Commando Cody: Sky Marshal of the Universe

I have seen Commando Cody panned as crude, stiff, simplistic, etc but in my youth this was pretty exciting. Republic had the best special effects thanks to the Lydecker brothers while actors in B-movies and low budget productions get the raspberry simply for appearing on screen while performers in big budget productions have their failings overlooked. The scenes where Cody and crew pull up to their space ship, get in, then you see the rocket start to move with no obvious cuts-back in 1955, you thought you were seeing the Real Thing. Likewisethe flying sequences (using the same model they originally used for Captain Marvel (1941) here clad in the Rocketman costume also a very well done, well edited, I think they hold up even today. I also recall a scene where Cody in his rocket is pursuing the Bad Guys rocket, the latter had a dorsal turret with ray guns, for those of us growing up in the Afterglow of WWII, that was something familiar and realistic. For the budgets they had, they did a good job, the actors deserve more credit than they have gotten.

The Rocket Suit had been used in 3 serials. The Commando Cody Name was used in one of them. Add the Rocket Ship, a (Platonic) female aid, some quasi governmental type staff men, a neat looking headquarters building and a mask, just for good measure and you have this early 1950's Theatrical/Television Series.

To be sure, all possibilities were considered before "COMMANDO CODY" went into production. It was serial-like in its story line and characters, but did not use the standard Cliff Hanger Chapter endings. Instead, all episodes were related, but also complete (sort of) in themselves. Obviously REPUBLIC or its TV Subsidiary or both would screen it. It reportedly did not work out in trial screening in theaters, so Hollywood TELEVISION SERVICE (Republic TV) had it prepared for television syndication.It even did a turn of network showings. Conveniently, each episode was just the proper length for a half-hour of Saturday morning kids' programing! Imagine that!

The business of editing series television into theatrical releases was later successfully used by other companies. Walt Disney was very active in this endeavor with DAVEY CROCKETT KING OF THE WILD FRONTIER and THE SIGN OF ZORRO, both being made up of television episodes edited into features and released theatrically.

This 12-Part Show had a Complicated Beginning.

First Filmed as a TV Show, but the Contracts Fine-Print Required a Theatrical Release Before it Could be Shown on Television.

So it was Released to Theatres to Lackluster BO and Fan Indifference.

That was 1953.

Then in 1955 it was Shown On TV to the Delight of Kids and Kid-Like-Adults.

The Character of "Commando Cody" was Used in Multiple Serials with Varying Names, etc.

Although the Flying Suit and Helmet were Identical and have Since Become Iconic.

This 12-Parter did Not Follow the "Cliffhanger" Format with Each Episode Ending with a Joke or Light-Hearted Good-Bye.

This Irritates "Sticklers" and Purists among the "Serial-Chapter Play-Cliffhanger" Cult and most Refuse to Include it in the Ography.

It is a Better than Average Entertainment of its Type. With Good SFX, Impressive Hardware, and Outlandish Costumes.

The Visuals are Striking at Times with a Low-Budget Charm and Imagination that Fits Right In this Sort of Thing.

The "Serial" Format Began in the Silent Era and was Popular for 4 Decades.

But in the 1950's there was a "Whole Lotta Shakin' Goin' On" in Pop-Culture, with Rumblings and Changes in Music, Movies, and TV.

In Movie Theatres the Weekly Chapter-Plays were Abandoned, because of the Free-Format and Widely Available Type on the Tube.

But this is a Fitting Finale to the Genre because it Includes Eye-Popping Absurdities and a Ton-of-Fun for Low-Budget Affectionados.

Note: The "Rocket Man" was reincarnated for the little seen, underrated, and under-appreciated Movie "The Rocketeer" (1991).

The rockets landing in this, and similar Republic productions, must have had really scratched and dented bottoms. No wheels, and there's no visual evidence those "skids" on either side did anything except maybe prevent them from rolling over. They always landed out in the "desert" somewhere, never at an actual airport. Having said that, rhe Lydecker Brothers' special effects were the best. All their models were set up outdoors, using natural light. The SFX thus matched the natural lighting if other outdoor scenes. The flying suit footage, like that of Captain Marvel flying, put Columbia Pictures to shame. A freakin' animated cartoon for Superman's flight scene? Crimanetlies...that annoyed e very kid in the theatre with me. Many actually laughed when Supes took off.

This was it... the lowest point reached by space adventure TV series in the 1950s. Filmed in 1952 as a 12-part short subject (not formatted as a serial... no cliffhangers), COMMANDO CODY bombed in the theaters, and then was sold as a summer replacement series to TV in 1955. Judd Holdren is stiff and unconvincing as Cody, and is invariably outshown by the reliable Republic stock company of character actors all around him. Each of the 12 episodes is built around stock footage of some mass destruction; as a result, each episode has exactly the same plot: the Ruler tries to destroy earth, and Cody thwarts his plans. It's a space adventure show without space travel or any kind of adventure!