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When in Rome

  • 1952
  • Approved
  • 1h 18min
VALUTAZIONE IMDb
6,6/10
373
LA TUA VALUTAZIONE
When in Rome (1952)
Buddy ComedyCommediaCrimineDramma

Aggiungi una trama nella tua linguaAn American fugitive flees to Rome and tries to elude capture by masquerading as a priest.An American fugitive flees to Rome and tries to elude capture by masquerading as a priest.An American fugitive flees to Rome and tries to elude capture by masquerading as a priest.

  • Regia
    • Clarence Brown
  • Sceneggiatura
    • Dorothy Kingsley
    • Charles Schnee
    • Robert Buckner
  • Star
    • Van Johnson
    • Paul Douglas
    • Joseph Calleia
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    373
    LA TUA VALUTAZIONE
    • Regia
      • Clarence Brown
    • Sceneggiatura
      • Dorothy Kingsley
      • Charles Schnee
      • Robert Buckner
    • Star
      • Van Johnson
      • Paul Douglas
      • Joseph Calleia
    • 18Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto5

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali50

    Modifica
    Van Johnson
    Van Johnson
    • Father John
    Paul Douglas
    Paul Douglas
    • Joe Brewster
    Joseph Calleia
    Joseph Calleia
    • Aggiunto Bodulli
    Carlo Rizzo
    • Antonio Silesto
    Tudor Owen
    Tudor Owen
    • Father McGinniss
    Dino Nardi
    • Commissario Genoa
    Aldo Silvani
    Aldo Silvani
    • Cabby
    Mario Siletti
    Mario Siletti
    • Luigi Lugacetti
    Argentina Brunetti
    Argentina Brunetti
    • Mrs. Lugacetti
    Mimi Aguglia
    Mimi Aguglia
    • Rosa
    Emory Parnell
    Emory Parnell
    • Ship's Captain
    Charles Fawcett
    • Mr. Cates
    Alberto Lolli
    • Father Segatini
    Adriano Ambrogi
    • Father Mariani
    Amina Pirani Maggi
    Amina Pirani Maggi
    • Dove
    Carlo Borelli
    • Monsignor
    Giuseppe Pierozzi
    • Baker
    Guido Martufi
    • Urchin
    • Regia
      • Clarence Brown
    • Sceneggiatura
      • Dorothy Kingsley
      • Charles Schnee
      • Robert Buckner
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti18

    6,6373
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    Recensioni in evidenza

    5bkoganbing

    G.K. Chesterton would have approved

    When In Rome finds Father Van Johnson on a pilgrimage to Rome during the declared Holy Year of 1950 when Catholic priests from all over the world will be heading to Rome as Moslems do to Mecca once in a lifetime. It's somebody's good or ill fortune depending on your point of view that pairs conman Paul Douglas with Johnson on the ocean liner going to Italy.

    Before docking in Genoa, Douglas steals Johnson's priestly garments and identity because the Italian police are waiting for him. Now in this day and age a telex would have been sent with a picture and Douglas couldn't have done what he did. I'm not sure why even in the primitive international communications of 1950 that a photograph of convict Douglas wasn't sent to the Italian cops. Still they don't and before Douglas can shed the priestly attire, he's caught up in the identity.

    Douglas is an escapee from San Quentin, no easy task and that escape will put years on his sentence. And Johnson is rather reluctant to help the Italian police.

    Van's a priest in the tradition of G.K. Chesterton's Father Brown, more concerned with Douglas's standing before God as the Roman Catholic church teaches it than for any of man's temporal justice. The film plays like Father Brown going after master crook Flambeau which would come out in fact a couple of years after When In Rome.

    Some newsreel shots of the Holy Year in Rome give us the Roman identification and the film was obviously done in black and white to blend those in. If you're a fan of G.K. Chesterton you will absolutely love this film.

    Who triumphs, God's justice or man's law? In a way a little bit of both.
    moonchildiva

    Inspirational!

    What a sweet film! I had never seen it before yesterday on TCM, May 10 2006. I am a fan of both actors and actually it was interesting to see them in such roles - Douglas as an "evil" person and Johnson as a priest! The whole story had the Clarence Brown quality that movie fans have come to love so much. I felt like some of the locations were the same ones used in Godfather III. The black and white is very rich, it is a pleasure to watch. The real shots of the Vatican celebrations are breathtaking. The comic relief of the detective is charming. I must admit I got choked up twice. I was brought up Catholic and though I do not practice etc. I still at least have nostalgic feelings for films such as When in Rome. I recommend!
    7richard-1787

    Stick with it; you will enjoy this movie

    This is not a great movie, something you would study in a film class. But it is, at its best, a thoroughly enjoyable movie. As I watched it I kept thinking that it could not be made today, because Hollywood no longer seems to know how to make such movies without making them excessively sentimental and siroppy.

    For me, the best part was the end - which, of course, I will not spoil for you. Suffice it to say that I could not see it coming, because I kept imagining something warm and fuzzy. Instead, we get something that is very honestly moving. Not a feel-good ending, but one that makes you feel not just good but better.
    9HotToastyRag

    Such a sweet movie

    Filmed on location in Rome, Paul Douglas and Van Johnson starred in this heartwarming comedy about two different men who form an unlikely friendship. Chances are you've never heard of When in Rome, and I would wholeheartedly recommend this forgotten gem. If you're a fan of either lead, or if you like buddy comedies or bittersweet stories, you'll absolutely love this movie.

    Van Johnson plays a priest, traveling to Rome for a holy pilgrimage. Paul Douglas plays a criminal, on the run from the American police. When Paul switches their clothes and pretends to be a priest himself, a delightful and meaningful adventure ensues. Tons of great scenery is present throughout the movie, and it feels sometimes like you've taken a vacation (albeit in black-and-white) with them.

    Paul is his usual adorable softie in this movie, and it's not hard to believe he could have had a different outcome if he's had different breaks when his character was younger. He's really not a bad guy; he's just made bad choices. I love Paul Douglas, and because of his tragically short career, it's important to treasure the movies he did make. I'm not usually a fan of Van Johnson, though, which is why I surprised myself by how much I liked him in this movie. He was very believable in his character, and he really warmed up to Paul. This is a short movie, but it feels like you really get to know these men and spend some time with them. If you haven't seen this movie yet, it's time you joined those of us who have. After all, when in Rome...
    7ksf-2

    pretty good "good vs. evil " story

    So fate puts two men together on an ocean voyage; Father Halligan, a man of the cloth with good intentions, and Joe Brewster, with less than an honorable past. Van Johnson was in his prime here, and could play just about anything. Paul Douglas is Brewster, and usually played the thug, due to his appearance. Brewster takes the priest's clothes and his identity, and makes a run for it when the boat docks in Roma. There are some funny lines… at dinner on the cruise, the passengers have a good sense of humor, and tell some clever jokes, but for the most part, it's a pretty serious suspense drama. Also some beautiful scenery of Rome, as we travel around. 1950 had actually been a holy year in the Catholic church, so Buckner, the writer, used that as a basis for the story. What better theme to include the battle of right and wrong than a story based on a priest? We hear over and over again how Father Halligan is trying to decide if he should turn in Brewster. Lots of jokes about safe-crackers and what it was like in Sing Sing. Pretty good story, if you buy in and go along for the ride. We see all the beautiful, old historic landmarks of Rome, and have an adventure along the way. Directed by Clarence Brown, who had directed so many Garbo films, and was nominated for SIX Oscars! Shows on Turner Classics now and then. Kind of a "feel good" story, but not real meaty.

    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Paul Douglas comments that St. Peter's is bigger than Yankee Stadium. In fact, the Yankee Stadium of 1952 could fit into just the central aisle of St. Peter's.
    • Blooper
      A priest tells Brewster St. Peter's Basilica holds 100,000 people. It actually can only hold 60,000.
    • Citazioni

      Father John X. Halligan: Holiness often disappears with the daylight.

    • Curiosità sui crediti
      Opening card: "1950 was a holy year. Three million pilgrims from every part of the world thronged to Rome, the Eternal City. Our story is about two men who journeyed to Rome that year. One was Father John X. Halligan, a young priest from Coaltown, Pennsylvania, whose mission was a holy one; the other was Joe Brewster, late of Sing Sing, San Quentin, Joliet, and Atlanta, whose mission was not so holy...

      If our story has a moral, it's a simple one: God may move in mysterious ways, but He gets there just the same. "
    • Colonne sonore
      Hymn 'Panis Angelicus'
      by César Franck

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    Dettagli

    Modifica
    • Data di uscita
      • 10 luglio 1952 (Portogallo)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Una aventura en Roma
    • Luoghi delle riprese
      • Roma, Lazio, Italia
    • Azienda produttrice
      • Loew's
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 1.313.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 18min(78 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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