L'attrice

Ruth Gordon's play Years Ago, a sentimental reminiscence along the lines of Kathryn Forbes' Mama's Bank Account, looked at her stage-struck adolescence. In 1953, it became a movie, The Actress, directed by George Cukor, with the rarefied and mannered Jean Simmons taking the part of the straight-shooting Gordon. Oddly enough, the main character is not the aspiring actress but her father, played by Spencer Tracy.

In Clinton Jones, Gordon penned a difficult but irresistible character. Settled unarguably into middle age but still fighting it, he chafes at his $37.50-a-week salary (it was 1913) and pores over the grocery list while his wife (Teresa Wright) defends such frivolities as tangerines. A former sea captain, he latches onto any opportune ears like the Ancient Mariner and spins his salty yarns of ports of call on the seven seas. In the dead of a New England winter, he insists on sleeping in a hammock strung on an upstairs porch. The ham in Tracy rises to the challenge, and he manages to make Jones recklessly funny while still a bit frightening (near the end, details of his dreadful boyhood emerge to put his cantankerousness in focus).

As screenwriters, Gordon and her husband Garson Kanin custom-tailored many screen vehicles for Tracy and co-star Katharine Hepburn, where their relationship is said to take the writers' marriage as its model; here Tracy returns the favor by making Gordon's father so unforgettable. Gordon pays a tribute, too, by sketching her character not as she remembered it but as he must have seen her, showing little talent or wit but a penchant for dreaming up castles in Spain. By hiding her own bright light under a bushel, she lets the memory of her father shine.

Set in 1913 New England, seventeen-year-old Ruth Gordon Jones (Jean Simmons) decides on a stage career at about the same time her father decides to send her to the Boston Physical Culture Institute to become a PE teacher. His inspiration is Emma Glavey (Mary Wickes).

Despite its title, "The Actress" (1953) is really Ruth Gordon's loving tribute to her parents; written at a time when she could look back and really appreciate them. It is based on a stage play she wrote and then adapted to the screen. Although primarily known today (because of a couple of cult films) for her acting, Gordon was an excellent writer of both plays and screenplays.

If you are looking for spectacular sets and exciting action adventure, "The Actress" is not the film for you. But if you are looking for some of the best dialogue out there and what is arguably Spencer Tracy's most amusing performance you should make it a point to track this down.

Gordon obviously got her love of performing from her father Clinton (played by Tracy), a one-time sailor with a gift for gab and a desire to pontificate and be the center of attention. The conflict in the story is not so much over her desire to become an actress, but between the tendency of both father and daughter to be overly dramatic. They tend to get on each other's nerves with the mother Annie (Teresa Wright) caught in the middle. Only the mother picks up on how alike father and daughter actually are, the old acorn never falls far from the tree thing.

Much of what Clinton says is too original not to have been invented by the author. My favorite is a lengthy piece about the family's grocery bills during which Clinton complains that Ruth is too lazy to walk to a nearby farm for three pounds of butter. Annie excuses her daughter's inactivity by citing her bad back. A little later when he notices that Annie has been buying expensive tangerines instead of oranges for Ruth's school lunch, he speculates that carrying the lighter tangerine is easier on her back.

Although Wright is a little young for her role, her uncanny resemblance to Gordon (some believed that she was actually Gordon's daughter) made casting her as Gordon's mother a nice inside joke.

This production is extremely funny and has a lot of charm. They go out on a cool shot of the cat on windowsill eating a plant; with the family visible through the window heading off to the railroad station.

Then again, what do I know? I'm only a child.

Based on Ruth Gordon's play Years Ago about her childhood, The Actress is a good and uplifting tale about a young girl following her dream. Young Ruth Gordon Jones living in a Boston suburb dreams about going on stage. She doesn't get too much encouragement from her parents, Spencer Tracy and Teresa Wright.

That does not stop our Ruth. She's determined to make it in the theater, but there is a matter of cash.

Spencer Tracy is a former seaman who now works at a lowly factory job and needs every dime to support wife, daughter, and a cat that's not particularly fond of him. This is not one of Tracy's better known roles and that's a pity because it's one of his best performances.

He downplays his daughter's ambitions almost until the very end of the film. I won't reveal any more, but there is an interesting dinner scene which is the key to the film. Very similar to the breakfast scene with Adolphe Menjou and Kate Hepburn in State of the Union where he tells them of his ideas for when and if he becomes president. Only here he tells the family the reasons for why believes as he does.

Although Jean Simmons was well beyond being a senior in high school she's a good enough actress to make it believable. It was certainly a more innocent time.

The Actress is a fine production from MGM and director George Cukor, pity it isn't out on VHS or DVD.

This movie is so much more than a sentimental reminiscence. I'm not much at all for those "I remember..." mom or dad or whatever memory movies. Also, there are so many, many plays and movies about a family's career aspirations for a son, aspirations that get challenged because of what the son wants to do instead. Here we have a story set after the turn of the 20th century, about a working class father's career aspirations for his DAUGHTER - a career that will provide her with financial stability but isn't at all what she wants to do. Spencer Tracy plays a curmudgeon, working-class, not-at-all refined father in a role I've never seen him in before - and he's AMAZING. The dialogue has some one linters that are, at times, hysterical - any person who has every been embarrassed by their parents, or every had a parent say something like, "Why did you ever have to be so different?" will warm to this movie immediately. And the Mary Wickes moment is why she makes every movie better even if she's in it for less than 20 seconds.

This is a wonderful movie about the life of young Ruth Gordon, who would grow up to be an actress and famous writer. She was married to Garson Kanin and wrote many of the films of Tracy and Hepburn. Tracy is wonderful in one of his "dad" roles, as are the other leads in the film. Debbie Reynolds was originally to play Ruth but Simmons was cast instead and she is indeed brilliant in the movie. She is touching and very funny, very much a young girl driving her parents crazy. Tony Perkins is also very good as her boyfriend. Best of all, and not mentioned in most of the other reviews here, is Teresa Wright as the mother. She is a riot in the part and was only 11 years older than Simmons in real life. She had taken a reduction in pay for another great film, The Men, and this was one of her other really good parts in the fifties after so many great parts in the forties. The part is sort of like her last one, in The Rainmaker, as a simple kind of person. She played them wonderfully and was very funny in both.