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Le nevi del Chilimangiaro

Titolo originale: The Snows of Kilimanjaro
  • 1952
  • T
  • 1h 54min
VALUTAZIONE IMDb
6,1/10
6263
LA TUA VALUTAZIONE
Gregory Peck, Ava Gardner, and Susan Hayward in Le nevi del Chilimangiaro (1952)
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AdventureDramaRomanceWar

Aggiungi una trama nella tua linguaWriter Harry Street reflects on his life as he lies dying from an infection while on safari in the shadow of Mount Kilamanjaro.Writer Harry Street reflects on his life as he lies dying from an infection while on safari in the shadow of Mount Kilamanjaro.Writer Harry Street reflects on his life as he lies dying from an infection while on safari in the shadow of Mount Kilamanjaro.

  • Regia
    • Henry King
    • Roy Ward Baker
  • Sceneggiatura
    • Casey Robinson
    • Ernest Hemingway
  • Star
    • Gregory Peck
    • Susan Hayward
    • Ava Gardner
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    6263
    LA TUA VALUTAZIONE
    • Regia
      • Henry King
      • Roy Ward Baker
    • Sceneggiatura
      • Casey Robinson
      • Ernest Hemingway
    • Star
      • Gregory Peck
      • Susan Hayward
      • Ava Gardner
    • 81Recensioni degli utenti
    • 12Recensioni della critica
    • 62Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 2 Oscar
      • 1 vittoria e 4 candidature totali

    Video1

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    Trailer 3:24
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    Foto49

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    Interpreti principali56

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    Gregory Peck
    Gregory Peck
    • Harry Street
    Susan Hayward
    Susan Hayward
    • Helen
    Ava Gardner
    Ava Gardner
    • Cynthia Green
    Hildegard Knef
    Hildegard Knef
    • Countess Liz
    • (as Hildegarde Neff)
    Leo G. Carroll
    Leo G. Carroll
    • Uncle Bill
    Torin Thatcher
    Torin Thatcher
    • Johnson
    Ava Norring
    Ava Norring
    • Beatrice
    Helene Stanley
    Helene Stanley
    • Connie
    Marcel Dalio
    Marcel Dalio
    • Emile
    Vicente Gómez
    • Guitarist
    • (as Vicente Gomez)
    Richard Allan
    Richard Allan
    • Spanish Dancer
    Amanda Ambrose
    • Pianist
    • (non citato nei titoli originali)
    Sugarfoot Anderson
    Sugarfoot Anderson
      Salvador Baguez
      • Stretcher Bearer
      • (non citato nei titoli originali)
      Charles Bates
      Charles Bates
      • Harry at Seventeen
      • (non citato nei titoli originali)
      Nina Borget
      • Girl
      • (non citato nei titoli originali)
      Maurice Brierre
      • Waiter
      • (non citato nei titoli originali)
      Arthur Brunner
      • Accordion Player
      • (non citato nei titoli originali)
      • Regia
        • Henry King
        • Roy Ward Baker
      • Sceneggiatura
        • Casey Robinson
        • Ernest Hemingway
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

      Recensioni degli utenti81

      6,16.2K
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      Recensioni in evidenza

      bob the moo

      So-so film that is never as complex or as tragic as it should have been and is a lot less interesting for it

      Having saved a young man from a hippo, writer Harry Street lies dying from an infection in his African safari campsite. As his unappreciated wife Helen tends to his wounds and ensures him everything will be alright, Harry sinks into feverish reminiscing about a life that he perceives as being a failure in terms of both writing and his love life. He recalls the one woman that he believes he truly loved which, helpfully for Helen, isn't his current wife but a woman called Cynthia Green whom he met in Paris. The more he recalls the deeper his depression and the more Helen watches him surrendering his fight and will to live.

      Taking a "deathbed" flashback structure we always know that things between Harry and his other loves didn't work out and the only question is "why". On paper we are meant to be with a bitter angry man who is facing death with a superficial devil-may-care attitude but underneath carries a deep sense of regret. The first problem I encountered with the film was that the script didn't carry this off very well at all and I wasn't convinced about the supposed years of failure that are stacked on top of Harry – people with such things have much more baggage than came out here. The flashbacks are reasonable interesting but are closer to melodrama than a searing tale of regret and loss, which personally I thought it should have been. The film does flit around the world which must have been a selling point for it at the time of release but it doesn't actually add much to the story or characters other than providing a different background for some scenes.

      King's direction is fairly workmanlike; he enjoys the locations but the mix of his footage with stock footage doesn't sit well together – I know it is a limitation of the period but it still doesn't work. Peck is solid enough in the lead but he does the superficial things and doesn't get to grips with anything deeper or more complex. He gets no help from Hayward who is watching her husband long for women past but never appears to have any problem with this whatsoever. Gardner is pretty but again she doesn't convince in her character when asked to do anything more (seeing her in the middle of the Spanish civil war was pretty funny as well). Support from Leo G Carroll is always welcome but he doesn't have much to work with here.

      Overall this is a so-so film that never fulfils its potential or is as engaging as it should have been. Instead of being complex and full of pain it is melodramatic and soapy; instead of being about the tragic souls of the characters it seems to have as much interest in stock footage and global locations. The cast give solid but superficial performances in response to this and the film never really gets a handle on any of it.
      7silverscreen888

      Semi-Autobiographical, Often-Profound and Moving Story of a Writer's Life

      Many critics and fans love this movie, the best of all Hemingway stories on film perhaps. I think this film is so because it is honest, somewhat autobiographical and derived from a splendid and mature short story of enduring fame.  The plot line of the film is simple.  In a fever because of an accident, Harry lies perhaps dying, tended by his third wife in a camp in Africa.  His delirium causes him, through a long night spent waiting for help to arrive, to relive in his mind the triumphs, disappointments, sorrows, loves and moments of his somewhat unsatisfactory life as an author. He is bitter and takes it out on his wife; but he does not KNOW that he is going to die--so he continues to pester, ask questions, make demands, and study the reverie in his thoughts--which viewers see as extended flashbacks. As Harry Street, Gregory Peck is mostly very good indeed, exactly right for the role not of Hemingway but of a man who had lived what the author describes in the storyline.  As the wives, Hildegarde Neff is cold, beautiful and skilled, showing us how she tried to control Harry and protesting that she had loved him as much as she could.  The first wife, Ava Gardner, plays her part admirably as a young, not-important woman who wants domesticity not excitement (as Harry does), wrecks their union to have a child and drinks herself to death. The third wife, played amiably and with intelligence by Susan Hayward seems almost the product of Harry's training. And if finally she has come to understand, accept and even want his way of life, we assume that finally all will be well at the end.  The medical help arrives; and Harry will live to write more; he wants in fact very much to live again. There are amazingly enjoyable scenes in this big-appearing film--bullfights, a wartime scene, Mediterranean yachts and villas, Paris, and Kenya; and more. it is beautiful, moving and often thought-provoking.  Also in the cast are veterans Torin Thatcher, Leo G. Carroll and Marcel Dalio, all doing superbly.  Henry King directed; Casey Robinson wrote the script; and Leon Shamroy provided stunningly beautiful cinematography.  Harry may feel in the film that he has compromised something to become a success; but he still talks about the snow leopard once found frozen on Mt. Kilimanjaro at 18,000+ feet. He wonders what the leopard was seeking at that altitude--Hemingway's and Harry's parable for human mental curiosity and the sometimes perverse desire to invest much to achieve eventual greatness.  The film may not quite measure up to this famous conception;  but it is grand in mental scale and interesting throughout.
      moondog-8

      The older and wiser you get, the deeper this movie becomes.

      I saw this as a kid and thought it was an OK adventure movie. But seeing it again in middle age just blew me away. It really is the story of a man's life: looking back on lost opportunities, failed loves, and (as it's so beautifully described in the script) "losing the scent" in your life's direction. Gardner is mesmerizing; Hayward is dynamic. The Bernard Herrman score hits the mark again. And the set decoration and cinematography are superlative examples of the studio system at its most artistic.

      Of course, the fact that jazz immortal Benny Carter plays tenor sax during a Paris party scene adds an enormous amount of cool points to this movie for me!
      6blanche-2

      A downer

      Gregory Peck leads an all-star cast in "The Snows of Kilimanjaro," a big 1952 film directed by Henry King and produced by Darryl F. Zanuck. With a cast that includes Ava Gardner, Susan Hayward, Hildegarde Neff and Leo J. Carroll, and a story based on a story by Ernest Hemingway, one expects something more - much more - than what is delivered by this plodding film.

      Peck plays a writer with a severe leg infection. As he lays in Africa waiting for a transport while his wife (Hayward) cares for him, he believes he's dying. He goes over his past life and loves - a girl he disappoints in his youth, then Cynthia (Gardner) the love of his life, followed by Neff, and Hayward, whom he mistakes for Cynthia when he first meets her.

      Henry King mixes some beautiful scenery with stock footage of Africa. Since it's Hemingway, the movie has a macho sensibility - a lot of hunting, drinking, implied sex, and a bullfight. It's only in the last couple of scenes that the film's energy picks up - but by then, it's too late. The performances are okay - strangely, Gardner's character seems the most fleshed out. That isn't saying much - one gets the impression a lot was cut, leaving holes in characterizations and the viewer completely detached from them. Altogether, a disappointing experience.
      korevette

      Susan playing second fiddle to Ava?

      First, I found this movie, like most here, boring. Mainly a Susan fan, but i found her role was almost secondary to Ava's. I think Ava's part was more complex. I could not imagine why Susan chose to be in this one at all, until I read somewhere that she only accepted this role, cause Hedy Lamarr, her pal, was to play the Ava role, but Hedy turned it down, mainly cause of salary dispute. Hedy was in demand at that time because of her big comeback in "Samson And Delilah". Unfortunately, Susan had to go through her commitment. Aside from that, I felt that the flashbacks were intrusive to the story line, and so I got lost along the way. BTW, Peck looked bored as well.

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      Trama

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      Lo sapevi?

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      • Quiz
        When Gregory Peck lifted up Ava Gardner, he threw out his knee and production had to close down while he recovered. Unfortunately, all the scenes of his lying down in his sickbed already had been shot.
      • Blooper
        Outside the Hotel Florinda in Madrid during the Spanish Civil War (1936-1939), a 1948-1950 Ford truck is parked facing the camera.
      • Citazioni

        Countess Liz: I love you as much as I can.

      • Connessioni
        Edited from Sangue e arena (1941)
      • Colonne sonore
        You Do Something to Me
        (alles war so leer) (uncredited)

        Written by Cole Porter

        Sung by Hildegard Knef

        at the Piano: Amanda Ambrose

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      Dettagli

      Modifica
      • Data di uscita
        • 7 marzo 1953 (Italia)
      • Paese di origine
        • Stati Uniti
      • Lingue
        • Inglese
        • Francese
        • Spagnolo
        • Swahili
        • Tedesco
      • Celebre anche come
        • Las nieves del Kilimanjaro
      • Luoghi delle riprese
        • Parigi, Francia
      • Azienda produttrice
        • Twentieth Century Fox
      • Vedi altri crediti dell’azienda su IMDbPro

      Botteghino

      Modifica
      • Lordo in tutto il mondo
        • 16.620 USD
      Vedi le informazioni dettagliate del botteghino su IMDbPro

      Specifiche tecniche

      Modifica
      • Tempo di esecuzione
        1 ora 54 minuti
      • Proporzioni
        • 1.37 : 1

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      Gregory Peck, Ava Gardner, and Susan Hayward in Le nevi del Chilimangiaro (1952)
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