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IMDbPro

Cantando sotto la pioggia

Titolo originale: Singin' in the Rain
  • 1952
  • T
  • 1h 43min
VALUTAZIONE IMDb
8,3/10
275.106
LA TUA VALUTAZIONE
POPOLARITÀ
2156
207
Gene Kelly and Cyd Charisse in Cantando sotto la pioggia (1952)
Trailer for the classic musical Singin' in the Rain, starring Gene Kelly, Donald O'Connor, and Debbie Reynolds.
Riproduci trailer4:02
10 video
99+ foto
CommediaCommedia romanticaJukebox musicaleMusical classicoMusicaleRomanticismoRomanticismo a lieto fineSatira

Una società di produzione cinematografica muto e un cast fanno una difficile transizione verso il suono.Una società di produzione cinematografica muto e un cast fanno una difficile transizione verso il suono.Una società di produzione cinematografica muto e un cast fanno una difficile transizione verso il suono.

  • Regia
    • Stanley Donen
    • Gene Kelly
  • Sceneggiatura
    • Betty Comden
    • Adolph Green
  • Star
    • Gene Kelly
    • Donald O'Connor
    • Debbie Reynolds
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,3/10
    275.106
    LA TUA VALUTAZIONE
    POPOLARITÀ
    2156
    207
    • Regia
      • Stanley Donen
      • Gene Kelly
    • Sceneggiatura
      • Betty Comden
      • Adolph Green
    • Star
      • Gene Kelly
      • Donald O'Connor
      • Debbie Reynolds
    • 846Recensioni degli utenti
    • 157Recensioni della critica
    • 99Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Film più votato #89
    • Candidato a 2 Oscar
      • 11 vittorie e 11 candidature totali

    Video10

    Singin' in the Rain
    Trailer 4:02
    Singin' in the Rain
    Singin' in the Rain
    Trailer 1:20
    Singin' in the Rain
    Singin' in the Rain
    Trailer 1:20
    Singin' in the Rain
    'Singin in the Rain' | Sing-a-Long Mashup
    Clip 0:47
    'Singin in the Rain' | Sing-a-Long Mashup
    Singin' In The Rain: Gene Kelly Sings Singin' In The Rain
    Clip 3:58
    Singin' In The Rain: Gene Kelly Sings Singin' In The Rain
    Singin' In The Rain: Good Morning
    Clip 3:22
    Singin' In The Rain: Good Morning
    Singin' In The Rain: Don Lockwood Makes Elocution Lessons Fun
    Clip 3:04
    Singin' In The Rain: Don Lockwood Makes Elocution Lessons Fun

    Foto294

    Visualizza poster
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    + 286
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    Interpreti principali99+

    Modifica
    Gene Kelly
    Gene Kelly
    • Don Lockwood
    Donald O'Connor
    Donald O'Connor
    • Cosmo Brown
    Debbie Reynolds
    Debbie Reynolds
    • Kathy Selden
    Jean Hagen
    Jean Hagen
    • Lina Lamont
    Millard Mitchell
    Millard Mitchell
    • R.F. Simpson
    Cyd Charisse
    Cyd Charisse
    • Dancer
    Douglas Fowley
    Douglas Fowley
    • Roscoe Dexter
    Rita Moreno
    Rita Moreno
    • Zelda Zanders
    Dawn Addams
    Dawn Addams
    • Teresa - a Lady-in-Waiting
    • (non citato nei titoli originali)
    John Albright
    • Call Boy
    • (non citato nei titoli originali)
    Shirlee Allard
    • Chorus Girl
    • (non citato nei titoli originali)
    Bebe Allen
    • Chorus Girl
    • (non citato nei titoli originali)
    Sue Allen
    • Chorus Girl
    • (non citato nei titoli originali)
    John Angelo
    • Dancer
    • (non citato nei titoli originali)
    Marie Ardell
    • Chorus Girl
    • (non citato nei titoli originali)
    Bette Arlen
    • 'Miss January' in 'Beautiful Girl' segment
    • (non citato nei titoli originali)
    David Bair
    • Chorus Boy
    • (non citato nei titoli originali)
    Jane Bateman
    • Chorus Girl
    • (non citato nei titoli originali)
    • Regia
      • Stanley Donen
      • Gene Kelly
    • Sceneggiatura
      • Betty Comden
      • Adolph Green
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti846

    8,3275.1K
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    10

    Riepilogo

    Reviewers say 'Singin' in the Rain' is a celebrated classic, praised for its charm, wit, and infectious energy. Gene Kelly's performance, especially in the title number, is lauded for its seamless blend of dancing, singing, and charisma. The supporting cast, including Debbie Reynolds and Donald O'Connor, is commended for their stellar performances and chemistry. The film's vibrant choreography, clever script, and memorable musical numbers are frequently celebrated. Despite minor criticisms about predictability and humor, it remains a beloved musical.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    10BrandtSponseller

    A fabulous musical romance about film technology

    Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) are a famed Hollywood duo, making films at the tail end of the silent era. The studio has been issuing PR suggesting that they're a romantic item. In reality, they can barely stand one another. One night, while on the town with his best friend Cosmo Brown (Donald O' Connor), Lockwood has to run to escape fans who want a piece of him badly enough that they'll literally rip his clothes to shreds. He hops over a number of moving vehicles and ends up in the passenger seat of Kathy Selden's (Debbie Reynolds) car. Lockwood seems immediately taken with her, but she gives him the cold shoulder. She says she's an actress with a love of theater, and she looks down on film acting. Later, Lockwood discovers that she was inflating the truth a bit, as he sees Selden performing as a cute song & dance girl at an industry party he's attending. She runs out of the party and Lockwood chases after her, but he's too late. While he tries to track her down, he, Lamont and their studio have to deal with the changing nature of film in 1927--made much more difficult by the fact that Lamont may look glamorous, but she talks more like Fran Drescher in "The Nanny" (1993).

    Aside from the more serious aspects of the plot, Singing in the Rain is a great success as a romance and a musical. It also has an astoundingly rich Technicolor look, and it is charmingly humorous. Kelly and Reynolds click on screen, even if offscreen Kelly, who also co-directed and co-choreographed, was famously difficult to work with--he drove Reynolds so hard (she was a much more inexperienced dancer) that her feet literally started bleeding at one point. The songs are great, they're worked into the story well--which is perhaps surprising given that most of them weren't written specifically for this film--and the choreography is impeccable, frequently jaw dropping and always aesthetically wondrous and sublime. If for nothing else, the film is worth a look for its often-athletic dance numbers, which can resemble Jackie Chan's showy martial arts stunts as much as dancing. It's also imperative viewing for cultural literacy in the realm of film.

    But the more serious aspects of the plot are fascinating as well. In a significant way, Singing in the Rain is about film technology. Film technology is the hinge of the plot, after all. The climax and dénouement are decided by the advent of synchronized sound in the film industry. We see studio head R.F. Simpson (Millard Mitchell) demonstrating sound films at the party where Lockwood sees Selden for the second time, providing two big turning points at once. There are sequences of actors heading off to diction coaches, as happened in reality once sound entered the scene, and also in reality as in the film some actor's careers were jeopardized by having to suddenly master a new skill.

    But Singing in the Rain is about technology on another level, too. Kelly and co-director Stanley Donen go to great lengths to ensure that the film is an exemplar of state-of-the-art film technology in 1952. For example, the beautiful Technicolor cinematography is emphasized by the fabulously colorful costumes and production design--they're showing off cutting edge color. The sound is as good as it could be in 1952, and the fact that this is a musical helps show that off. The sets and effects are complex and an attempt is made to show them off as well.

    Donen and Kelly often play up the artificiality of the sets and effects to emphasize artistry and technology. This is clearly shown in the "Make 'Em Laugh" sequence (and surrounding events) and the extended "Broadway Rhythm Ballet" sequence with Cyd Charisse. Showing off this artistry and technology also occurs very subtly, as with the rain in the "Singing in the Rain" sequence. Even today, rain machines are frequently employed in a way that it appears to be raining on film, but in reality, it's just enough coverage to produce the illusion. In the "Singing in the Rain" sequence, they make sure that you can see the whole area is getting flooded, and they use Gene Kelly's umbrella, as torrents of water bounce off of it, to emphasize that no matter where he goes, "rain" is pouring down on him.

    While there are many musicals I like as much as Singing in The Rain, this is one of the better-loved examples of that genre, and for good reason. Any musical lover has surely seen this already, and if not, they should run out now and pick it up on DVD. If you're relatively unfamiliar with classic Hollywood musicals, this is one of the best places to start.
    drednm

    It Ain't Been in Vain for Nothing

    Singin' in the Rain is one of the best movies ever made. The film is beautiful, tuneful, and loads of fun. While it pokes fun at Hollywood it also does so with great love. Little bits and pieces of Hollywood lore find their way into this great film and it's a pleasure to get the joke or recognize the real star they're referring to.

    The star trio is just perfect: Gene Kelly give a funny performance as the hammy silent actor; Donald O'Connor makes the most of his "second banana" role; Debbie Reynolds is perfect as the ingénue trying to break into films.

    The three stars perform many memorable numbers, including Kelly's "Singin' in the Rain" classic; all three in the "Good Mornin'" number; O'Connor's "Make 'Em Laugh"; and Kelly and Reynolds in "You Were Meant for Me." The masterpiece however may be the "Gotta Dance" production number with Kelly and Cyd Charisse—just perfect. Also great fun are O'Connor and Kelly in "Fit as a Fiddle" and "Moses Supposes."

    There are of course other production numbers, including the montage that shows Hollywood's race to transition to talkies, a scene that ends in the "Beautiful Girl" number featuring Jimmy Thompson.

    Jean Hagen (as Lina Lamont) won an Oscar nomination and steals the film in a classic comedy performance. Also good are Millard Mitchell, Douglas Fowley, Rita Moreno, King Donovan, Kathleen Freeman, Mae Clarke, Julius Tannen, and Madge Blake.

    The great trick to this film is that while Reynolds is supposedly "lip syncing" for Hagen, it's really Hagen's voice that Reynolds is miming to as in the "I Would, Would You" number. The final miming act is Hagen mouthing "Singin' in the Rain" is really Reynolds. It gets so confusing you can't tell who is lip syncing whose voice.

    Lots of Hollywood lore retold in this film. Hagen's Lamont character is a veiled reference to Norma Talmadge, who supposedly failed in talkies because of her New York accent. It's also a reference to Louise Brooks, whose talkie debut in The Canary Murder Case was all dubbed. When Kelly screams "I LOVE YOU" it's a reference to John Gilbert in is talkie debut flop. His Glorious Night. Kathleen Freeman's diction coach character is a reference to Constance Collier, who returned to Hollywood as a coach. And on it goes.

    A great film!
    9Xstal

    Heart Singin' in a Rain of Joyful Tears...

    It's the magic that seldom appears, whose longevity is perpetual, the pleasure of enjoying the perfections that people, music and great storytelling can sometimes offer, with the backdrop a little piece of cinema history itself. All without foul language, extravagant pyrotechnics, mass brawls and bullets ricocheting all over the place, just immensely talented people doing what they do best - keeping you entertained and allowing you to escape for a while and live with the dreams of others. Whether musicals are you thing or not, there can be no doubt that you witness greatness as you welcome the rain and it makes your heart sing.
    9Sober-Friend

    A Classic

    Last year I was very lucky to catch this on the big screen. This film is meant to be seen on the big screen! It was also the first time I saw it at the theaters and I was very impressed with the visuals.

    In this film movies are switching over from being silent to being "talkies". However the film is a spoof of the turmoil that afflicted the movie industry in the late 1920s when movies when the change over went from silent to sound. When two silent movie stars', Don Lockwood and Lina Lamont, latest movie is made into a musical a chorus girl is brought in to dub Lina's speaking and singing. Don is on top of the world until Lina finds out.

    This is such a great film that if you ever get the chance to see this at the movies then DO IT.

    Gene Kelly and Debbie Reynolds made an awesome team.
    TwoCentsFromTexas

    Delightful!

    Many good things can be and have been said about this one and they're all true. It's a great movie. The title number gives us Don Lockwood (Kelly)...In love as no other person has ever been in love, no doubt. He steps out the door and it's raining but he's oblivious to the rain. Who needs an umbrella when you've got wings on your heart and on your feet? Not the incomparable Gene Kelly as he treats us to THE single finest moment in the history of cinema. Do not miss this one.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      For the "Make 'em Laugh" number, Donald O'Connor revived a trick he had done as a young dancer: running up a wall and completing a somersault. The number was so physically taxing that O'Connor ended up in a hospital bed for a week after its completion. He suffered from exhaustion and carpet burns. After an accident ruined all of the initial footage, O'Connor agreed to do the difficult number all over again.
    • Blooper
      During the Cyd Charisse nightclub dance number, when she's wrapped around Gene Kelly, her body completely changes position between frames due to a clumsy edit. According to commentary on the special edition DVD, this cut of only a few frames' duration dates back to the original release of the film and no one knows why it exists.
    • Citazioni

      Cosmo Brown: Lina. She can't act, she can't sing, she can't dance. A triple threat.

    • Connessioni
      Edited from I tre moschettieri (1948)
    • Colonne sonore
      Fit as a Fiddle
      (1932)

      Music by Al Hoffman (uncredited) and Al Goodhart (uncredited)

      Lyrics by Arthur Freed

      Originally from the 1932 stage revue "George White's Music Hall Varieties"

      Sung by Gene Kelly (uncredited) and Donald O'Connor (uncredited)

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    Dettagli

    Modifica
    • Data di uscita
      • 5 febbraio 1953 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Cantando bajo la lluvia
    • Luoghi delle riprese
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, Stati Uniti(New York City Streets)
    • Azienda produttrice
      • Metro-Goldwyn-Mayer (MGM)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 2.540.800 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 1.884.537 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 13.643 USD
      • 10 nov 2002
    • Lordo in tutto il mondo
      • 2.096.442 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 43min(103 min)
    • Colore
      • Color
      • Black and White
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.37 : 1

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