VALUTAZIONE IMDb
6,2/10
1049
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe exploits of nineteenth-century pioneer Jim Bowie after settling in New Orleans.The exploits of nineteenth-century pioneer Jim Bowie after settling in New Orleans.The exploits of nineteenth-century pioneer Jim Bowie after settling in New Orleans.
Anthony Caruso
- Black Jack Sturdevant
- (as Tony Caruso)
Nedrick Young
- Henri Contrecourt
- (as Ned Young)
John Alban
- Casino Patron
- (non citato nei titoli originali)
John Albright
- Casino Patron
- (non citato nei titoli originali)
Leon Alton
- Riverboat Passenger
- (non citato nei titoli originali)
John Alvin
- Impatient Man in Tailor's Shop
- (non citato nei titoli originali)
Ernest Anderson
- Riverboat Cabin Boy
- (non citato nei titoli originali)
Walter Bacon
- Casino Patron
- (non citato nei titoli originali)
Salvador Baguez
- Mexican Artist
- (non citato nei titoli originali)
Richard Bartell
- Horse Race Starter
- (non citato nei titoli originali)
John Barton
- Gambling House Patron
- (non citato nei titoli originali)
Recensioni in evidenza
Okay so let's first get this fiction out of the way. Jim Bowie as portrayed in The Iron Mistress as the true romantic and a gentlemen hero is more fiction than fact based on folklore and "he said, she said". In real life historians have acclaimed Jim Bowie as a somewhat shady land purveyor who in 1831 after he married nineteen- year-old Maria Ursula de Veramendi, then in 1983 he lost his wife and two children to cholera and began to drink a lot and thereafter not caring anymore about his attire.
But film producers do not necessarily have to note in advance and/or clarify that some parts of their film may be embellished or that the facts may not all be known. I for one really enjoyed Alan Ladd in the lead role as the folklore hero Jim Bowie and his long lost love affair with the attractive Judalon de Bornay played by Virginia Mayo. There were at least three (3) different scenes in the film where Judalon de Bornayand and adventurer Jim Bowie were caught in an embrace and Judalon can be deliberately seen rolling her eyes and smirking directly towards her film audiences in our seats and telling us that she does not really love Jim Bowie and is just using him to get what she wants...money, murder, and to cause more trouble.
As Jim Bowie would eventually say to his former love Judalon de Bornay "no Judalon I don't think we can be together, you have caused the death of at least eight (8) men and that is enough." I am a big fan of Alan Ladd and especially the classic westerns (Shane) and adventure films (Boy on a Dolphin) that he starred in. There is one scene in particular in The Iron Mistress near the end of the film that is a very clever twist where by accident or by premonition Jim Bowie is indirectly responsible for the sudden fate of two of his male combatants and his former love, Judalon. This particular scene for me wrapped up the film in a neat little and justifiable bow that reminds me that this is only a film based on a real life person whose reputation precedes him as a dashing, handsome and daring adventurer.
Alan Ladd and Virginia Mayo played their parts exceptionally well so if you like good adventure/westerns/biographies then you will most likely enjoy The Iron Mistress which the title is based not on a woman, but on Jim Bowie's specially designed hunting knife.
I give the film an 8 out 10 rating.
But film producers do not necessarily have to note in advance and/or clarify that some parts of their film may be embellished or that the facts may not all be known. I for one really enjoyed Alan Ladd in the lead role as the folklore hero Jim Bowie and his long lost love affair with the attractive Judalon de Bornay played by Virginia Mayo. There were at least three (3) different scenes in the film where Judalon de Bornayand and adventurer Jim Bowie were caught in an embrace and Judalon can be deliberately seen rolling her eyes and smirking directly towards her film audiences in our seats and telling us that she does not really love Jim Bowie and is just using him to get what she wants...money, murder, and to cause more trouble.
As Jim Bowie would eventually say to his former love Judalon de Bornay "no Judalon I don't think we can be together, you have caused the death of at least eight (8) men and that is enough." I am a big fan of Alan Ladd and especially the classic westerns (Shane) and adventure films (Boy on a Dolphin) that he starred in. There is one scene in particular in The Iron Mistress near the end of the film that is a very clever twist where by accident or by premonition Jim Bowie is indirectly responsible for the sudden fate of two of his male combatants and his former love, Judalon. This particular scene for me wrapped up the film in a neat little and justifiable bow that reminds me that this is only a film based on a real life person whose reputation precedes him as a dashing, handsome and daring adventurer.
Alan Ladd and Virginia Mayo played their parts exceptionally well so if you like good adventure/westerns/biographies then you will most likely enjoy The Iron Mistress which the title is based not on a woman, but on Jim Bowie's specially designed hunting knife.
I give the film an 8 out 10 rating.
The Iron Mistress (1952)
I don't get the whole call of honor that leads to duels at the slightest provocation (or less). In some movies it's a fabulous dramatic point, but here it's a nagging and recurring trick, a reason for some male chest-thumping and a little bloodshed. It also represents the way the movie depends on forced drama to make the events jump.
There are exceptions, like a really beautiful and unusual hand-to-hand knife/sword fight occurring in a darkened room, with an occasional bolt of lightning like a strobe going off. This is cinema trickery, a real pleasure, not part of the real story, but it's a moment of relief from the costume drama and dueling the rest of the time.
This is how this movie goes. Moments of unique drama are followed by long stretches of stiff plot development. I'm not sure how the movie reflects the real story of James Bowie, whose name was given to the famous Bowie knife (knives naturally have a big role in the movie, including the forging of the first true Bowie knife). But what works best is the sense of period sets and time-travel to pre-Civil War Louisiana. The romance isn't highly romantic, and the plot is generally stiff, but it is a kind of history story come to life. If you overlook the obvious liberties and gaffes, it's not an unwatchable movie, just a routine one. Alan Ladd, it must be said, is a little cool even for Alan Ladd (an understated actor).
The film does lay out the gradual shift in cultivation of the South to cotton farming, and brings out lots of old rules like the fact divorce was impossible in Louisiana without an act of the legislature. People interested in this certain kind of movie making, for its own sake, should check out "Drums Along the Mohawk" (a better movie by far, but with a similar feel somehow). Here, the camera-work by the talented John Seitz is strangely dull (though it is in true Technicolor), and the scored music by the incomparable Max Steiner is straight up functional. Most of all, the many ordinary parts are put together without great art or intensity.
I don't get the whole call of honor that leads to duels at the slightest provocation (or less). In some movies it's a fabulous dramatic point, but here it's a nagging and recurring trick, a reason for some male chest-thumping and a little bloodshed. It also represents the way the movie depends on forced drama to make the events jump.
There are exceptions, like a really beautiful and unusual hand-to-hand knife/sword fight occurring in a darkened room, with an occasional bolt of lightning like a strobe going off. This is cinema trickery, a real pleasure, not part of the real story, but it's a moment of relief from the costume drama and dueling the rest of the time.
This is how this movie goes. Moments of unique drama are followed by long stretches of stiff plot development. I'm not sure how the movie reflects the real story of James Bowie, whose name was given to the famous Bowie knife (knives naturally have a big role in the movie, including the forging of the first true Bowie knife). But what works best is the sense of period sets and time-travel to pre-Civil War Louisiana. The romance isn't highly romantic, and the plot is generally stiff, but it is a kind of history story come to life. If you overlook the obvious liberties and gaffes, it's not an unwatchable movie, just a routine one. Alan Ladd, it must be said, is a little cool even for Alan Ladd (an understated actor).
The film does lay out the gradual shift in cultivation of the South to cotton farming, and brings out lots of old rules like the fact divorce was impossible in Louisiana without an act of the legislature. People interested in this certain kind of movie making, for its own sake, should check out "Drums Along the Mohawk" (a better movie by far, but with a similar feel somehow). Here, the camera-work by the talented John Seitz is strangely dull (though it is in true Technicolor), and the scored music by the incomparable Max Steiner is straight up functional. Most of all, the many ordinary parts are put together without great art or intensity.
This is an adventure story using fiction to tell about the early years of James Bowie,prior to his martyrdom at the Alamo a few years after this film ends. This is a typical romantic adventure story with Alan Ladd giving an erstwhile honest portrayal in the role that Richard Widmark did years later in THE ALAMO. Mr Ladd was short in stature,but you would never really know that,. as all of the actors were either his height or 1 or 2 inches either way. Virginia Mayo is as usual very beautiful & well dressed,She was never considered a great actress but she could portray a very selfish woman with perfect ease. The rest of the cast is just what you would expect in this type of vehicle. Good production values with a very good knife fight in a dark room with only lightning bolts to highlight the action. A bit long at 112 minutes, but entertaining. a low *** rating or a 7 on the IMDB scale
as always
Jay Harris.
as always
Jay Harris.
I live in Bowie County, one of 37 counties in Texas that were made while Texas was a Republic, and this County was named for James Bowie, a hero of the Alamo and a Hero of the the Republic. The rest of the story is not so heroic. James Bowie was a forger, thief, horrible human being and land thief. In this area of Texas, he is loved for being at the end of the Alamo and being an irascible scoundrel who forged land grants, forged Spanish grants and just did some terrible, fitful things. He killed a lot of people in duels but having his name being kindly lent? Nope. Now in Texas, where I live, the Bowie knife is a real and really big thing. I own one and strap it to my leg when I go out to the wilderness. And it is a big wilderness. The area where Jim Bowie plied his trade (thievery) is full of big pines and lots, and I mean lots of water. We go out to the big lakes, but not one has been made by man. Only Caddo Lake, South East of where I live, is man made. That's where Jim Bowie made his claim. I don't want to go any further into this but Jim, or James Bowie as he has been called in this area, is claimed as a hero. But this movie is terrible at accuracy, wonderful for remembrance.
You got to like Alan Ladd first off. He gave a good show in this performance and with a good story and supporting actors, this remains premium entertainment. In addition to the Bowie legend, we are introduced to the Bowie knife. A large no-nonsense will get the job done specially made knife that in the right hands can do quite a bit of damages if you are a master of said knife. Alan Ladd is that man. In addition to a nice flowing story-line, we are introduced to many memorable scenes which make this a must see movie again and again. We get a glimpse of the way it was way back when the country was young, Way back when, there was opportunity everywhere, brave men who took risks and danger to put them in their place if they made one wrong move. Many did. The movie emphasizes a moral code in its story of which men will duel over if not honored and obeyed. It wasn't enough to win or kill but how you win and kill that mattered as a mans reputation was the most important asset he had. Banks would loan on it, people would support it and others would imitate it making a person's character very valuable. Boy has that been compromised over the ages but not wiped out. If one finds an honest man who practices righteousness, faith is restored and good will toward men takes place. If many are found keeping this, then we are either closer to paradise or we are in Christmas! Pay attention to the leading ladies vanity. She has everything yet she has nothing and we are treated to a close-up glance of vanity at work and even more, pride in large doses too. Worthy time spent on this little gem. I have seen it perhaps ten times and am watching it now. What joy. Waste no more time reading this. Go and be entertained. Highly recommend eating while watching, a decent snack and a tasty drink. Please enjoy and if you recorded this off of TCM, watch it and save it and watch again in about 3 weeks. You will thank me!
Lo sapevi?
- BlooperThe knife-maker claims the meteorite he found is made of steel. Steel is a man-made substance using iron and carbon. Metallic meteorites contain an iron-nickel alloy.
- Citazioni
Jim Bowie: Ma...I killed a man.
Mrs. Bowie: Did he need killin'?
Jim Bowie: About as much as any man ever did.
- Curiosità sui creditiPrologue: "Historical truth is sometimes stranger than fiction. James Bowie was an example--literally carving his name in history to become an American legend."
- ConnessioniReferenced in Il palloncino rosso (1956)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is The Iron Mistress?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- La novia de acero
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 50 minuti
- Proporzioni
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was L'amante di ferro (1952) officially released in India in English?
Rispondi