important films in horror / monster history. So maybe "Beast" needs to be respected just a little bit more.
When producers Dietz and Chester were negotiating with Bradbury to rewrite their screenplay, he reminded them that both works shared a similar theme of a prehistoric sea monster and a lighthouse being destroyed. The producers, who wished to share Bradbury's reputation and popularity, promptly bought the rights to his story and changed the film's title.
The film is worth watching because of the involvement of Bradbury and Ray Harryhausen, as well as having a supporting role from Lee Van Cleef. It may not be amazing, but the effects are rather good and it is a piece of 1950s science cheese that can be enjoyed if you just suspend disbelief for an hour.
Most interesting is the alleged influence this movie had on "Godzilla". This film is semi-forgotten, or at least not widely seen. But it had a dinosaur rise following an atomic blast and then destroy a city, trampling the army and electricity in its path. Sounds like Godzilla! And indeed, this was a primary influence on the Japanese monster film, which has since become one of the most culturally important films in horror / monster history. So maybe "Beast" needs to be respected just a little bit more.
Lo sapevi?
- QuizThis was said to have been one of the inspirations for Tomoyuki Tanaka to go ahead and film Godzilla (1954).
- BlooperNesbitt, trying to persuade Prof. Elson to consider his story, says that Galileo claimed the world is round. That was accepted in Galileo's time. His claim was that the earth moves around the sun.
- Citazioni
Prof. Thurgood Elson: [in the diving bell, to view the monster] This is such a strange feeling, I feel as though I'm leaving a world of untold tomorrows for a world of countless yesterdays.
- Versioni alternativeThe original 1953 version cuts the shot where the cop is swallowed whole. This shot is restored in the video version of the film.
- ConnessioniEdited from Samarang (1933)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Beast from 20,000 Fathoms
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 210.000 USD (previsto)
- Tempo di esecuzione
- 1h 20min(80 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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