Ruby, fiore selvaggio

In Braddock, North Caroline, the free-spirited and poor Ruby Corey (Jennifer Jones) is a sexy woman in love with Boake Tackman (Charlton Heston), who belongs to a former wealthy family that lost their land that is flooded. Ruby has lived during high-school with the wealthy businessman Jim Gentry (Karl Malden) and his wife Letitia Gentry (Josephine Hutchinson) that had unsuccessfully tried to teach etiquette to Ruby. Later she returned to the house of her father Jud Corey (Tom Tully) and her pious brother Jewel Corey (James Anderson) in the swamps. When Boake decides to marry the rich Tracy McAuliffe (Phyllis Avery), Ruby is courted by Dr. Saul Manfred (Bernard Phillips) but accepts to marry Jim that has recently widowed.

The population of Braddock does not accept the marriage of Ruby and Jim. Then, Ruby dances with Boake in a club and Jim has a fistfight with Boake and calls Ruby a tramp. On the next morning, Jim apologizes with Ruby and they go sailing. However there is an accident and Jim drowns in the sea. Ruby is accused by the population of murdering Jim and she decides to revenge, using the money she inherited from Jim and foreclosing on the debts of the hometowns. But Ruby is still in love with Boake and her behavior will lead them to a tragedy.

"Ruby Gentry" is a melodramatic romance directed by King Vidor, the master of this genre. The melodrama is excessive, with a wild young woman in love with a popular young man in a conservative town. Her revenge against those that blame her is great but the conclusion is silly. Rubby working as a skipper of a fishing boat does not make sense for a woman with her strong personality (and money). My vote is six.

Title (Brazil): "A Fúria do Desejo" ("The Fury of the Desire")

This well directed film by classic Hollywood filmmaker King Vidor delivers unsettling passions , emotion , meandering drama and resulting in sad tragedy . Enjoyable melodrama set down in the Carolina swamplands , where they have names like Ruby , Jud, Boake , Jewel , Cullen . Despite their different social stratum , white-trash girl Ruby (Jennifer Jones) and upper-class Boake (Charlton Heston) grew up together in the 1950s North Carolina. Ruby Corey lived with her poor family in the swamps while Boake Tackman lived in a mansion with maids . As long as their friendship stayed within the socially decent limits no one objected . In adulthood their friendship becomes a mutual romantic attraction resulting in a passional love story . But then things go wrong when she marries wealthy financer (Karl Malden) and to spite him she seeks a cold comeuppance. So dangerous...destructive...deadly to love! The swamp hellion who wrecked a town - Sin by Sin !. The story of Ruby Gentry, who wrecked a whole town -- man by man ...sin by sin.

Yet another overheated and turgid Hollywood melodrama about a doomed damsel in distress from the wrong side of the swamp . Ordinary plot about a crazy love story in which an easy-virtue Southerner Jones marrying rich Malden to spite Heston , the man she loves . Vintage Southern theme of revenge , nice filmmaking and interpreation loft it a notch . The picture is acceptable , though displays some artificial roles .As Jennifer Jones gives a throughly exaggerated performance as the sexy but poor young girl marries a rich man she doesn't love, but carries a torch for another man . As Jennifer Jones overacting while tosses her hairb tempestuously and making the sultry even if sometimes looks like a re-run from he early character as Perla in Duel in the sun. Along with the two top-drawer actors , Jones and Heston , appearing great secpndary players , such as : Karl Malden , Tom Tully , Barney Phillips , James Anderson , Josephine Hutchinson , among others.

It contains an atmospheric , evocative cinematography in black and white by Russell Harlan . As well as adequate and romantic musical score by classical composer Heinz Roemheld . The picture was competently directed by King Vidor , though it has some uneven scenes . Here King shows some his peculiar visual style . In addition , the picture went on to become a box office hit . King Vidor directed other enjoyable movies as Westerns :¨Duel in the sun¨ , ¨Northwest passage¨, ¨Billy the Kid¨ , and ¨Texas Rangers¨ . And made several classic movies as ¨War and peace¨ , ¨Comrade X¨ , ¨Stella Dallas¨ , ¨Fountainhead¨ , ¨Our daily bread¨ , ¨The citadel¨ , ¨The crowd¨ , ¨Big parade¨ and several others . Rating : 6.5/10 . The flick will appeal to Charlton Heston and Jennifer Jones fans .

Charlton Heston is at the height of his hunk stage and played an unusual type, against his rugged, frontier persona. Jennifer Jones is sultry and moody through several decades, backed by the haunting "Ruby" theme. Richard Hyman's harmonica is a perfect compliment to the two lead character types. I think it is even more effective in black and white than it could ever have been in color. Perhaps this element underscores the black and white social mores of the era. This movie is the first to really make me believe Jennifer Jones character is principally an emotionally grounded person, touchable by others. I usually find her too self contained to feel deeply. I have seen this movie several times, and thoroughly appreciate it each time.

The turbulent life of a female sea captain is revealed. Jennifer Jones does quite well in the meaty leading role of Ruby, a swamp girl from the Carolinas who infiltrates an indifferent high society after marrying wealthy businessman Karl Malden. However, that marriage was just a convenience for this hellcat, who has pined her whole life for intrigued childhood hunting pal Charlton Heston, himself a recent newlywed to a girl who hails from the right side of the tracks. Silvia Richards' screenplay, which originated from a story by Arthur Fitz-Richard, is alarmingly direct, cutting right to the action despite a few well-placed flashbacks. Still, the narrative is somewhat confused (who's telling this story? If it's supposed to be Bernard Phillips' smitten doctor, he isn't around a whole lot). Jones sidesteps camp (just barely) with some enjoyably wild behavior in the film's second-half, and yet this portion of the movie doesn't quite fit comfortably alongside the rest--it plays almost like an unrelated episode. Director and co-producer King Vidor's strongest work comes in the earliest sequences, which have a well-wrought sense of character and pacing which the finale tends to lack. **1/2 from ****

A drama set in a small town in North Carolina that doggedly holds on to the strict social division between the classes, all the more so given the fact that powerful post war 20th century economic forces are changing everyone's fortunes, and now the old money (what's left of it) can only grasp onto the past in order to maintain their weakened grip on their obsolete social hierarchy. To threaten the social order more is saucy Jennifer Jones, who all the upper class guys lust after, a woman from the wrong side of the tracks with a born again brother (James Anderson) who throughout the film reminds her that her soul is doomed to eternal damnation as she tempts and pleases Charlton Heston, who's upper class family has only their good name left, and who is promised to only moderately attractive and far less sexy Tracy McCauliff (Phyllis Avery) who's family is still rich AND respected. It's quite a trade off. The best scene comes after Heston and Avery marry and are at the local country club for a dance, and Heston and Jones dance provocatively while Jone's husband, the rich and jealous Karl Malden, who she decided to marry after she lost out on Heston,can't believe that this is happening to him. The film falters somewhat as it lurches towards the end, but pacing wise and photographically (B&W by the great Russel Harlan) it's definitely worth checking out.