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Broderick Crawford is the publisher of a "Scandal Sheet" in this 1952 noir directed by Phil Karlson and also starring Donna Reed, John Derek, and Rosemary DeCamp.

Crawford plays Mark Chapman, a ruthless tabloid publisher who is bringing along a young, ambitious reporter, Steve McCleary (Derek). When a woman (DeCamp) who attended the tabloid's Lonely Hearts Dance is found dead, McCleary investigates further and finds out that she was murdered. He's determined to track down the killer, not realizing that the murderer is very close by.

Good, fast-paced noir from Columbia. Lovely Donna Reed plays Julie, who writes features and eschews the tabloid side, while the hunky Derek is a guy who loves to go after a good story and is interested in Julie. Harry Morgan is a photographer. Henry O'Neill plays Charlie, a formerly great, not drunk journalist who knows more than he should. The acting is good all around.

Crawford was one of those character actors whose talent brought him to leading roles. We boomers will know him forever as the star of "Highway Patrol" and his barking "10-4." Reed, Morgan, and DeCamp went on to make their marks on television, and Derek would retire from acting on concentrate on promoting his beautiful wives.

Based on a story, "The Dark Page" by director Sam Fuller, this film is well done, and if you like noir, you'll enjoy it.

A suspenseful little newspaper thriller about a bullish editor of a trashy paper (Broderick Crawford) who inadvertently engineers his own downfall when he commits murder and his young protégé (John Derek) dives into the case, smelling a sensational story that will send the paper's circulation skyrocketing.

This film is full of little twists and turns that made me gasp and laugh out loud as they heaped one surprise on top of another. Crawford gives a convincing performance as a man who's taught his underlings too well: he has to try to figure out a way to make Derek give up on the case without making it too obvious that he wants the story buried. Derek is given an unconvincing love interest in the form of Donna Reed. She works at the paper too, but despises Crawford's management of it and sees a little too much of him rubbing off on her boyfriend for her own comfort. Derek is such an ass, it's inconceivable that Reed would want to give him the time of day. But the inconsistency in her character serves as only a minor distraction; it doesn't torpedo the film.

Phil Karlson provides the fluid direction, and keeps things moving at a brisk pace.

Good fun.

Grade: A-

Gripping storyline fueled by some heavy duty irony. Crawford plays a ruthless tabloid newspaper editor who has the tables turned on him when he commits a crime, then finds himself having to encourage his top reporter to get to the bottom of the story, in order to deflect suspicion. Top notch suspense as Crawford gambles that he can keep his cool and get away with it, even as the walls close in and the odds look worse and worse. The dialogue is typical Samuel Fuller, (he wrote the novel upon which the film was based) colorfully gritty but at times head-scratchingly obtuse. Crawford is at his no-nonsense, take no prisoners, mince-no-words best, and able support from a young John Derek and Donna Reed (smoking cigarettes and a little less squeaky clean than usual). Good stuff.

Remarkably solid little crime/actioner. Derek is a weasely but apparently attractive young reporter for a city paper. He's convinced that his boss and mentor, ballsy editor Crawford, is a swell guy who can teach him the business, but he doesn't know that he's also a murderer, hiding a previous marriage through his crime. When the reporter initiates a sensational search for the identity of the killer, he comes closer to the truth, but places others in danger as he unwittingly informs the murderer of his every step by telegram and phone.

Solid suspense, sparse action, good script make for a B++ film.

Enjoy the great acting of Broderick Crawford, (Mark Chapman) who is the editor of a popular newspaper and his star reporter is John Derek, (Steve McCleary) and a very attractive Julie Allison, (Donna Reed) who gives a great supporting role. Mark Chapman is a go getter for this popular newspaper and always manages to capture crimes of murder with the great assistance of Steve McCleary. However, Steve McCleary investigates a recent murder of a woman who has died rather mysteriously and delves deeply into its background and is able to determine the killer and the complete reason for the murdering of this woman. There are many twists and turns in this film and Broderick Crawford and Donna Reed give outstanding performances which make this a very interesting and enjoyable film to view from 1952.