Hellgate - Il grande inferno

Hellgate is directed by Charles Marquis Warren who also co-writes the screenplay with John C. Champion, the latter of which also produces. Andrew V. McLaglen is the assistant director. It stars Sterling Hayden, Ward Bond, Joan Leslie, James Arness, Peter Coe, John Pickard and Robert Wilkie. Music is scored by Paul Dunlap and cinematography by Ernest W. Miller.

"It is not for us to decide at this date that the man, Gilman Hanley, was the victim of a nations unintentional injustice. Rather, it is our duty to see that the fate that befell him can never again befall any man". Oliver Wendell Holmes, Justice, U.S, Supreme Court.

Lets cut to the chase, there was no Hellgate Prison, no Romara Desert and no Gilman Hanley. The film is set in New Mexico but filmed in California. And, as the few reviews about it will attest to, this is ultimately The Prisoner of Shark Island remade as a Western. But what a treat for Western fans it is.

Doorway of the Damned! The Curse of Convicts! The Shame of America!

Sweaty, moody and full of testosterone, Hellgate is also compact and firmly dealing in the innocent good guy suffering at the hands of a pathetic justice system. Hayden is our good doctor Hanley, well veterinarian actually, who administers basic first aid to a Guerilla outlaw and gets sent to America's Devil's Island. The prison is out in the desert, surrounded by a rock formation and the cells are underground lock ups in the caves. Punishment for misbehaving is slow whipping or a stint in the baking oven! Even if the convicts get out of the rock valley, there's Pima Indians waiting to hunt them down and secure a bounty for their heads.

Hanley is in trouble, sadistic Lt. Tod Voorhees (Bond of course) doesn't much care for him, as he tells him, "You'll find I have a special regard for Guerillas", not only that but he is in a shared cell with some right characters, including Redfield (Arness), one tough mother who doesn't much care for another guy taking up the monthly water ration. What will follow is machismo moments, fights, torture, battle of wills, death and escape attempts, while anyone who has seen Prisoner of Shark Island will know that disease enters the fray and gives us a finale of punch the air satisfaction.

Not all the acting is first grade stuff, though Hayden is perfect for this role, and the abruptness of the key Typhus infection turnaround for the finale kind of feels like a cheat after having endured some quality claustrophobia for the previous 75 minutes. But this is still a tight and taut production, an unquenchable thirst of moody black and white 50s cinema. Which for anyone else like me who loves Westerns and anything prison based, is manna from heaven. 8/10

Sterling Hayden, along with Macho-Man Robert Mitchum, were Contemporaries that had a Certain Charm of "Biting-the-Hand"...

Because They were Both so Good at the Craft of Acting, the Method Style of Non Acting, that They Could Send Caution to the Wind and Present Their "True-Feelings" Without Blow-Back.

Hayden, Performed to Get Money to Sail Away from it All, and Mitchum Because He Felt the Acting Profession was a Thing that Real-Men Didn't Do.

This Movie, It is Often Pointed Out, is a Remake of "The Prisoner of Shark Island" (1936).

But, that Only Makes it an Anomaly, a Remake that is as Good as the Original.

Made in the Early 50's Before the "Western" Genre Sunk-In and Became Entrenched, along with Science-Fiction...to Dominate the Decade.

Because of that, there was a Plethora of Pictures that were so Mainstream and Inoffensive that the Dust and Dirt and the Hard-Edged Life in the "Wild-West" were Removed for Mass-Appeal.

A Lot of What Passed was Anything but Realistic or Reflective of the "True-West".

Not so Here. Everything is somewhat Authentic from Frame-One, and Continued Throughout this Minimalist Treatment of a Man Sent to a "Hell-Hole" of a Desert Prison for Something He Did Not Do.

A Fine Cast, with Ward Bond as a Brutal Warden and James Arness as a Cell-Mate more than Make Their Mark in this Remarkable "Western" that is Worthy of More Attention and Praise.

A Must-See for "Western" Fans...For All Others it's...

Worth a Watch.

One of the best films to come out of the Poverty Row Lippert Pictures Studio was this hard nosed and brutal western drama Hellgate. The title is named after a prison on the New Mexico desert where Sterling Hayden is sentenced to some hard time.

A number of reviewers have already commented that the plot is taken straight from the story of Dr. Samuel Mudd. Hayden is a former Confederate soldier who has settled in a Union area of the west and just wants to forget the war. Hayden and wife Joan Leslie give some assistance to an injured man, Hayden is a veterinarian and therefore has some medical training. The man turns out to be a former Quantrill guerrilla and the locals are quick to believe Hayden has to be one also. He gets sentenced to Hellgate where he comes under the tender care of commander Ward Bond and Sergeant Major Robert J. Wilkie.

Though the plot may come from The Prisoner Of Shark Island, the jail is like the one Sessue Hayakawa ran in The Bridge On The River Kwai. It's set in a desert canyon with no water, it has to be transported in every month. The jails are underground carved right in the rock crevices. Like Hayakawa, Bond has no guards the desert does discourage most escapes. He does however have Pima Indians who can track escapees and get more for bringing them dead than alive.

If you know the story of Samuel Mudd from The Prisoner Of Shark Island you know what happens here in Hellgate. Sterling Hayden really dominates this film, especially when he vies for supremacy in his particular cell with James Arness, a pretty hard case himself. This is one of Hayden's best acted roles and ought to command some of the same attention given to The Asphalt Jungle and The Killing.

Don't miss this one if it is broadcast, especially for fans of Sterling Hayden.

Seen today, HELLGATE is an interesting cinematic curio that ably mixes both the western and the prison genres into a rather unique whole. Although in terms of execution the film has dated somewhat, it remains watchable thanks to the strange nature of the prison itself: a canyon in the scorching desert in which the cells have been dug into a grimy cave system.

The hero of the piece is square-jawed Sterling Hayden, committed to the clink for a crime he didn't commit. The usual prison clichés are here including a particularly sadistic warden in the form of Ward Bond, but there's a greater emphasis on character than usual which makes it a pretty decent film. The direction and black and white photography could have been better but as a routine programmer this holds the attention, delivering suspense at regular intervals and building to a thrilling climax.

Surprisingly well-produced and offbeat Western from budget-minded Lippert Productions. Note how well stocked with convicts the prison camp is, along with the realistic army tents for the staff. Hard to believe this "Devil's Island" is just a few miles from downtown LA in often-used Bronson Canyon. Lippert does a really convincing job recreating a desert penal colony in the middle of a big city. The prologue from Oliver Wendell Holmes suggests the story is based on fact, though that's not stated. Hayden plays a veterinarian wrongly convicted of guerrilla activity following the Civil War. At the prison camp he has to survive a guerrilla-hating commandant (Ward Bond), a cruel guard (the great Robert Wilke), and scheming fellow prisoners like James Arness. (The Hayden-Arness fistfight features two of the physically biggest men in Hollywood.)

The camp is a real hellhole, with underground cells (well-done), a half buried punishment coffin called "the oven", and a posse of Pima Indians for those escaping on foot. And get a load of that trap door leading underground, as if the Devil himself were on the other side. I like the way armed guards are posted on the canyon rim and silhouetted against the sky— another nice touch. There's plenty of intrigue and action, although the typhus outbreak comes as something of an anti-climax following the jailbreak. Hayden underplays throughout, as does Arness. It's really Bond and Wilke who make the strongest impression. Then too, pretty Joan Leslie has her name on the marquee, but only appears for about 5 minutes as Hayden's long-suffering wife. Anyway, it's an offbeat and entertaining 90 minutes that'll make you think twice about helping suspicious-looking strangers,