L'amante di ferro

I live in Bowie County, one of 37 counties in Texas that were made while Texas was a Republic, and this County was named for James Bowie, a hero of the Alamo and a Hero of the the Republic. The rest of the story is not so heroic. James Bowie was a forger, thief, horrible human being and land thief. In this area of Texas, he is loved for being at the end of the Alamo and being an irascible scoundrel who forged land grants, forged Spanish grants and just did some terrible, fitful things. He killed a lot of people in duels but having his name being kindly lent? Nope. Now in Texas, where I live, the Bowie knife is a real and really big thing. I own one and strap it to my leg when I go out to the wilderness. And it is a big wilderness. The area where Jim Bowie plied his trade (thievery) is full of big pines and lots, and I mean lots of water. We go out to the big lakes, but not one has been made by man. Only Caddo Lake, South East of where I live, is man made. That's where Jim Bowie made his claim. I don't want to go any further into this but Jim, or James Bowie as he has been called in this area, is claimed as a hero. But this movie is terrible at accuracy, wonderful for remembrance.

The Iron Mistress (1952)

I don't get the whole call of honor that leads to duels at the slightest provocation (or less). In some movies it's a fabulous dramatic point, but here it's a nagging and recurring trick, a reason for some male chest-thumping and a little bloodshed. It also represents the way the movie depends on forced drama to make the events jump.

There are exceptions, like a really beautiful and unusual hand-to-hand knife/sword fight occurring in a darkened room, with an occasional bolt of lightning like a strobe going off. This is cinema trickery, a real pleasure, not part of the real story, but it's a moment of relief from the costume drama and dueling the rest of the time.

This is how this movie goes. Moments of unique drama are followed by long stretches of stiff plot development. I'm not sure how the movie reflects the real story of James Bowie, whose name was given to the famous Bowie knife (knives naturally have a big role in the movie, including the forging of the first true Bowie knife). But what works best is the sense of period sets and time-travel to pre-Civil War Louisiana. The romance isn't highly romantic, and the plot is generally stiff, but it is a kind of history story come to life. If you overlook the obvious liberties and gaffes, it's not an unwatchable movie, just a routine one. Alan Ladd, it must be said, is a little cool even for Alan Ladd (an understated actor).

The film does lay out the gradual shift in cultivation of the South to cotton farming, and brings out lots of old rules like the fact divorce was impossible in Louisiana without an act of the legislature. People interested in this certain kind of movie making, for its own sake, should check out "Drums Along the Mohawk" (a better movie by far, but with a similar feel somehow). Here, the camera-work by the talented John Seitz is strangely dull (though it is in true Technicolor), and the scored music by the incomparable Max Steiner is straight up functional. Most of all, the many ordinary parts are put together without great art or intensity.

Okay so let's first get this fiction out of the way. Jim Bowie as portrayed in The Iron Mistress as the true romantic and a gentlemen hero is more fiction than fact based on folklore and "he said, she said". In real life historians have acclaimed Jim Bowie as a somewhat shady land purveyor who in 1831 after he married nineteen- year-old Maria Ursula de Veramendi, then in 1983 he lost his wife and two children to cholera and began to drink a lot and thereafter not caring anymore about his attire.

But film producers do not necessarily have to note in advance and/or clarify that some parts of their film may be embellished or that the facts may not all be known. I for one really enjoyed Alan Ladd in the lead role as the folklore hero Jim Bowie and his long lost love affair with the attractive Judalon de Bornay played by Virginia Mayo. There were at least three (3) different scenes in the film where Judalon de Bornayand and adventurer Jim Bowie were caught in an embrace and Judalon can be deliberately seen rolling her eyes and smirking directly towards her film audiences in our seats and telling us that she does not really love Jim Bowie and is just using him to get what she wants...money, murder, and to cause more trouble.

As Jim Bowie would eventually say to his former love Judalon de Bornay "no Judalon I don't think we can be together, you have caused the death of at least eight (8) men and that is enough." I am a big fan of Alan Ladd and especially the classic westerns (Shane) and adventure films (Boy on a Dolphin) that he starred in. There is one scene in particular in The Iron Mistress near the end of the film that is a very clever twist where by accident or by premonition Jim Bowie is indirectly responsible for the sudden fate of two of his male combatants and his former love, Judalon. This particular scene for me wrapped up the film in a neat little and justifiable bow that reminds me that this is only a film based on a real life person whose reputation precedes him as a dashing, handsome and daring adventurer.

Alan Ladd and Virginia Mayo played their parts exceptionally well so if you like good adventure/westerns/biographies then you will most likely enjoy The Iron Mistress which the title is based not on a woman, but on Jim Bowie's specially designed hunting knife.

I give the film an 8 out 10 rating.

After a decade at Paramount Sue Carol negotiated a new studio contract for Alan Ladd at Warner Brothers. Sad to because her husband's greatest film was ready for release at Paramount and they had no great urgency to feature him in the publicity. But that's another story.

Alan Ladd became another one of a good list of players to take on the role of Jim Bowie. He plays him as heroic as Richard Widmark, MacDonald Carey, Sterling Hayden or Jim Arness did. Problem was of all the legends of the American frontier, Jim Bowie was probably the one who got the biggest whitewash in history.

The man was a thoroughgoing scoundrel. As a merchant he was as unscrupulous as a latter day robber baron. He was involved in several land swindle scams. He also bought and sold slaves as well. And he wasn't even honest in that. He and Jean Lafitte had a fine racket for a while with Lafitte capturing runaways in Texas and bringing them back to the U.S. for Bowie to sell, not necessarily back to their original masters.

He did have a knife built to his specifications as per the film and with his activities he did tend to get into a lot of violent disagreements. That's the Bowie knife, the Arkansas toothpick, the Iron Mistress of the title.

But Ladd plays Bowie as heroically as the legends have him and as the novel by Paul Wellman has him. He's caught between two women, the selfish French creole aristocrat Virginia Mayo and the daughter of the Governor of the province of Coahuila in Mexico which included Texas, Phyllis Kirk.

Bowie was a violent man in a violent era. Ladd plays him like he was Shane and he was being faithful to the novel if not the real Bowie. But then we've never seen the real one on screen any time.

Still for those who liked Ladd's portrayal of Shane, The Iron Mistress is a good film for you.

Jim Bowie sets off to sell lumber in New Orleans, but once there he is captivated by the beautiful Judalon de Bornay and finds that life here is vastly different to that of home. Getting himself into many scrapes on account of his feelings for Judalon, Bowie invents a new kind of Knife, the Iron Mistress, and from here a legend is born.

Nobody should go into this picture expecting a Jim Bowie biography, in fact Western fans who haven't seen it should be advised that it barely registers as a Western piece. What it is, is a fine picture that certainly appears to be undervalued {if a little under seen} on the IMDb site. It's full of dandy men fighting and duelling with honour and guts, beautiful women that are surely worth fighting for, and of course it introduces us to the legendary Bowie Knife.

It's based on a Paul Wellman novel, and by all accounts the film is pretty loyal to Wellman's ideals, it doesn't however take us all the way to the Alamo. Alan Ladd takes the lead role of Bowie, shiny blonde hair and brooding for all he is worth, fans of his performance in Shane should definitely check this one out, it's a great performance from Ladd, the kind that makes the gals go gooey and the boys to thump their chests. Virginia Mayo is Judalon and positively simmers with sexual beauty, the character is akin to a viper, and the pot boiling sexual tension is palpable in the extreme, she is in short, a woman men will die for.

Some scenes are just terrific, a duel in a darkened room that is only lit by the odd flash of lightning thru a window, a knife fight as two men with one arm tied to each other face off in a circle of honour, and of course Jim Bowie in every encounter, his violent gutsy bravado fearsome as his reputation escalates. At the time of writing only 141 people have voted on this picture, only 10 people have bothered to write a user comment for it, that's a shame because although it may not be a Western as such, it's a damn fine romantic, dandy, drama with a Western legend at its core. 8/10