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Last year I was very lucky to catch this on the big screen. This film is meant to be seen on the big screen! It was also the first time I saw it at the theaters and I was very impressed with the visuals.

In this film movies are switching over from being silent to being "talkies". However the film is a spoof of the turmoil that afflicted the movie industry in the late 1920s when movies when the change over went from silent to sound. When two silent movie stars', Don Lockwood and Lina Lamont, latest movie is made into a musical a chorus girl is brought in to dub Lina's speaking and singing. Don is on top of the world until Lina finds out.

This is such a great film that if you ever get the chance to see this at the movies then DO IT.

Gene Kelly and Debbie Reynolds made an awesome team.

Many good things can be and have been said about this one and they're all true. It's a great movie. The title number gives us Don Lockwood (Kelly)...In love as no other person has ever been in love, no doubt. He steps out the door and it's raining but he's oblivious to the rain. Who needs an umbrella when you've got wings on your heart and on your feet? Not the incomparable Gene Kelly as he treats us to THE single finest moment in the history of cinema. Do not miss this one.

Everybody knows Gene Kelly singing and dancing in the films title number, but this is just one of the many magical musical numbers in this epic piece of blissful entertainment. Set during the turbulent period when Hollywood was converting from silent films to sound, ‘Singin' in the Rain' is a perfect example of everything that is good and right about movie-making. Gene Kelly in his greatest role is an all singing, all dancing sensation and his acting is pretty damn good too. Donald O'Connor excels as his exuberant sidekick and almost steals the show with the unsurpassed ‘Make ‘em Laugh'. Debbie Reynolds is feisty and sexy as Kelly's love interest, while Jean Hagen gives one of the screen's greatest supporting performances as the horrid Lena Lamont, a silent screen goddess whose voice will just not cut it in talkies.

The musical numbers flow fast and furious as Gene and Donald perform amazing feats of choreography with ‘Fit as a Fiddle' and ‘Moses Supposes' while ‘Good Mornin' will have you dancing in the aisles. If ‘Singin' in the Rain' had no musical numbers it would still be a contender for the funniest film ever made. The problems with experiments with sound films are painfully funny, and Kelly's silent sparring with the demonic Hagen is hilarious. The accolade of sheer perfection can be conferred on few films, and such a title is perhaps even an understatement in this case. And never before did rain look like so much fun.

Can you imagine? Me, a film lover since the age of six, hadn't seen "Singing In The Rain" until last night. I had read and heard so much about it over the years that I knew I was going to be disappointed. As a musical I've never seen anything so perfectly "in tune" I can see how many directors have been influenced by the soul of this gorgeous movie. I've seen even Federico Fellini here. The tap routine with Gene Kelly and Donald O'Connor is so energizing that I wanted to see it again and again. The fantasy number with Gene Kelly and Cyd Charisse is breathtaking, breathtaking! How extraordinary to see Debiee Reynolds going through the contagious (Good morning!Good morning!) I had seen her a few nights before as Grace's mother in "Will and Grace" She hasn't lost her zest. I'm sure I'll be seeing this movie many times and I intend to show it to very young people from the post MTV generation and I'm betting with myself that they're going to love it. Greatness is timeless.

Singin' in the Rain is one of the best movies ever made. The film is beautiful, tuneful, and loads of fun. While it pokes fun at Hollywood it also does so with great love. Little bits and pieces of Hollywood lore find their way into this great film and it's a pleasure to get the joke or recognize the real star they're referring to.

The star trio is just perfect: Gene Kelly give a funny performance as the hammy silent actor; Donald O'Connor makes the most of his "second banana" role; Debbie Reynolds is perfect as the ingénue trying to break into films.

The three stars perform many memorable numbers, including Kelly's "Singin' in the Rain" classic; all three in the "Good Mornin'" number; O'Connor's "Make 'Em Laugh"; and Kelly and Reynolds in "You Were Meant for Me." The masterpiece however may be the "Gotta Dance" production number with Kelly and Cyd Charisse—just perfect. Also great fun are O'Connor and Kelly in "Fit as a Fiddle" and "Moses Supposes."

There are of course other production numbers, including the montage that shows Hollywood's race to transition to talkies, a scene that ends in the "Beautiful Girl" number featuring Jimmy Thompson.

Jean Hagen (as Lina Lamont) won an Oscar nomination and steals the film in a classic comedy performance. Also good are Millard Mitchell, Douglas Fowley, Rita Moreno, King Donovan, Kathleen Freeman, Mae Clarke, Julius Tannen, and Madge Blake.

The great trick to this film is that while Reynolds is supposedly "lip syncing" for Hagen, it's really Hagen's voice that Reynolds is miming to as in the "I Would, Would You" number. The final miming act is Hagen mouthing "Singin' in the Rain" is really Reynolds. It gets so confusing you can't tell who is lip syncing whose voice.

Lots of Hollywood lore retold in this film. Hagen's Lamont character is a veiled reference to Norma Talmadge, who supposedly failed in talkies because of her New York accent. It's also a reference to Louise Brooks, whose talkie debut in The Canary Murder Case was all dubbed. When Kelly screams "I LOVE YOU" it's a reference to John Gilbert in is talkie debut flop. His Glorious Night. Kathleen Freeman's diction coach character is a reference to Constance Collier, who returned to Hollywood as a coach. And on it goes.

A great film!