Fuoco a Cartagena

It's the 17th century in the Caribbean seas. The Spanish and English are allied against the French. Kit 'The Hawk' Gerardo (Sterling Hayden) is a French privateer. His obsession is to take down Spanish pirate Luis del Toro who is responsible for his mother's death. Lady Jane (Rhonda Fleming) is an English pirate known as Captain Rouge.

This is a Technicolor seafaring adventure. Everybody's costumes are too clean. The fake background is fake although I do like some of the real exterior actions. The ship action has miniatures. I don't buy Sterling Hayden as French. I don't see him as any hero. I don't know if anybody is the hero of this piece. Maybe Lady Jane is one. It all feels rather fake and old fashion, but there is a kind of charm to all that. I just wouldn't recommend this to anybody.

I'm a fan of the genre - nothing better than a good swashbuckling adventure on the high seas. Well, actually there are plenty better than this rather poor effort. Sterling Hayden is certainly no natural as the eponymous privateer "Kit Gerardo" caught up in the Napoleonic war in the Caribbean. His marauding is perilous, though, particularly once he rescues the feisty "Rouge" (Rhonda Fleming) and discovers that she is also in his line of work - and out to avenge herself on the French. As the warfare hots up, the affianced of the Governor is also apprehended. "Bianca de Valdiva" (Helena Carter) takes a shine to our hero, but he has already taken a shine to "Rouge" but she in turn is trying to get the governor "del Toro" (John Sutton) to catch and hang the man! Still with me? Well, one further complication arises as we discover just why "Kit" is so determined to bring down the governor. To be fair, it does finish strongly with a good hearty battle, but the build up and relentless chatter robs the film of much pace or sense of peril and nobody at all in front of the camera is having a very good - or convincing - day. The production is a bit basic and stage bound which doesn't help, but at the end of the day this is just a let down that has little to redeem it.

Kit Gerardo, also known as The Hawk, is one of Frances's most daring privateers, rescues Rouge from a Spanish ship. She is also a pirate, working to restore the fortune the French took from her. When Kit is captured by the governor of Cartagena, Luis del Toro, Rouge demands that he be hanged for piracy. Only one person knows it, but Kit is the governor's son.

The Golden Hawk has all the usual ingredients of a pirate romp: ship, adventures, sword fights, plots/counter plots and gunpowder explosions and of course romance - there's a little twist regarding the man Golden Hawk wants to kill. It's a bit melodramatic and sometimes talky but the sprightly sword fights and ship battles as well as the beautiful ladies like Rhonda Fleming uplifts this film. As for Sterling Hayden, he's an odd choice as a dashing pirate captain, a Casanova of the high seas, and largely he isn't too bad. He's a bit more alive than he's in other films. But someone like John Payne would've been a better fit.

Amusing adventures with intrepid pirates and exotic scenarios. Clean-cut heroics, anachronist storyline , brave privateer played by Sterling Hayden and handsomely roguish villainy from John Sutton. The seafaring adventures of French privateer Kit 'The Hawk' Gerardo during the Franco-Spanish-English war of the 17th century. Stars Kit Gerardo (Sterling Hayden), also known as The Hawk, is one of Frances's most daring buccaneers, rescues Rouge (Rhonda Fleming) from a Spanish ship (acceptable miniature ships). She is working to restore the fortune the French took from her. The pirate nicknamed The Hawk join forces to Captain Jeremy Smithers (Paul Cavanagh) and Bernardo Díaz (Michael Ansara). When Kit is captured by the governor of Cartagena, Luis del Toro (John Sutton), Rouge demands that he be hanged for piracy. Later on, they decide to take the ruler headquarter, the location strongest fortified from Cartagena de Indias. Daring Privateer Meets Notorious Lady Pirate!. The Most Popular Sea Story of Our Time!

Heroism , sword-play , ambushes and full of villainy swashbuckler, being financed by Columbia Pictures. The film is a nice pirate-adventure movie , produced in medium budget with habitual dueling, getaways , disguises and sexual hostility between hero and heroine, including a love triangle among Rhonda Fleming-Sterling Hayden-Helena Carter. Typical swashbuckler, the type no longer made in Hollywood, but exhilarating to see. This classic story of romantic adventure comes to life enriched by Technicolor cinematography and accompanied by an attractive score. It is the tale of a buccaneer named Kit Gerardo who takes over a ship of corsairs and wreak havoc on the high seas .

This is an agreeable entertainment juvenile romp in B-series, written for the screen by Robert E. Kent and based on the popularly successful novel by Frank Yerby. The movie displays in grandiose style noisy action, swashbuckler, heroism , swordplay, overwhelming fights, and spectacular sea battles with appropriate scale models. This release has some nice and even hilarious moments here and there , though isn't always interesting, sometimes is diverting and fresh and on a couple of sympathetic occasions is frankly delicious. Sterling Hayden is cool as the pirate hero who finds dangerous situations while trying save the damsel in distress. It has two exceptionally photogenic leading ladies in Rhonda Fleming and Helena Carter. This adventure movie with a budget enough packs breathtaking locations, sea-fight and amusing plot with plenty of roguish situations, thrills and emotion. It's enriched by colorful cinematography by cameraman William V. Skall. Furthermore , lively and rousing musical score. The motion picture was acceptably directed by Sidney Salkow. He was a craftsman who had already filmed adventures and Western movies . He realized all kind of genres such as routine westerns (Sitting Bull , The great Sioux massacre , Pathfinder) , Adventures (Prince of Pirates , Sword of the avenger) , war films , Sci-Fi (The last man on Earth) , Terror (Twice-told tales) and melodramas (City without men) . Salkow first worked for Republic, after joining Universal . At Columbia , he handled , among other assignments, four installments of the popular Lone Wolf series . After 1953, Salkow was primarily active as a director of episodes for television. Rating : 6/10

This standard and entertaining 50's swashbuckling that combines with certain gusto all staples of the genre to be liked for Sterling Hayden and Rhonda Fleming fans. Rating : 6/10, acceptable and passable , worthwhile watching .

When I saw that Sam Katzman was the producer of THE GOLDEN HAWK, I really wasn't expecting much, given his reputation for turning out dozens of low-budget potboilers during his long career. In 1952 alone, the year of this film's release, he produced nine features (five of them in color) and three 15-chapter serials. Yet I was pleasantly surprised by THE GOLDEN HAWK. It had a much more intricate story than usual for Katzman's pirate "epics," boasted much better production values, and offered a more high-powered pair of leads-Sterling Hayden and Rhonda Fleming--than we usually got from him. I'm guessing that Katzman lavished more care on this because the source material-a best-seller by prominent historical novelist Frank Yerby-was more prestigious than anything he usually had to work with. Only one previous Yerby novel had resulted in a screen adaptation-THE FOXES OF HARROW, a lavish 1948 historical drama from 20th Century Fox which starred Rex Harrison and Maureen O'Hara-and only one subsequent work was adapted-THE SARACEN BLADE (1954), also produced by Katzman.

I was especially taken with Rhonda Fleming's character, who has more than one name in the course of the film, given the multiple identities she takes on. We see her most often as "Rouge," a notorious English pirate queen who is frequently at odds with the hero of the piece, French privateer Kit Gerardo (Hayden), despite the fact that they're in love with each other. She even shoots him at one point when he enters her bedroom and looms over her in her sleep. (It isn't what she thinks it is, but how was she supposed to know that?) Fleming has a dramatic scene where she lambastes Gerardo and his pirate crew for pillaging the land she'd successfully developed into a Caribbean plantation under a new identity during a long absence from the narrative. A bigger-budget Hollywood historical drama might have focused more on her character and the turn of events that created the plantation.

Helena Carter (INVADERS FROM MARS) is quite good as Bianca de Valdiva, a Spanish lady who falls for Gerardo but winds up marrying his chief nemesis, Captain Luis del Toro (John Sutton), a Spanish officer charged with ridding the region of French pirates and privateers. Carter has a regal quality about her as she deals with each of the characters in turn and sizes them up properly before deciding what course of action is best for her. She and Fleming have a heart-to-heart talk late in the film that's actually quite moving. It's the kind of thing we don't see often from women characters in these types of genre films. John Sutton as the Spanish captain is not the cardboard villain he was in so many of these films (e.g. CAPTAIN PIRATE, SANGAREE), but a fair-minded man with secret knowledge about Gerardo that invokes a compassionate response.

Hayden's pirate team consists of Paul Cavanaugh, Michael Ansara, and Raymond Hatton, and all three actors are in the film from beginning to end and seem to be having the time of their lives. Cavanaugh was 63 when he made this and Hatton was 64 (and usually playing old coots in westerns by this point), yet the characters are quite vigorous and the two performers engage in a lot of physical action. Speaking of which, Fleming and Hayden perform a lot of action as well. Hayden seems to do all of his own swordfighting in a duel early on with Cavanaugh (who's doubled in much of the scene), while Fleming does a swimming scene that looks pretty rigorous. There is a climactic battle between the French fleet at sea and the Spanish fortress at Cartagena which is pretty spectacular for a sequence chiefly involving miniatures and studio sets.

I can't vouch for the historical accuracy of the film, only for its entertainment value as a mid-range studio genre film with colorful sets and costumes, plenty of action, a fast pace, intriguing characters and lively, energetic performers. Finally, there's a sequence set in an island village that's worth singling out. A pair of dancers puts on quite a sexy show for the pirates, which sets the pulses racing for both Hayden and Carter, although they don't get to do much about it. However, I'd sure like to know who those dancers are. IMDB has no credit for either one of them.