La meticcia di Sacramento

THE MAN BEHIND THE GUN (listed as 1952 in Leonard Maltin's Movie Guide) is a Warner Bros. western starring Randolph Scott and set in Los Angeles, California in the early 1850s. The script is okay, the pace is fast and it has a large, colorful cast. There are a number of interesting elements in it that are worth noting. The Southern California setting enables the script to name-check landmarks in the area: San Pedro, Santa Monica and the LaBrea Tar Pits—which two characters visit at one point. (No sightings of woolly mammoths, though.) They even mention San Luis Obispo, which is further up the coast. The plot involves manipulation of the water supply to L.A. with a corrupt politician trying to take control of it. As such, it looks forward to Roman Polanski's CHINATOWN (1974), 22 years later. There's even a direct casting connection. The actor who plays a California senator here, Roy Roberts, plays L.A.'s mayor in CHINATOWN.

There are two significant Latino characters. One is female nightclub owner Chona Degnon, played by singer Lina Romay. She's the film's resident femme fatale and she tries to recruit Scott to help out with her gun-running sideline. She sings a couple of numbers, too. Some of you may remember her from her delightful live-action cameo in Tex Avery's cartoon, "Señor Droopy" (1950). The other Latino character is famed California bandit and folk hero Joaquin Murietta, well played by Robert Cabal, an actor I'm otherwise unfamiliar with. Other movies have been made about Murietta, including the TV movie, "Desperate Mission" (1971), starring Ricardo Montalban. Murietta is seen here on the cusp of his outlaw career and he becomes an ally of the hero. He's quite handy with both guns and knives and kills seven opponents, often quite casually.

The cast includes Patrice Wymore (looking quite beautiful) as the fiancée of a military officer (Philip Carey) assigned to work with Scott. She soon finds herself falling for Scott, an undercover officer sent by Washington to put down a planned secessionist revolt. Wymore and Romay have a pretty convincing catfight at one point. Dick Wesson and Alan Hale Jr. (taking up where his dad, a longtime Warners contract player, left off) play ex-soldiers who'd served with Scott in the Mexican War and who act as his reluctant sidekicks here. They provide much of the (forced) comic relief. Dependable heavy Morris Ankrum has too small a part as a die-hard secessionist. Other dependable heavies in the cast include Douglas Fowley and Anthony Caruso.

It's all mostly shot on studio sets, with location work saved for the action finale—a spectacular raid on the water pirates' camp. In a few sequences, the film uses stock footage culled from an earlier Warner Technicolor western. IMDb says it was SAN ANTONIO (1945). I'm more inclined to say it was DODGE CITY (1939)—and it's quite possible that the footage used in SAN ANTONIO was indeed taken from DODGE CITY as well. If anyone wants to watch all three of these films back-to-back just to get this straight, be my guest.

This isn't the best Randolph Scott western I've ever seen, but it's certainly above average for him.

"The Man Behind the Gun" is another of a series of 80 minute little westerns churned out by Randolph Scott during the 1950s. As with most of these films, there's plenty of action and a stellar supporting cast.

Major Rance Callicut (Scott) poses as a disgraced army officer who is sent to work undercover to foil secession threats which would take Southern California out of the Union. The time is the 1850s. On the stagecoach to Los Angeles he meets Lora Roberts (Patrice Wymore) who is on her way to LA to marry army Captain Roy Giles (Philip Carey). Also on board is bandit Vic Sutro (Anthony Carouso) whose holdup attempt is foiled by Callicut.

With his two side kicks, Sgt. Monk Waller (Dick Wesson) and Cpl. Olaf Swenson (Alan Hale Jr.) Callicut at first posing as a school teacher, sets out to discover who is behind the troubles. He learns that there are two opposing factions, one headed by Bram Cregan (Morris Ankrum) and the other by Senator Mark Sheldon (Roy Roberts). Calicutt is not trusted by Giles, who tries to arrest him before learning his true identity. Calicutt becomes attracted to the lovely Lora (of course).

Also in the mix is saloon owner Buckley (Douglas Fowley) and his singer Chona Dregnon (Lyna Romay). Calicutt is assisted by a young Mexican bandito, Joachim Murietta (Robert Cabel) whom he had earlier befriended. When Senator Sheldon is shot, and Cregar rescued from the hangman's noose, Calicutt thinks he has it all figured out...or does he?

As in most of Scott's westerns there is a major shoot out and plenty of fast paced action. Alan Hale Jr. basically picked up where his late father left off playing similar roles until he hit it really big as the Captain in TVs "Gilligan's Island". As an item of interest, Hale Sr. had appeared with Scott in one of his last films, "Colt 45" (1950). Patrice Wymore was one of Errol Flynn's wives. Robert Cabel is best remembered as "Hey Zoos" on TV's "Rawhide" for several seasons.

Not one of the best Scott westerns but entertaining nonetheless.

I had to resume this film from the beginning at the fifty minute mark because I was getting so confused with the plot strands. There seemed so many! Who were the good guys, who were the bad guys all that kind of thing because it was so confusing. To me anyway! It's a good job the film had only a modest running time to allow this to be practicable.

It's a shame because there was some good work that went into this film from both the cast and the crew. There are elements of humour, action, romantic scenes. Good location photography and sound. Some good performances from the supporting cast as well.

It's definitely a film that has to be watched if you are going to seriously explore the Randolph Scott movies because he had such a filmography.

I suppose the film did remind me of some plot in future Hollywood output from films as varied as A Few Good Men (1992) when a character talks about duty and it's importance in the army and the control of the Californian water supply reminded me of the James Bond film Quantum Of Solace (2008) albeit that was Bolivia.

All the things that made the Scott movies the most agreeable matine fare are present - an opening shoot out in foggy San Francisco streets, a stage hold up, historical plotting about stealing the L.A. water supply (well before CHINATOWN), false identity, opening an empty grave and hard riding and shoot outs in the great out of doors. On top of that it's delivered in Technicolor by some of Warners' most assured technicians, complete with stock shots from the Flynn movies and snatches of earlier Warner scores.

The reason it's so mechanical must be the routine direction of Felix Feist who fades away as Scott takes on sure hands Andre de Toth and Budd Boetticher as directors. The scene with Lina Ronay against the studio sky is particularly lack lustre. Randy grins his way through events and is doubled in the final river punch out while villain Roy Roberts does his own stunts - like I mean - really!

It is good action entertainment for those who like their westerns action filled. An Easy-Going Gent with Deadly Guns...and a Reputation to Match! This undemanding western in which a counterespionage agent attempts to discover who's behind a Southern conspiracy , as it is plenty of suspense as the dreaded final attack . This exciting picture tells the story of an upright officer , Randolph Scott , who gives a perfect acting in his usual stoic style . A nice Western with frantic action , intrigues , thrills , fights , crossfire , suspense , wonderful outdoors , all of them keep things lively . Here Randolph Scott goes undercover to find a ring of treacherous rebels who are working in cahoots with the Confederacy and posing as a schoolteacher . As undercover government agent Ransome Callicut (Randolph Scott) arrives in 1850's South California . As he gradually gains trust the townsfolks to uncover their plans and reveal the dark objectives ; then he discovers a hidden cache of rifles . Aided by his underlings : Monk Walker (Dick Wesson) and Olaf Swenson (Alan Hale Jr) he fights political assassination and other adventures to unmask the ringleader of the plot and keep the Golden State in the Union . Along the way , he falls in love for a gorgeous woman , Lora Roberts (Patrice Wymore), who is already engaged with a cavalry officer , Capt. Roy Giles (Philip Carey) .

Well made film, though not outstanding , I loved the scenery and the cinematography by expert director of photography Bert Glennon is beautiful. It also has strong direction, a charming music score from David Buttolph that compliments the film perfectly, an attractive story with an interesting structure and themes and sharp dialogue. However, while it is not an exceptional movie it is a very acceptable and enjoyable one, and I also think overrrated . Not that it's a bad film, but a fairly routine western which even kind of gives away who the inside man is way too early in the film. This agreeable tale is almost rudimentary though a few clichés , containing an interesting as well as stirring screenplay by John Twist , based on a story by Robert Buckner . Being breathtakingly photographed in Technicolor ; In addition , good pacing is also at hand, and the cast are great . Randolph Scott has done better work perhaps, but still gives an engaging performance. Randolph Scott gives a decent acting in his usual style as the undercover army officer to gather intelligence about an insurrectionist plot to have the southern part of the state secede to become a slave state , subsequently revealing his true identity and assuming command of the local army post. Nice supporting actors largely hang around waiting for something to do , and with plenty of familiar faces , such as : Dick Wesson , Philip Carey , Lina Romay , Roy Roberts , Alan Hale Jr , Morris Ankrum , Douglas Fowley , Katherine Warren and Anthony Caruso.

Furthermore , a moving and rousing musical score by the classical composer David Buttolph . As well as glimmering and shimmering photography by Bert Glennon , shot in studios and exteriors from Bell Ranch, Santa Susana, California . This thrilling chronicle of espionage and counter-espionage during the American Civil War was decently directed by Felix F. Feist . It is a typical Western professionally directed with lavish production design and enough budget . At his beginning Felix Feist entered the Hollywood film industry, obtaining work as a writer, and producer , before finally becoming a director , filmmaking several Shorts and documentary . His first feature films were : All by Myself and You're a Lucky Fellow, Mr. Smith . After that , he made a lot of films of all kinds of genres , getting hits and flops ; such as : ¨Deluge¨, ¨George White's scandals¨, ¨The Winner's Circle¨ , ¨The reckless age¨, ¨The devil thumbs a ride¨, ¨The Golden Gloves Story¨, ¨The threat¨, ¨Guilty of treason¨ , ¨The Basketball Fix ¨, ¨Tomorrow is another day¨, ¨The Man Who Cheated Himself¨. And his two greatest successes : ¨Big trees¨and ¨Donovan's brain¨.