Hindle Wakes

I could only give this eight because I only watched half an hour of it, but what a laugh! I loved every brief minute. It was nostalgic, with its depiction of a Blackpool in its heyday, and I guffawed heartily at the cut-glass accents of the mill-workers. Paul Whitehouse could not parody this, because it does the job itself. The raised eyebrows from the concierge when the unmarried (gasp!) couple book into the Llandudno hotel as Mr and Mrs are priceless. I look forward to seeing the film in full so as to discover if there is a moment to top the scene at the swimming pool. Let me set it: you have two brylcreemed Lotharios at the open-air baths in hot pursuit of the two ladies they met at the Winter Gardens the night before. The ladies - in their demure fifties fashion - spot them and make haste to flee the gents' advances pronto. They retreat to where no gent may set foot, and when Gent 2 asks Gent 1 where did they go, Gent 1 points to the sign about the womens' changing room that reads: "Ladies' Boxes". PRICELESS!! How keen we gents are to get into ladies' boxes. What-ho!

A decent insight into the social life and attitudes of the 40's 50's in Britain. However it's let down by some ridiculous casting, namely the gorgeous Lisa Daniely cast as a Lancashire Mill workers daughter with an accent straight out of a Surrey finishing school.

I saw a documentary a few years ago about The Battle of Britain featuring RAF fighters and the control room whose personnel guided pilots to intercept German raiders.In this film was an officer who looked strangely familiar and it was not until I saw "Hindle Wakes" 1952 that I recognised actor Ronald Adam.In films he was usually cast as authority figures in the armed services, or a director of a hospital, as in "Green for Danger" (1946).It was not until I read the iMDB biography that it confirmed it was the same person who despite acting, writing plays. theatre management , was actually in both the RAF and its earlier incarnation the Royal Flying Corps.This film from 1952 depicts the danger for "nice girls" in spending a night with a man friend when it seemed they were then honour bound to marry the man.They did have condoms then but the censor would never have passed such a script.The producer had to suggest intimacy between the sexes showing in one scene the couple booking a hotel room with the next scene bright and early next morning.How quaint but society has moved on in the last 66 years!I spotted a young comedienne Rita Webb playing a landlady a foil for Spike Milligan in his comic routines, Bill Travers from "Born Free" and from an earlier generation Mary Clare who played "The Baroness" in Hitchcock's acclaimed "The Lady Vanishes" (1938).This was my first viewing of this film which I saw on "Talking Pictures" channel 81 and I awarded it 6/10.

One would watch this film today more out of historical interest, i.e. as a document of its time, than as a piece of entertainment. It shows the moral standards of the time (and how they were changing) and the way people used to have fun. This was visibly pre-television. One of the depicted ways to have fun features so prominently that I suspect an early form of 'product placement' - the Wintergarden in Blackpool.

Most characters of the film are nauseatingly stereotypical (with a pre WW2 feeling - they seem dated even by 1952 standards), the only exception being the female lead. Sadly though, Lisa Daniely's accent is ridiculously posh for a supposed working class girl.

On the plus side, the film has a more realistic feel than most of its contemporaries. This is a consequence of the real world settings and because the director refused to glamourise anything; clothes, sets, behaviour all appear real - there are also no cop-outs at the end.

An experienced British cast star in this melodrama of a young mill-working girl on a seaside holiday with her friend. After a night at a dance hall, she hooks up with the son of a local mill owner and they have a clandestine time. All goes well until her friend is killed in a (frankly hilarious) boating accident, their tryst is discovered and they have to deal with the consequences. It's quite a nicely filmed period piece illustrating working class 1950s England and revealing the last vestiges of class-based snobbery; but the script is weak and wordy. Joan Hickson stands out as the matriarchal mother of the girl and Ronald Adam as the rather pompous father of the boy.