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Ultime della notte

Titolo originale: Scandal Sheet
  • 1952
  • T
  • 1h 22min
VALUTAZIONE IMDb
7,4/10
3969
LA TUA VALUTAZIONE
John Derek, Donna Reed, and Broderick Crawford in Ultime della notte (1952)
Official Trailer
Riproduci trailer2:10
1 video
90 foto
Film noirCrimineDrammaRomanticismoThriller

Il direttore di un giornale scandalistico commette un omicidio e incarica il suo protetto per indagare sperando di distogliere l'attenzione da se stesso.Il direttore di un giornale scandalistico commette un omicidio e incarica il suo protetto per indagare sperando di distogliere l'attenzione da se stesso.Il direttore di un giornale scandalistico commette un omicidio e incarica il suo protetto per indagare sperando di distogliere l'attenzione da se stesso.

  • Regia
    • Phil Karlson
  • Sceneggiatura
    • Ted Sherdeman
    • Eugene Ling
    • James Poe
  • Star
    • John Derek
    • Donna Reed
    • Broderick Crawford
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    3969
    LA TUA VALUTAZIONE
    • Regia
      • Phil Karlson
    • Sceneggiatura
      • Ted Sherdeman
      • Eugene Ling
      • James Poe
    • Star
      • John Derek
      • Donna Reed
      • Broderick Crawford
    • 66Recensioni degli utenti
    • 33Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Scandal Sheet
    Trailer 2:10
    Scandal Sheet

    Foto90

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    Visualizza poster
    + 83
    Visualizza poster

    Interpreti principali70

    Modifica
    John Derek
    John Derek
    • Steve McCleary
    Donna Reed
    Donna Reed
    • Julie Allison
    Broderick Crawford
    Broderick Crawford
    • Mark Chapman
    Rosemary DeCamp
    Rosemary DeCamp
    • Charlotte Grant
    Henry O'Neill
    Henry O'Neill
    • Charlie Barnes
    Harry Morgan
    Harry Morgan
    • Biddle
    • (as Henry Morgan)
    James Millican
    James Millican
    • Police Lt. Davis
    Griff Barnett
    Griff Barnett
    • Judge Elroy Hacker
    Jonathan Hale
    Jonathan Hale
    • Frank Madison
    Jay Adler
    Jay Adler
    • Bailey
    • (non citato nei titoli originali)
    Gertrude Astor
    Gertrude Astor
    • Neighbor
    • (non citato nei titoli originali)
    Shirley Ballard
    Shirley Ballard
    • Telephone Operator
    • (non citato nei titoli originali)
    Eugene Baxter
    • Edwards
    • (non citato nei titoli originali)
    Don Beddoe
    Don Beddoe
    • Pete
    • (non citato nei titoli originali)
    Arthur Berkeley
    • Barfly
    • (non citato nei titoli originali)
    Oscar Blank
    • Barfly
    • (non citato nei titoli originali)
    Phil Bloom
    Phil Bloom
    • Barfly
    • (non citato nei titoli originali)
    Helen Brown
    • Terrified Woman at Murder Scene
    • (non citato nei titoli originali)
    • Regia
      • Phil Karlson
    • Sceneggiatura
      • Ted Sherdeman
      • Eugene Ling
      • James Poe
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti66

    7,43.9K
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    Recensioni in evidenza

    8blanche-2

    Good noir based on a story by Sam Fuller

    Broderick Crawford is the publisher of a "Scandal Sheet" in this 1952 noir directed by Phil Karlson and also starring Donna Reed, John Derek, and Rosemary DeCamp.

    Crawford plays Mark Chapman, a ruthless tabloid publisher who is bringing along a young, ambitious reporter, Steve McCleary (Derek). When a woman (DeCamp) who attended the tabloid's Lonely Hearts Dance is found dead, McCleary investigates further and finds out that she was murdered. He's determined to track down the killer, not realizing that the murderer is very close by.

    Good, fast-paced noir from Columbia. Lovely Donna Reed plays Julie, who writes features and eschews the tabloid side, while the hunky Derek is a guy who loves to go after a good story and is interested in Julie. Harry Morgan is a photographer. Henry O'Neill plays Charlie, a formerly great, not drunk journalist who knows more than he should. The acting is good all around.

    Crawford was one of those character actors whose talent brought him to leading roles. We boomers will know him forever as the star of "Highway Patrol" and his barking "10-4." Reed, Morgan, and DeCamp went on to make their marks on television, and Derek would retire from acting on concentrate on promoting his beautiful wives.

    Based on a story, "The Dark Page" by director Sam Fuller, this film is well done, and if you like noir, you'll enjoy it.
    7nomoons11

    no fair...Broderick Crawford is in this

    I mean that just about everything he does he steals every scene he's in.

    Broderick Crawford was just a huge personality on and off screen that I imagine other actors, being around him, kinda had a feelin' they didn't have a chance of stealin' a scene away from him. He was just that good an actor.

    This little film is no different. He plays a newspaper editor with somethin' to hide.Throughout the film he has to make sure no-one finds out his little secret from his past. Enter his favorite little cub reporter who thinks of like a son and a woman's columnist who thinks he has just sunk the paper's integrity by printing scandalous news and not the real news people wanna read. She basically see's right through him but not all the way...well until the end.

    Check this one out. It's a winner for sure. I was pleasantly surprised.
    8abooboo-2

    Solid suspense and well-paced

    Gripping storyline fueled by some heavy duty irony. Crawford plays a ruthless tabloid newspaper editor who has the tables turned on him when he commits a crime, then finds himself having to encourage his top reporter to get to the bottom of the story, in order to deflect suspicion. Top notch suspense as Crawford gambles that he can keep his cool and get away with it, even as the walls close in and the odds look worse and worse. The dialogue is typical Samuel Fuller, (he wrote the novel upon which the film was based) colorfully gritty but at times head-scratchingly obtuse. Crawford is at his no-nonsense, take no prisoners, mince-no-words best, and able support from a young John Derek and Donna Reed (smoking cigarettes and a little less squeaky clean than usual). Good stuff.
    8planktonrules

    Gritty and intelligent.

    I sought out this film for two reasons. First, it was written by Sam Fuller and I have been trying to watch as many of his films as I can--they are, with only a few exceptions, great films. Second, I have always liked Broderick Crawford, as he had a way about him--portraying unrelentingly tough guys. With my love of film noir, it's a natural that I'd love seeing his ugly mug! Well, after finishing this film, I found that I wasn't disappointed. The writing, direction and acting were all very good.

    Crawford stars as a man who has been brought in to save a dying newspaper. To make it successful, he gives the public what it wants--scandal, sleaze and violent content. While many of the paper's stockholders can't stand what he's done to make the paper solvent, he has made them rich--and it's hard to argue with success--even at this price.

    One of Crawford's reporters is John Derek. Usually I don't like him in films, as he's just too pretty. Here, however, he was just fine--pretty, sure...but fine. Derek specializes in sniffing out cases and one new case really intrigues him. An unidentified woman is found dead. It clearly looks like an accidental death but Derek's instincts tell him it was staged to look that way, so he pushes and pushes investigators to dig deeper. Yes, it turns out she was murdered...but WHO did it and WHY is what makes this film very, very intriguing.

    In addition to Crawford and Derek, the film also stars Donna Reed and Henry O'Neill. Reed plays a woman who is like the voice of conscience in the movie--always appalled at Crawford's methods and making it clear that she wants no part of this degradation of the paper. O'Neill, however, is the more interesting guy. In the 1930s and 40s, O'Neill had very steady work and was a familiar face at MGM in supporting roles (having appeared in 177 films and TV shows during his career). By 1952, his career was on the decline and his output reduced significantly. Here, he makes a bit of a last hurrah AND gets to play a role that stretched his abilities--playing a down-and-out drunk whose character evolves and shows great depth during the course of the movie.

    Overall, the film is taut and exciting. Whether or not you'd call it film noir is a tough one, as definitions vary tremendously. Considering that the cops are purely secondary characters and there isn't the same criminal atmosphere in the film as noir, I'm not sure I'd call it noir. But, it is at least noir-like and is sure to please anyone who likes the grittier sort of film Hollywood did so well during this era.
    SkippyDevereaux

    Very good film-noir!!

    A very good and fast paced film that deals with a newspaper editor assigning his top reporter on a murder case, with a great ending to this film!! I noticed that the first two commentors were harping about Donna Reed smoking on-screen. Heck far, there is more to this film than THAT!! I did not hear any crying around from those two about Harry Morgan smoking a cigar in this film. Great performances all around and a performance by Rosemary De Camp, that is against the grain, as she always seemed to play the sweet motherly types, but not in this one!! Don't miss this one if it appears on television!!

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Samuel Fuller was in litigation against Famous Artists Corp. According to the news item, Fuller sold his novel, The Dark Page, to H-F Productions for $15,000, and director Howard Hawks spent $25,000 on pre-production for producer Jules Furthman. Monterey Productions later purchased the novel, then sold it to Motion Pictures Investors, Inc., which then sold it to Columbia for $10,000. In his suit, Fuller claimed the novel's worth was $100,000. A 1951 Hollywood Reporter item indicates that Fuller's successful production of Corea in fiamme (1951) revived interest in producing The Dark Page.
    • Blooper
      At the very beginning of the shot where Grant bends over to retrieve the 'Lonely Hearts Club' badge from his dead wife, the untouched corpse's head moves slightly.
    • Citazioni

      Julie Allison: [with tongue in cheek, referring to her and fellow reporter, Steve, going out of town together for several days to investigate a story] Mom, you think it's safe for me to travel out of state at night with this young man?

      Mrs. Allison: Just so he doesn't misconstrue the meaning of "freedom of the press."

    • Curiosità sui crediti
      Opening credits are shown on the page of a newspaper. Although the credits change, the surrounding text remains the same, from start to finish.
    • Connessioni
      Featured in The Typewriter, the Rifle & the Movie Camera (1996)
    • Colonne sonore
      I'll Take Romance
      (1937)

      Music by Ben Oakland

      Lyrics by Oscar Hammerstein II

      Played by orchestra at Lonely Hearts dance.

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    Dettagli

    Modifica
    • Data di uscita
      • 28 agosto 1952 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Página negra
    • Luoghi delle riprese
      • Springfield, Illinois, Stati Uniti(Illinois Capitol Building: establishing shot of the Connecticut state capitol)
    • Azienda produttrice
      • Edward Small Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 22min(82 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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