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An awesome rugged Western masterfully directed by Anthony Mann including his ordinary star, James Stewart . A bounty hunter called Howard Kemp (James Stewart) trying to bring a murderer to justice is forced to accept the help of two less-than-trustworthy strangers (Millard Mitchell , Ralph Meeker) . As he tracks down a vicious and cunning outlaw called Ben Vandergroat (Robert Ryan) accompanied by his gorgeous sweetheart (Janet Leigh) . The ordinary dramatic framework about three men attempting to bring another back to justice is compellingly maintained . Entertainment and excitement increases until a surprising climax .

This exciting Western contains tension-filled , juicy atmosphere , thrills , suspense , gun-play and an impressive final on a high cliff which was one of filmmaker Mann's best moments . Magnificent western from the Anthony Mann/James Stewart team and their third collaboration and considered one of their best . Colour , music , scenarios , landscapes all marks well in this thrilling story about a compulsive bounty hunter who deals with four different roles . It describes a long journey in which there are extreme characters combined with psychological observations and enriched by eventual ambiguity and a tense picture about dishonesty and badness . This particular Western only starred by 5 characters contains an interesting screenplay by Sam Rolfe and being nominated for an Academy Award . By that time (1953) the picture was considered quite strong , tough , surprisingly violent and brutal ; today is deemed a classic film . And seems to be a great influence of wide range such as violence and scenarios . Filmed in Cinemascope in colorful cinematography by William Mellor ; Anthony Mann gets to take from nature the maximum impacts as rivers , valleys , mountains , being wonderfully photographed . Breathtaking background scenarios , dramatic close-up along with shining illuminations , all of them perfectly mingled with a tale full of violence , tension , intrigue and shoot'em up . When this film was released in Spain, its title was changed to "Colorado Jim" and the name of 'James Stewart's character was also changed from "Howard Kemp" to "Colorado Jim", for unknown reasons . The filming took place on location in Durango, Colorado , Rocky Mountains, Colorado, San Juan Mountains, Colorado, and Lone Pine, California . Nedless to say , the main and secondary cast is first-class . Top-of-the-range acting by the great James Stewart as a lone bounty hunter obsessed with hunting down the outlaw . There are top-notch acting from old-stagers as Millard Mitchell playing an aging prospector , as well as from Ralph Meeker as an ex-soldier and special mention to Robert Ryan as a leering killer . And delicate Janet Leigh , pretty much deglamourised here and sporting a new cropped haircut . Emotive as well as thrilling musical score performed by Bronislau Kaper .

This top-drawer Western was stunningly realized by the master Anthony Mann , infusing the traditional Western with psychological confusion , including his characteristic use of landscape with marvelous use of Rockies Mountains which is visually memorable . Mann established his forte with magnificent Western almost always with James Stewart . In his beginnings he made ambitious but short-lived quality low-budget surroundings of Eagle-Lion production as ¨T-men¨ , ¨They walked by night¨ , ¨Raw deal¨ , ¨Railroaded¨ and ¨Desperate¨ . Later on , he made various Western , remarkably good , masterpieces such as ¨The furies¨ , ¨Devil's doorway¨ and ¨Man of the West¨ and several with his habitual star , James Stewart, as ¨Winchester 73¨ , ¨Bend the river¨ , ¨The far country¨ , ¨Man of the West ¨. They are characterized by roles whose determination to stick to their guns would take them to the limits of their endurance . Others in this throughly enjoyable series include ¨Tin star ¨ that is probably one of the best Western in the fifties and sixties . After the mid-50 , Mann's successes came less frequently , though directed another good Western with Victor Mature titled ¨The last frontier¨. And of course ¨Naker spur ¨ that turns out to be stylish , fast paced , solid , meticulous , with enjoyable look , and most powerful and well-considered . This well acted movie is gripping every step of the way . It results to be a splendid western and remains consistently agreeable . Rating : Above average , the result is a magnificent Western . Well worth watching and it will appeal to James Stewart fans .

I saw this for the first time recently.

The plot in short n without any spoilers - A man with a tragic past becomes a bounty hunter to catch a cunning murderer so that he can buy back his land via the bounty reward. Unwillingly he partners with two fellas, one an ex soldier who is discharged dishonorably n the other an old fella looking for gold mine. The trio manages to catch the murderer but on the trail the cunning wanted murderer wages a continous psychological game to turn his captors against each other by various means.

This is no doubt a very different western which started off very engrossing, specially the psychological duel n the journey but somehow towards the end it felt a bit odd.

The girl suddenly changes her mind, the soldiers' fate in the end was uncalled for n what was the need for digging a grave for a murderer n where will the couple live if the man is broke n without a house.

Still i am generous with a 7 cos of the performances n cinematography.

What I imagine makes THE NAKED SPUR stand out among other Westerns is its close, intimate focus on a small band of characters--for once, the motivations of the cynical bounty-hunter, the luckless gold prospector, the brash ne'er-do-well, the slick outlaw are actually all explored and explained as best as psychology can allow. The focus isn't on the action, though there's plenty of that too; one really gets the idea that the action is peripheral to the character development, to the glimpses of history given by snatches of dialogue. James Stewart turns in a riveting performance as Howard Kemp, the embittered rancher turned bounty-hunter, who is seeking outlaw Ben Vandergroat (Robert Ryan) for the $5000 price on the latter's head. What Howard doesn't gamble on is the people added on to his journey along the way--the prospector Jesse Tate (Millard Mitchell), who's been running after gold all his life but has never managed to catch up to it; the reckless ex-soldier Roy Anderson (Ralph Meeker), discharged from the army for being 'morally unstable'; and the young feisty Lina Patch (Janet Leigh), Ben's companion.

Throw this bunch of opposites in a trek back to Abilene, Kansas is a recipe for great drama: for example, the mini Indian massacre Roy brings about that gets Howard shot in the leg; the rock avalanche Ben starts to try to escape after sending Lina to distract Howard... even the even-tempered, apparently rational and loyal Jesse being so blinded by his life's pursuit that he frees Ben in return for gold and certainly winds up regretting it. Throughout the trek, one sees Ben's true duplicitous side, as he charmingly manipulates each and every other member of the group into distrusting one another. He knows Howard as well, from back in Abilene, and he is the one who lets us in on some of Howard's painful past. (Brilliantly illustrated by the fevered dreams Howard suffers from while still in shock from the bullet in his leg.)

The entire small cast is excellent. Ryan is slimily charming, Mitchell plays Jesse straight and honestly, Leigh brings off a rather thankless, almost characterless role well (her character is probably the least well developed in the film). It is James Stewart, however, who really deserves special mention for his portrayal of Howard Kemp... particularly since he'd first thought that he was supposed to be playing the role of Ben Vandergroat, and had to be talked into taking the risk and playing Howard Kemp. One can certainly see why: Stewart's stock-in-trade is as the undeniably good hero, with whatever--if any!--psychological darkness (see George Bailey in It's A Wonderful Life) always lurking just beneath the surface but never enough to damage the character's positive standing in the audience's eyes. So of course, it's not easy to accept Stewart as the cynical, rude Howard at first--this probably is the least sympathetic character he has ever played, since the cracks in his tough, mean veneer come very seldom during the course of the film (and kudos to the writers for not having Stewart's innate goodness shine through more often and therefore use the audience's sympathies for the actor to bring some for the character).

Howard is driven and relentless, as evidenced with the near psychosis he brings to his task of capturing Ben. From his sullenness when Ben reveals how much the capture really is worth, through to the final exciting sequence when Kemp pulls himself up the rock to face his nemesis (thereafter making it clear why the film is given the title of 'The Naked Spur'), Howard Kemp is evidently a man who no longer trusts even *himself* to do the good thing. Quite a twist on the James Stewart persona, and certainly one he pulls off with great aplomb. His final scene with Janet Leigh, as Howard has to decide whether he can stand to lose his future to his past, definitely stands proud as some of Stewart's greatest work.

I watched this film largely because of a great review I'd read of it for Stewart's performance, and there is no denying that that is surely a good enough reason to watch this film. Stewart outdoes himself. Still, I got a lot more than I'd bargained for, because this really is an excellent, psychologically-charged Western as well--the kind that makes you feel and think, and it's only the better films that make one do that.

The Naked Spur (1953)

This is a classic straight forward and somewhat clichéd but professional western, with very solid acting and very solid direction, photography, and scenery. That's great, and that's the flaw of it all, this lack or originality. The core of it is action adventure, and an unlikely merging of unsavory characters. At first it's an outlaw that is being sought (Robert Ryan, a youthful bearded Ryan), then it's the Indians who are a danger (and the white gang of good guys and bad guys unite agains this new foe). Heading the posse, if you can call it that, is James Stewart, who is always pretty amazing. And there is the surprise woman in the group, an almost unrecognizable Janet Leigh. Eventually the group has to cross an inhospitable (and beautiful) landscape in all kinds of weather. It's powerful in the themes, if a little familiar in its themes.

Ryan is the highlight here. Stewart is billed first, but he's an uncomplicated hero, and Ryan plays a more convoluted type. The woman is at first Ryan's, it seems, but then it gets complicated. And the other two figures in this roving band take on opposing roles, as well. Leigh, in short hair (a 1950s style, and a good one), is really different, and she does fine. This cast of five is the entire credited cast (the Indians don't count, I guess, with no speaking parts). And because it's a small group, it gets increasingly personal. And good.

Director Anthony Mann is clearly in good form, making a routine script take on both psychological and kinetic edge. Everyone is trapped a bit by a routine script, but Mann makes it really tight and smart. The color photography is also trapped by the routines of beauty in the great Western landscape. The best scenes, at night in a cave, for example, are constricted and tense, really visually wonderful. Sometimes a simple tracking shot will follow someone across bumpy landscape with perfect grace, an invisible cue that the crew is really working hard, laying dolly track, making a difficult scene look easy.

The one really interesting theme that grows slowly until exploding at the end is the morality of hunting someone down just to turn them in for money. The bounty. And the bounty hunter. Well, with Janet Leigh there to help persuade you to higher goals, I supposed Jimmy Stewart can be forgiven. Or praised. You watch and see.

Set in the post Civil War American West, The Naked Spur is more than a western. The director, Anthony Mann, took a script by two relatively unknown screenwriters (later nominated for an Oscar) and made a great picture about losers trying to survive in a tough postwar world. James Stewart, the star, plays a rancher who lost everything because before going off to the Civil War, he signed his ranch over to his girlfriend. In 1952, when this picture was filmed, World War II was no distant memory, the Korean War was going on and the idea that a soldier thought he wasn't going to return from a war was real enough. The writers and Anthony Mann placed the story almost a hundred years earlier, but the movie is about regular people on the skids. The cashiered Army officer, always looking out for number one, whatever the cost to others, had to ring true with war veterans in the audience in 1953. There is a villain, and Robert Ryan plays a great one, but James Stewart's character, Howard Kemp, is no hero. Ryan's character, Ben Vandergroat, complains that he knew Howard and he never did Howie any wrong, so there was no reason for Kemp to track him down, regardless of the reward money. Ryan has a point, a western hero doesn't hunt down someone just for money, knowing that if caught the person will be executed. But the scenic views of the Rocky Mountains, the great production values (including Technicolor) by MGM and the stars all are a façade for what could have been a film noir picture, Anthony Mann's earlier specialty. Stewart's character in The Naked Spur is trying to get back the ranch he lost after his world was turned upside down by war. The screaming nightmares he has, showing the psychological trauma the war was responsible for, would now go under the name post traumatic stress syndrome. War veterans trying to return to a normal life has always been a subject for movies, but rarely has the message been hidden as well as here. The Naked Spur is the type of class picture studios don't (or can't) make anymore, and that is the moviegoers' loss.