Il temerario

Don't let the illfitted lurid title mislead you, this is a really good movie played serious, the kind of conventional in its arc but altogether engrossing drama old Hollywood used to make in its golden age. It may have little to offer in the way of lust but quite a lot of rodeo excitement. Robert Mitchum is worn-out bronco rider Jeff McCloud, once a rodeo legend and now a peniless drifter who drunk and gambled away the small fortune he made by falling out of horses' backs. He becomes attached to a man working as a cowhand in a nearby ranch and his lovely wife and soon convinces the man to make him as his rodeo mentor. What at first seems like quick easy money will soon prove to involve a whole lot more, from broken bones to broken marriages. This is a three-character drama that bounces off inside the triangle formed by washed-up, has-been bronco rider McCloud, the ambitious and reckless up-and-comer played by Arthur Kennedy and his wife (Susan Hayward) who desperately wants her husband off the rodeo business while he can still walk in one piece, all this seasoned for good measure with footage of bronco riding, bulldogging and what have you. Ray's direction is good, the rodeo setting provides an exotic backdrop of western Americana which should appeal to lovers of open vistas and wild landscapes and the performances are ace all around. Mitchum is at the top of his game playing the kind of character he could play with eyes closed. It was red-haired Susan Hayward who was the big revelation for me though. This was the first time I saw her in a movie but she enchants like few.

After viewing this film, it is truly a great 1950's classic with outstanding acting by the entire cast; and a great story with a realistic view of what the Rodeo life really is and the pain and suffering that is experienced by men and woman. Robert Mitchum(Jeff McCloud),"Farewell',My Lovely",'75, played a real calm cool veteran star of the Cowboy game shows and was very successful, but was beginning to show wear and tear. Arthur Kennedy, (Wes Merritt),"Peyton Place",'57, was originally a ranch hand trying to buy his dream house for his wife Louise Merritt,(Susan Hayward),"With A Song in My Heart",'52, and loved her husband very much. However, when Wes Merritt got together with Jeff McCloud, all hell broke loose and Louise did everything she could to hog tie her husband down from very hot women, wild horses, and bulls with angry tempers. Great film, don't miss it, it will be around for many generations to enjoy.

Fascinating, penetrating glimpse into the world of rodeo competitions and the often foolish lengths that men will go to prove their manhood. Superbly shot, written and acted, it's also a chance to see Robert Mitchum in top form. Criminally confident and cool, he absolutely carries the film despite exhibiting the demeanor of a man dozing in a hammock under a hot summer sun. Fed a steady diet of dead-on dialogue like "Never was a bull that couldn't be rode, Never was a cowboy that couldn't be throwed," and "Hope's a funny thing. A man can have it - even when there ain't no reason," he feasts with a wink and a smile. He and feisty Susan Hayward have great chemistry together and the movie is consistently eventful and exciting, with particularly realistic rodeo footage. (Maltin is right about the very last scene though - it does feel false.) By all means, seek it out - it's one of the most purely entertaining 1950's films I can recall.

Nicholas Ray had always been fascinated by the relationship between two guys,the older one and the younger one.That was the story of "rebel without a cause" and "run for cover".Even in "Johnny Guitar",there 's a subplot displaying a relationship of the same kind between Johnny(and Emma) and Turkey.

This is a cyclic movie ,beginning with a rodeo ,and ending the same way.A recurrent subject is the childhood nostalgia:Mitchum searching for his old rusty money-box in his parents house echoes Dean with his toy in the gutter in the opening scene of "rebel".Robert Mitchum , the stand-out of the film,portrays a cowboy down on his luck who meets another cowboy(Kennedy) and his wife (Hayward).He urges him to ride the rodeo,to make his dream come true:buying a ranch.

The depiction of this cruel world is devoid of leniency:we're far away from that of ,say,"Bus stop".And in this man's man's man's world,Ray does not forget the women in the shadow,who hide their fears,suffer and cry.If they made a remake ,I'm sure their parts would be passed over in silence.Women in Ray movies are strong:Crawford in "Johnny Guitar" ,Gardner in "55 days at Peking" and even young girls like Wood in "Rebel" and O'Donnell in "they live by night".

One can wonder whether this is an optimistic or a pessimistic ending.Most of Ray movies include death,but from this death,something new is born.Death is almost necessary to allow the others to go on.In "rebel',Wood and Dean reconcile with the adults who have understood Plato/Mineo's plight and near sacrifice;in" Johnny Guitar",monstrous Cambridge's shooting allows Crawford and Hayden to pick up the pieces;in "55 days at Peking",it's Gardner's sacrifice-while trying to help the children-who will lead Heston to adopt the little Chinese orphan girl.Here ,Mitchum did not die in vain: the young couple is now armed against life's harshness.

Don't let the title fool you. Apparently part of the studio's design to tempt a broader audience in to see this film, 'The Lusty Men' is just not a very good title for it. Two other titles were considered - one even worse, "This Man is Mine", and one that was better if not exciting, "Cowpoke". Briefly, this is the story of a young ranch worker (Arthur Kennedy) and his new bride (Susan Hayward) trying to save up money to buy a ranch of their own. Faded rodeo star Mitchum crosses their path and changes their lives, showing the young husband Kennedy a shortcut to big money by riding in the rodeo. There's a lot of friction resulting as time goes on, with Kennedy hooked on the easy money and attention, while Hayward fears for his safety and blames Mitchum for driving a wedge between the couple. I won't give away any of the story beyond that.

I do want to give a broader review of this movie for the type that it is. I don't think I've ever seen a seriously-made movie which depicts rodeos or bull riding that was not at least fairly compelling, as this one is. Whether it's 'The Lusty Men' or 'Eight Seconds' or 'The Ride', those who ride rodeo put their lives and safety on the line for relatively little pay in most cases. They pursue their sport with an intensity that may be hard to understand for those who live a more ordinary existence. Just as a compulsive gambler gets that little rush every time he scratches off a lottery ticket or pulls the handle on a slot machine, every time the bull or bronc rider nods his head and the chute gate swings open, he has a brief chance at success and a win and the thrill that goes with it - but he has hundreds, maybe thousands of people playing the game along with him. If he has a great ride, the crowd goes wild. If he gets bucked off, or gets hurt - maybe even killed - he has done so trying to please all those people in addition to himself.

The complexities of the motivation of the rodeo rider belie what some may feel to be a very simple or even 'dumb' pursuit. It is these motivations which create the opportunity for fascinating characters living lives that follow different rules. They live outside the box, even now as they have for decades, in pursuit of their dreams. That's why 'The Lusty Men' and the other rodeo / bull riding films I've seen have been so good. When you start with characters filled with the 'heart and try' to compete at rodeo, people who are not so bound to logic and common-sense, the storyline possibilities are nearly endless.

Things in the world of rodeo have changed since this movie was made. As one other reviewer pointed out, a rodeo rider of the past having to retrieve his winnings at a saloon after having gotten banged up riding that day would be the perfect formula for the start of a drinking problem. Fortunately, they don't get their winnings at a saloon anymore. On the other hand, the 'buckle bunnies' who pursue rodeo riders are still drawn to the lean, lanky, quietly courageous cowboy no matter whether he rode for eight seconds or got bucked off in two. He doesn't need to be a big money winner, because the cowboy's appeal has never been about money. To the contrary - his lack of wealth may be part of his appeal by making him seem more down-to-Earth and approachable, maybe even vulnerable because he is nearly broke. In this movie however, the young cowboy / rising rodeo star does attract the wrong kind of women because he has amassed some money winnings.

You don't have to be a fan of rodeo or bull riding to enjoy this movie. While it does revolve around those sports, the real story is what happens to the young couple and the old rodeo star who enters their lives.