Robin Hood e i compagni della foresta

I had watched this just once growing up, as opposed to the numerous viewings allotted to the definitive 1938 Errol Flynn version, so I was curious to know how it has held up (particularly since I recently enjoyed another Walt Disney epic starring the recently-deceased Richard Todd i.e. ROB ROY, THE HIGHLAND ROGUE [1953]). As can be intimated from the rating above, my reaction to it was by and large a positive one; to begin with, the copy I acquired – even if viewed on a small TV screen – was gorgeous, making this surely among the studio's most handsome-looking live-action efforts. Another immediately striking element is the casting – modest in comparison to the earlier Warner Bros. super-production perhaps but no less capable and, more importantly, fitting to each respective character: Todd, one of the few Robins not to sport a beard(!), is suitably dashing and good-natured (though lacking the athleticism of Flynn and Douglas Fairbanks before him); incidentally, having mentioned Fairbanks – whose 1922 ROBIN HOOD was treated with such rigor as to have the semblance of authenticity – this one too would appear to want to present the 'true' story (not merely picking up from the moment King Richard – played by an unrecognizable Patrick Barr – left for the Crusades but also insisting on providing a back-story and a noble heritage for our hero – even the famous archery contest occurs prior to his having turned outlaw and, what's more, Robin is beaten by his own dad in it?!). Anyway, to get back to Todd's fellow actors, pretty Joan Rice makes for one of the youngest yet most spirited Maid Marians; among the "Merrie Men", typically, the ones to get most prominence are Little John (James Robertson Justice – who else? – but with hair dyed blond!), Friar Tuck (James Hayter and, for some odd reason, fancying himself a singer in the film's corniest scene!) – both of their introductions at least stick to the legend – and Allen-a-Dale (Elton Hayes, whose brief cinematic career seemed to be stuck playing minstrels in historical efforts!); for what it is worth, the presence of the last two mentioned constitute the film's severest drawbacks to this viewer. On the side of the wrongdoers, we get Hubert Gregg as a particularly sly (though rather youthful) Prince John and, surprisingly, Peter Finch as the Sheriff of Nottingham (effective apart from an unbecoming coiffure – incidentally, I may be watching his one other film in this vein i.e. THE DARK AVANGER aka THE WARRIORS [1955], with Errol Flynn no less, this coming week-end); by the way, another novelty to the lore which turns up here but hardly anywhere else is that of having a benign but obviously ineffective Queen Mother (a suitably regal Martita Hunt). While there is not quite the emphasis on spectacle or elaborate action set-pieces we find in other versions (though the drawbridge climax is undeniably thrilling), the film – which, at a mere 84 minutes, does not run the risk of overstaying its welcome – is very entertaining for the most part and, as I said, looks good enough to smooth over the occasional deficiency.

I watched it again last night after reading an unfavorable review. I thought it was very entertaining and very well acted. Who cares if Richard Todd wasn't 6'2"? He was indeed athletic (in his autobiography, Caught in the Act, Todd said he did his own stunts), handsome, possessed a beautiful speaking voice, had a twinkle in his eye and had daggers in them when he confronted Peter Finch at the drawbridge. Excellent job.

Errol Flynn's Robin was excellent, too. But the '38 version was big budget. Disney was able to do a lot with a lot less. I love both versions. Flynn is king of the big-budget Robins; Todd is king of the smaller production. Richard Greene was a good television Robin.

Another reason I call it a draw is because of what Todd's Robin, Rob Roy, Dambuster meant to me as a kid. He indeed was a role model. And Disney's productions were wonderful. Others I still consider heroes of the 50s include Gordon Scott and Steve Reeves. I'm sure millions of other kids from that decade would agree.

In those days, adventure, fair play and knowing right from wrong were big themes. Todd et al sure knew how to convey them.

1st watched 9/13/2013 -- 7 out of 10(Dir-Ken Annakin): *DVD I watched entitled just "The Story of Robin Hood"* Entertaining and informative telling of the Robin Hood story does a good job of keeping your interest and helping the viewer to understand why Robin became the outlaw Hood, and placed himself in the position of the leader of the group in the Sherwood Forest.(Aka. The Merrie Men) This is a Disney live action movie that actually has less fluff than others and is pretty straight-forward in the telling of the tale. Richard Todd plays the main character as a playful yet purposeful hero of the poor folk in the area after King Richard goes on a crusade and his brother takes advantage of his position by over-taxing everyone and trying to rid the forest of what he considers riff-raff(the Forresting folk). The first culprit of his arrows is Robin's father(thus providing the primary purpose of Robin's exile and revenge mindset initially). Quickly though the stealing from the rich and giving to the poor became a necessity for the poor folk to survive. The sheriff of Nottingham is the primary vehicle for brother Richard's type of thievery and justice, and eventually Maid Marion(played by Joan Rice) finds out what's going on and begins to help the Merrie Men. This live action piece seems to be a possible guide to the later animated Disney film, but some of the stronger emotional pieces were removed. I haven't viewed many of the versions of this story, but this is the best I've encountered so far because you understand Mr. Hood's plight and purpose. There is a little fun to be had with the Merrie Men and Robin & Marion's teasing, but primarily the completeness and clarity of the story is what makes this film work.

This was the first version of Robin Hood that I and my siblings saw, so we judged other versions based on this Disney take. I was 9 when I saw it with my younger brother. We loved the whistling arrows warning system used in this film and we found Richard Todd, a dashing, swashbuckling Robin, in fact we became huge fans of all his works. One of our favorites was Disney's "Rob Roy, The Highland Rogue" actually filmed in Scotland. Disney was not a miser when it came to his "pet projects" and Rob Roy was one of them. The Story of Robin Hood was no exception and it was filmed on location in England, even though some shots look like matte prints. The cast, too was impressive, with James Robertson Justice a perfect, burly 'Little John', Martita Hunt as Queen Eleanor of Aquitaine, James Hayter a robust 'Friar Tuck', Peter Finch as the nasty Sheriff of Nottingham, Elton Hale a charming 'Allan-a-Dale', the great Michael Hordern in a small role as 'Scathelock' and Bill Owen as 'Stutely'. The production is top notch and the film very memorable, and to me, very nostalgic.

This was an outstanding film, with superb acting, a wonderful musical score, and colourful scenes that unfold from the Disney picture book of life in the middle ages. I remember seeing it around 1956 as a 10 yer old, and was fascinated by the lives of the outlaws, sheltering in the glades of Sherwood Forest from the wicked Prince John and his cunning assistant the Sheriff of Nottingham.

The script was tight and delivered in impeccable olde English by actors who often went on to become household names in the acting profession later on in life. The beautiful scenes of woodland glades, the sun shimmering brightly as it cascaded through the trees into the outlaws' camp, brought to life the story of their fight for freedom and justice, and added a strangely surreal visual effect.

There are a number of memorable scenes, friar tuck singing with himself as he munched his capon pie among the most notable. The most captivating for me, however, was the sight of Tuck walking behind Robin and Marian out of an eerie Sherwood Forest, with the lilt of Alan A Dale's voice as he sang a pleasant, melodic little tune .

Yes, a very pleasant, uncomplicated film.