Il risveglio del dinosauro

This is the movie that introduced me to monster-on-the-loose pictures. Warner Brothers did not pioneer the genre; RKO started it off in 1951 with THE THING FROM ANOTHER WORLD. But it WAS Warner Brothers who began both the "radiation releases monster" and "radiation creates mutant monster" genre's with this film and THEM! two years later. I had never heard of Ray Harryhausen when I saw this for the first time at the tender age of 7 but I knew a scary monster when I saw it and this movie became an instant fave. Later I discovered Godzilla and could not figure out why that film had so much destruction and this one had so little. Later I learned about stop motion vs man-in-suit special effects. I also learned that Inoshiro Honda was using this film as a blueprint. Fantastic film! The first glimpse of the Beast is terrific! The destruction of the first ship is spellbinding! (That is Jack Pennick from many John Ford westerns as the shocked helmsman.) and the rampaging of The Beast through the streets of New York panicked me as a child. The only scene I did not (and still don't) care for is where the helpless blind man is knocked down and trampled by the fear crazed mob. The climax at Coney Island was amazing. I later found out the marksman in the end scenes is Lee Van Cleef who starred in so many spaghetti westerns. He actually saves the world in this movie. Well, maybe not the world, but New York anyway. I still watch this movie whenever I get a chance. When the film was new they tinted the underwater scenes where Cecil Kellaway is in the diving bell green. They did not restore the tinting to the video print and I think that was a mistake. Maybe when the movie gets to DVD they will do so. Don't miss your chance to discover this film. You will enjoy it.

When I was a kid,I would cry every time I saw the ending of this movie.I couldn't help feeling sorry for the monster,dying alone in a world he never knew. Ray Harryhausen was at his best when he designed the Rhedosaurus. This was a monster with a personality,and dare I say it,charm? Every little movement of the beast almost made you think you were watching an actual living creature,and not some stop motion puppet,like the awful Giant Behemoth. My favorites: the beast sniffing at the lighthouse before he knocks it down;the way he playfully bats at the wrecked car he stepped on,when he turns his back and lashes his tail at the shotgun toting cops,even the way it squints its eyes in the sun.The death scene was well done,and the music,as the flaming roller coaster collapses behind the beast's dead body,still sends a chill up my spine. The worst part of the movie was the casting,especially the male and female leads. Paul Christian's accent is almost impossible to understand at times,and his acting is wooden.Paula Raymond may seem pretty by '50's standards,but I think she has a pronounced overbite and adenoids,the way her mouth is always hanging open! Her acting was also pretty limp.Cecil Kelloway was a delight,as usual,and Ken Tobey was unusually restrained,not trying to hit on Raymond,as he seemed to do in most of his movies. The funniest line in the movie was Kelloway asking Tobey:"What makes you think there are no flying saucers?"(A dig at Tobey's role in The Thing.)Still in all,this is timeless sci-fi classic that holds up well,even today.

Messrs. Harryhausen and Bradbury serve up a thoroughly enjoyable dinosaur epic with a reasonable amount of thrills and typically excellent effects work by Harryhausen. It's rather heavy on plot and dialogue for a while, so the less patient of viewers may get a little restless waiting for the next good bit of dinosaur action. However, whatever pacing issues there may be are compensated for with some wonderfully iconic shots & scenes. The lighthouse sequence in particular is a gem.

Based on the Saturday Evening Post short story "The Fog Horn" by Bradbury, this tells of an atomic test in the Arctic that unleashes a ferocious rhedosaurus from its icy tomb. It goes about doing just what you'd expect any monster to do in this type of tale, making its way to NYC for the grand finale. Nuclear physicist Tom Nesbitt (Paul Hubschmid), one of the first to glimpse the monster, must convince paleontologist Thurgood Elson (Cecil Kellaway) that he wasn't hallucinating, and also enlists the services of Jack Evans (Kenneth Tobey) in hunting down and destroying this beast.

The acting is engaging across the board, with Hubschmid very likable in the lead; Paula Raymond plays his leading lady (fortunately, hints of romance that might slow down the action further are kept to a bare minimum). Intrepid Tobey is once again terrific as the kind of hero you need in such a story, and Kellaway is delightful as the old pro who is willing to put vacation plans on hold in order to participate in a historic expedition. Donald Woods, Lee Van Cleef, Jack Pennick, Frank Ferguson, King Donovan, and an uncredited James Best can be seen among the top notch supporting cast.

The exciting amusement park finale is of course the best part, with expert marksman Van Cleef and Hubschmid taking on the beast from atop a roller coaster.

Good fun overall.

Seven out of 10.

"The Beast From 20,000 Fathoms" is, quite simply, the best dinosaur-on-the-loose movie ever made. I would say "best monster-on-the-loose movie ever made" if it weren't for that King Kong guy (need we even say which version?). I loved "The Beast" when I was a little kid, and today--some 40 years later--the movie still knocks me out. Forty years ago I loved the fact that, unlike a lot of similar movies that followed in its wake, you don't have to wait a long time for the Beast to make its appearance. It shows up in the first 10 minutes of the film and makes regular appearances thereafter. The look of the creature is very realistic; one of Ray Harryhausen's greatest creations. There are so many terrific set pieces in this film that one doesn't know where to begin, but the attack on the lighthouse, beautifully done in silhouette; the initial sighting of the Beast from the bathysphere; the Beast's attack on lower Manhattan; and the grand finale at the Coney Island roller coaster are certainly all standouts. Music, acting and photography are all first rate, and the script is intelligent and moves along briskly and with purpose. But the main attraction of the movie is the Beasty himself, and every moment that he is on screen is riveting. This picture is a true classic; the inspiration for Godzilla and all the other thawed-out creatures that followed. I have seen this one over 50 times and never seem to get tired o f it. I have seen it several times on the big screen, at one of NYC's many revival theatres, and it is always greeted with cheers whenever the Beast theme begins during the opening whirlpool credits. The movie is well loved and remembered for good reason: It's the best in its class! By the way, it took me many, many years to figure out, but the Professor's last word in the diving bell is "cantileveric." 10/10

This film is not only a great science fiction film, but it is also one of the most influential as well. Within a few years of its release, giant monster films began to pop up from every major studio. Everything from giant ants, tarantulas, praying mantises and gila monsters began to pop up all over the place. But, perhaps its biggest influence was felt in Japan. This film is often sighted as being the main inspiration for Gojira (Godzilla). This film is defintely a classic.