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With this, Martin & Lewis's seventh feature together, they're reunited with the following co-stars from previous movies: Polly Bergen-who was in At War with the Army and That's My Boy-playing Dean's wife who once again has a wonderful duet with him, Marion Marshall-who was also in TMB as well as Sailor Beware-playing Jerry's girlfriend, Eddie Mayehoff-previously Jerry's father in TMB is now Dean's and eventually Jerry's manager, Richard Erdman-previously the person Jerry passes himself off as in Jumping Jacks is Dean's previous performing partner here, and Mary Treen-previously the assistant of Corrine Calvet in SB is now the assistant of Jerry's boss before Jerry's teaming with Dean. In this one, Dean is an entertainer who's trying to make it as a single but his act sucks when he tries that so Jerry is picked to play a stooge for him. I'll stop there and just say that while I liked the way the actors switched from comedy to drama during the transitional scenes, sometimes I think the screenplay or maybe the direction didn't make them seamless enough to be believable to me. In fact, I found Jerry and sometimes Dean more funny offstage than when they did their act on-stage. And I think it was a mistake to make it seem like Jerry didn't know what he was doing the whole time he's on stage especially whenever it's obviously not the case-such as when he has to go on by himself after Dean drinks too much to do so and does a great parody of Maurice Chevalier. Nevertheless, this is another enjoyable Martin & Lewis picture that gets a recommendation from me. P.S. Frances Bavier, as Jerry's mom, was a nice surprise to me especially when she did his laugh. And what a coincidence that both her and Ms. Treen are in this picture since Ms. Bavier replaced Ms. Treen as the housekeeper in the first episode of "The Andy Griffith Show"!

I haven't seen this movie in years, but a flick like this one just cannot be forgotten! I am in my early twenties and for more than half my life, I have been a film buff of movies old and new. Martin and Lewis are one of my all time favorite comedy duos, and at one time, I was renting movies here and there so that I could see all of the films they made together, and ones the lively, virtuous humanitarian Lewis did during his solo career.

When I saw this movie, it just blew me away. This film is the most dramatic film those boys ever made--and if you're thinking that that can't possibly be saying much since most of their movies were screwball comedies, I'm here to tell you you're mistaken. This movie is funny, but it's also very impassioned and heart-rendering, so you might do yourself a favor by keeping a box of tissues near you when viewing it.

Both Martin and Lewis are great in these dramatic and comedic roles as a comedy team that splits up because Lewis' character is under-appreciated and emotional mistreated by Martin's character. In a oddly coincidental way, this movie seemed to foreshadow the boys' split up in '56, but of course, in the movie, there is a happy ending. And while everyone knows that both Dean and Jerry went on to have successful solo careers and reunited as friends years later, I think that it would have been great to have seen them do a couple more films together that were as unforgettable as this one.

Some good comments here on this site already, so I really don't want to go over old ground, it is a portent of sorts, and there is no getting away from the fact that its central themes of narcissism and selfishness are striking a chord with the duo as the film draws to it's marvellous finale.

The film was held back for release for two years and it's not hard to see why in the light of the other Martin & Lewis out and out comedy offerings prior to this one. You see this offering is a drama with a comedy heart. Of course it's full of the maniacal moments one has come to expect from this pair, but we are never in any doubt that the core of the film is serious stuff. We are set up a treat by the makers because we are heartily involved with the mirthful nature for the first three parts of the film, and it's this that is the films chief triumph because when the shift in tone occurs: it hits you like a sledgehammer.

Maximum impact is gained by a cunning slant masquerading as comedy, and this makes the film, in my opinion, the duo's most poignant and accomplished piece of work, it's certainly not close to being the funniest one has to say, but it's an essential and great piece of entertainment from two very special entertainers. 8/10

STOOGE, THE (1952)

*** (out of four)

Dean Martin plays a singer wanting to make it on his own but he needs the help of a stooge (Jerry Lewis) in order to hit the big time. Once there, Dean decides he can make it solo. Outside his performance in THE KING OF COMEDY, I wasn't really a big fan of Lewis whose humor just really doesn't appeal to me. I had been told that his teamings with Martin were much better than his solo career and that's certainly something I'd agree with because THE STOOGE turned out to be a nice little gem. The film features all sorts of wonderful gags including a scene inside a diner and another were Lewis takes his first drink of alcohol. Even the songs are pretty good, which is why I was somewhat shocked that Paramount kept this on the shelf at first.

About two years ago my mom asked me to get her a movie with Jerry Lewis and Dean Martin. I had heard of both of them and seen them on TV here and there but had never seen a movie with the two of them. I looked online and found "The Stooge." I didn't know if it was a good one or not because I had never heard of it, so I bought it. So on Christmas day we watched the movie together and I absolutely loved it! I never knew Jerry Lewis was that funny and I had know idea Dean Martin was a comedian, I just knew he was a beautiful singer. I recommend this movie to people of all ages. It has to be one of the funniest movies I have ever seen. I am 25 years old and with all of the comedies that are out these days, "The Stooge" is still one of the best! Classic!!