Una società di produzione cinematografica muto e un cast fanno una difficile transizione verso il suono.Una società di produzione cinematografica muto e un cast fanno una difficile transizione verso il suono.Una società di produzione cinematografica muto e un cast fanno una difficile transizione verso il suono.
- Candidato a 2 Oscar
- 11 vittorie e 11 candidature totali
Dawn Addams
- Teresa - a Lady-in-Waiting
- (non citato nei titoli originali)
John Albright
- Call Boy
- (non citato nei titoli originali)
Shirlee Allard
- Chorus Girl
- (non citato nei titoli originali)
Bebe Allen
- Chorus Girl
- (non citato nei titoli originali)
Sue Allen
- Chorus Girl
- (non citato nei titoli originali)
John Angelo
- Dancer
- (non citato nei titoli originali)
Marie Ardell
- Chorus Girl
- (non citato nei titoli originali)
Bette Arlen
- 'Miss January' in 'Beautiful Girl' segment
- (non citato nei titoli originali)
David Bair
- Chorus Boy
- (non citato nei titoli originali)
Jane Bateman
- Chorus Girl
- (non citato nei titoli originali)
Recensione in evidenza
This is my favorite movie musical with no stage forebear.
Consider what's in the mix: A cachet of songs, all tried-and-true from other movies. A cast that was at the top of its form, all the way from Kelly himself to the supporting leads played by Rita Moreno and Millard Mitchell. A script that is, at once, romantic and exciting and sharp and funny.
Stir together with a generous heaping of MGM color and a dash of a director with a stellar pedigree and the result is, well, something like "Singin' in the Rain."
There's not a misstep in the movie's entire 103-minute running time. I love the pokes at early filmmaking ("She never *did* figure out where that microphone was, boss!") and the sheer energy of the musical numbers ("Fit as a Fiddle," "Good Mornin'").
Not only that, but there's not a more romantic scene in all of filmdom that can compare with Reynolds and Kelly dancing to "You Were Meant for Me." Their side-by-side tap dancing says more about how they feel about each other than pages and pages of dialog.
Great stuff!
If you think this movie is just the sequence of Kelly splashing like a five-year-old in a puddle, you obviously haven't seen the entire film. Do so--now! You won't regret it!
PS: In the "rent-this-too" category, if you've seen and love "Singin' in the Rain," check out "The Band Wagon." It skewers the world of theater in much the same way as this film roasts Hollywood!
Consider what's in the mix: A cachet of songs, all tried-and-true from other movies. A cast that was at the top of its form, all the way from Kelly himself to the supporting leads played by Rita Moreno and Millard Mitchell. A script that is, at once, romantic and exciting and sharp and funny.
Stir together with a generous heaping of MGM color and a dash of a director with a stellar pedigree and the result is, well, something like "Singin' in the Rain."
There's not a misstep in the movie's entire 103-minute running time. I love the pokes at early filmmaking ("She never *did* figure out where that microphone was, boss!") and the sheer energy of the musical numbers ("Fit as a Fiddle," "Good Mornin'").
Not only that, but there's not a more romantic scene in all of filmdom that can compare with Reynolds and Kelly dancing to "You Were Meant for Me." Their side-by-side tap dancing says more about how they feel about each other than pages and pages of dialog.
Great stuff!
If you think this movie is just the sequence of Kelly splashing like a five-year-old in a puddle, you obviously haven't seen the entire film. Do so--now! You won't regret it!
PS: In the "rent-this-too" category, if you've seen and love "Singin' in the Rain," check out "The Band Wagon." It skewers the world of theater in much the same way as this film roasts Hollywood!
Trama
Lo sapevi?
- QuizFor the "Make 'em Laugh" number, Donald O'Connor revived a trick he had done as a young dancer: running up a wall and completing a somersault. The number was so physically taxing that O'Connor ended up in a hospital bed for a week after its completion. He suffered from exhaustion and carpet burns. After an accident ruined all of the initial footage, O'Connor agreed to do the difficult number all over again.
- BlooperDuring the Cyd Charisse nightclub dance number, when she's wrapped around Gene Kelly, her body completely changes position between frames due to a clumsy edit. According to commentary on the special edition DVD, this cut of only a few frames' duration dates back to the original release of the film and no one knows why it exists.
- Citazioni
Cosmo Brown: Lina. She can't act, she can't sing, she can't dance. A triple threat.
- ConnessioniEdited from I tre moschettieri (1948)
- Colonne sonoreFit as a Fiddle
(1932)
Music by Al Hoffman (uncredited) and Al Goodhart (uncredited)
Lyrics by Arthur Freed
Originally from the 1932 stage revue "George White's Music Hall Varieties"
Sung by Gene Kelly (uncredited) and Donald O'Connor (uncredited)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Cantando bajo la lluvia
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.540.800 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.884.537 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.643 USD
- 10 nov 2002
- Lordo in tutto il mondo
- 2.094.272 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Cantando sotto la pioggia (1952) officially released in India in Hindi?
Rispondi