The Story of Will Rogers

This is an excellent film with an outstanding cast, and a very authentic feel to the overall presentation. Will Rogers, Jr. becomes Will Rogers, Sr. This is a good story about an outstanding "American" personality, and it should definitely be made available on video for all "Americans" to see, especially during these trying times when patriotism, honesty and goodwill could use a shot-in-the-arm. Hopefully it will be make the step to video in the very near future.

If The Story Of Will Rogers did not exactly stick close to the facts it certainly captured the spirit of the man who in his time was America's beloved entertainer. Will Rogers was in fact more than an entertainer, he was a shrewd and trenchant observer of the political and social scene. We could use a dose of his wisdom today.

Will Rogers, Jr., who as a dutiful son was the custodian of his father's legacy plays the role of his father and you'll swear it was the real Will. Of course one can see the real Will Rogers in any number of fine films he made for Fox. The film is based on his widow's memoirs and she is played by Jane Wyman so the Rogers family had a tight control on this one.

It was quite true that Rogers took a long time to find himself, he was something of a rebellious kid who did not take to school. Clem Rogers, his father is played by Carl Benton Reid and he was a power in the Cherokee Indian councils. All Will wanted to do was be a cowboy, but he had a knack for saying some real funny things off the cuff and eventually parlayed that into a vaudeville act and after that the Ziegfeld Follies and movies. And of course a newspaper column that a collection of will be a really shrewd observation of his times.

One thing that was a glaring error, Will Rogers was never put in nomination for president even as a favorite son. Governor William H. Murray of Oklahoma was in fact a presidential hopeful in 1932 and he would have been surprised at that turn of events.

Not to say that he wouldn't have made a good president. There is an underside to the Rogers legacy. The dark mirror image of Will Rogers who never met a man he didn't like is portrayed quite ably on the screen by Andy Griffith in A Face In The Crowd. Lonesome Rhodes would have said he never met a man he couldn't take.

One of the things that Rogers said that was quoted in this film was that this was the greatest country in the world, but taxes are the privilege you pay for living in it. I wish a lot more people would remember that today.

The Story Of Will Rogers and the films of Will Rogers provide an enduring legacy to a man who was a national treasure in his day and now.

This is an amazing tale of a person who lived and made his claim to fame in the early decades of the 20th century. There were so many apt points he made about politics that are spot on about our current political world. We could sure use someone like him now to take a bite out of the polarization we have now about political issues. He maintained that we all care about each other and that as long as we have that the U.S. will never go down. We could definitely benefit from such ideas today. Great movie, great cast. Will Rogers Jr. portraying his dad. Jane Wyman as the love of his life. Great family and feel good movie. I viewed it on TCM, if you get the chance, don't miss it!

Will Rogers, Jr. stars as his own father Will Rogers in what many critics say is one of the best of movie biographies ever. Will, Jr. even asked that nothing be added to over-dramatize or embellish the storyline of the movie. He wanted his father to speak for himself. That's what they said on TCM. If you love film biographies, or like Jane Wyman, or if you have never heard of Will Rogers and want to know more about him, then you're in for a treat. Costarring James Gleason, Slim Pickens, Mary Wickes and Eddie Cantor as himself, this film has more heart and respect for its subject matter in one minute, than a lot of other movie biographies have in the whole film, especially musical biographies. This film shows how one man made a difference in the lives of others by being himself and that he is still being loved and remembered today.

Both Michael Curtiz and his longtime employer, Warner Brothers, showed a flair for biographies, and this one has been somewhat underrated. The story is the familiar one of the rise of a young man from obscurity to worldwide fame, and there are really no surprises here. Audiences at the time the movie came out (1952) probably knew much about Rogers' life anyway, though he is nowadays an almost forgotten figure. This movie is solid entertainment, nicely photographed in color, and Will Rogers, Jr. gives an excellent, engaging performance as his father. It is basically a series of cliches, which, once once accepts the premise, one can thoroughly delight in, as I did, as the skill with which such material is handled constitutes the pleasure of watching such a predictable movie as this.

Rogers was a huge star in vaudeville on Broadway and in the movies. He was also a newspaper columnist and radio commentator, and hugely popular in his day. His homespun humor has dated badly, but the rough and tumble world he came out of is fascinating to see recreated on screen. There are nice ironies in the movie, among them, Rogers' move from the "real west" (Oklahoma) to the "false west" (Hollywood). I also like the casting of the refined, almost patrician actor, Carl Benton Reid, as Rogers' father. The arrival of barnstorming aviator who lands literally in Rogers' backyard, is stunningly filmed, and one can't help get a lump in one's throat as soon as one learns his name: Wiley Post.