VALUTAZIONE IMDb
6,9/10
743
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA millionaire tries to buy his dying daughter a husband.A millionaire tries to buy his dying daughter a husband.A millionaire tries to buy his dying daughter a husband.
- Regia
- Sceneggiatura
- Star
Pat Conway
- Bill
- (as Patrick Conway)
Bette Arlen
- Tennis Player
- (non citato nei titoli originali)
Barbara Billingsley
- Miss Alvy
- (non citato nei titoli originali)
Dick Cherney
- Restaurant Patron
- (non citato nei titoli originali)
Recensioni in evidenza
The soaper's better than it had any right to be. A plain looking single woman (McGuire) has a heart condition and only a year to live. Her wealthy father (Calhern) wants to inject some happiness into her remaining year, so he bribes handsome Dan (Johnson) to marry her. Trouble is this leaves cold-hearted Maud (Roman) minus her heart's desire, Dan. Thus she plots revenge.
A plain girl with a year to live!—sure it's a tear-jerker but done intelligently without rubbing our nose in it. Ellen's had a difficult time holding onto self- respect after years of romantic rejection. Her sense of dignity has somewhat hardened, making her more sympathetic than likable. It's a difficult role, similar to DeHaviland's in The Heiress (1949). Fortunately, winning actress McGuire rivets interest in the woman's plight despite an unsmiling demeanor. At the same time, Johnson's boyish charm hits the right notes, though the production fudges on showing Dan's grasping side. To me, that's the movie's biggest flaw, though given the script's general direction, probably understandable. On the other hand, credit MGM's production crew with first-rate craftsmanship in putting the elements together in tasteful fashion. Good also to see such supporting players as Ray Collins and Louis Calhern adding their brand of plausibility to the results. And credit someone—writers, producer?—with avoiding a clichéd ending.
No, there's nothing memorable here. But considering the many excesses a movie like this is subject to, the results amount to an affecting exercise in sheer Hollywood professionalism.
A plain girl with a year to live!—sure it's a tear-jerker but done intelligently without rubbing our nose in it. Ellen's had a difficult time holding onto self- respect after years of romantic rejection. Her sense of dignity has somewhat hardened, making her more sympathetic than likable. It's a difficult role, similar to DeHaviland's in The Heiress (1949). Fortunately, winning actress McGuire rivets interest in the woman's plight despite an unsmiling demeanor. At the same time, Johnson's boyish charm hits the right notes, though the production fudges on showing Dan's grasping side. To me, that's the movie's biggest flaw, though given the script's general direction, probably understandable. On the other hand, credit MGM's production crew with first-rate craftsmanship in putting the elements together in tasteful fashion. Good also to see such supporting players as Ray Collins and Louis Calhern adding their brand of plausibility to the results. And credit someone—writers, producer?—with avoiding a clichéd ending.
No, there's nothing memorable here. But considering the many excesses a movie like this is subject to, the results amount to an affecting exercise in sheer Hollywood professionalism.
I'll admit it - it's taken me a long time to write a review for this movie, because Dorothy McGuire was my favorite actress and since she passed away last year I've had trouble watching this, my favorite movie of hers.
"Invitation" is truly a film unlike any other. Dorothy McGuire is so beautiful (although the department did their best to make her look plain for the part), and she captures the passion of this role completely. Dorothy plays Ellen, who discovers something that makes everything she knows seem like a fraud. She realizes she has to question her whole life, her family, and her husband's loyalty. I don't want to give anything away, because it's meant for you to go on the same journey as Ellen. Dorothy is simply heart-breaking, and in my opinion it was the performance of a lifetime.
The supporting cast is superb, most notably Van Johnson and Ruth Roman, but this movie really belongs to Dorothy. She carries the whole film on her shoulders, and never falters once. It's a very emotional film, and I am still saddened when I think of her loss. She was an actress I always had a great respect for, and always hoped to meet. But, as she herself says at the end of the film, "There is something much more important than keeping alive, and that is knowing that you have lived."
"Invitation" is truly a film unlike any other. Dorothy McGuire is so beautiful (although the department did their best to make her look plain for the part), and she captures the passion of this role completely. Dorothy plays Ellen, who discovers something that makes everything she knows seem like a fraud. She realizes she has to question her whole life, her family, and her husband's loyalty. I don't want to give anything away, because it's meant for you to go on the same journey as Ellen. Dorothy is simply heart-breaking, and in my opinion it was the performance of a lifetime.
The supporting cast is superb, most notably Van Johnson and Ruth Roman, but this movie really belongs to Dorothy. She carries the whole film on her shoulders, and never falters once. It's a very emotional film, and I am still saddened when I think of her loss. She was an actress I always had a great respect for, and always hoped to meet. But, as she herself says at the end of the film, "There is something much more important than keeping alive, and that is knowing that you have lived."
The high rating is due to the cast. Van Johnson is really underrated, as is Ruth Roman. Both of them, especially in later roles, displayed a great deal of talent that was underutilized by Hollywood.
However, the true standout here is the radiant Dorothy McGuire--playing a "plain" girl. Plain? Even with a bag over her head, Miss McGuire could never be plain. In addition to her consummate and versatile acting ability, she can be summed up in four words--THAT FACE, THAT VOICE. She is one of the truly greats who can never be replicated.
The lovely score by Bronislau Kaper adds to the enjoyment of the movie; the title song, "Invitation," has become a standard. (Percy Faith recorded it memorably on one of his many albums.)
It is a comment on Hollywood and the current audiences that this film--essentially a woman's picture--is graced with such literate dialog and fine acting that is not often seen today.
However, the true standout here is the radiant Dorothy McGuire--playing a "plain" girl. Plain? Even with a bag over her head, Miss McGuire could never be plain. In addition to her consummate and versatile acting ability, she can be summed up in four words--THAT FACE, THAT VOICE. She is one of the truly greats who can never be replicated.
The lovely score by Bronislau Kaper adds to the enjoyment of the movie; the title song, "Invitation," has become a standard. (Percy Faith recorded it memorably on one of his many albums.)
It is a comment on Hollywood and the current audiences that this film--essentially a woman's picture--is graced with such literate dialog and fine acting that is not often seen today.
Simple story. Great writing and acting. An unusual love story that keeps the viewer interested from beginning to end. If this movie were to be made today, there would be foul language, a couple affairs a business man being investigated and a doctor accused of sexual harassment. None of which would have been necessary. And all wrapped up in under 90 minutes. What a gem!!
Always believing she had a happy marriage, a young wife's trust in her husband is shaken when she discovers that her father had paid him to marry her.
Van Johnson and Dorothy Maguire made the perfect movie, in that the smoothness of each other was almost perfect, one would not ever know, Van was being paid. The ending was a surprise!I could watch this movie again and again. It was heart-warming.
Lo sapevi?
- QuizThe haunting theme music by Bronislau Kaper was actually introduced two years earlier in MGM's L'indossatrice (1950), but became a jazz standard under the title "Invitation", especially associated with tenor saxophonist Joe Henderson.
- Citazioni
Ellen Pierce: There is something much more important than keeping alive, and that is knowing that you have lived.
- Colonne sonoreAll I Do Is Dream of You
(uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Briefly whistled by Van Johnson
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Dettagli
Botteghino
- Budget
- 1.020.000 USD (previsto)
- Tempo di esecuzione
- 1h 24min(84 min)
- Colore
- Proporzioni
- 1.37 : 1
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