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Emily Dunning was a determined young woman when she decided to go into the medical field. What attracted her to this area of science was a role model she met during a family crisis involving her mother at their arrival in New York. When the mother collapsed, she goes out trying to get help, but there are no physicians in the neighborhood, except the kind Dr. Yeomans, a woman doctor, who not only treats her mother, but is instrumental in inspiring young Emily to follow in her foot steps.

This story takes place at the end of the XIX century, when women were a rarity in pursuing a medical career. The determined Emily Dunning enters Cornell, where she is the only female in the class. All the male students realize she is in because the love of medicine, but they are not too kind to her. The handsome Ben Barringer is the only one that seems taken by Emily.

When Emily is ready for her internship, she is accepted by a New York hospital. The head of the department makes it clear about his feelings toward a woman in the hospital and gives her the worst assignments. Dr. Dunning accepts what's given to her until she proves herself to be an asset to the institution that has been unkind to her. After an outbreak of typhoid fever, Dr. Yeomans comes to the hospital to help and the two women are reunited. Dr. Barringer confesses his love for Emily as he is leaving for Paris on a research trip.

This biopic was presented recently by TCM. The movie, rarely seen these days, should be seen more often because director John Sturges' inspired take on the life of a woman who overcame all odds against her. June Allyson plays Emily Dunning with her usual spunk, given the subject matter a great reading. Arthur Kennedy also did an excellent job as Ben Barringer. Gary Merrill, Mildred Dunnock are seen in supporting roles.

Based on the memoirs of her character Ann Dunning Barringer, June Allyson gets to play a woman doctor at a time when there weren't too many. The time of the turn of the last century is captured very well.

Her own role model is that of Mildred Dunnock also a physician of the female gender who has had to be most discreet in order to earn a living in the medical profession. Allyson is not about discretion.

In fact as Allyson becomes a hero to the nurses in and around 1900 it wasn't that long ago that Florence Nightingale and Clara Barton opened the nursing profession for women. For them Allyson is dreaming the impossible dream.

The men in her life include Arthur Kennedy whom she breaks things off with because he a doctor wants his woman home with supper on the table and her supervisor Gary Merrill who also thinks there are men doctors and women nurses and the twain shall not meet. A man who believes in specific gender roles.

The Girl In White has a fine ensemble cast who give great support to Allyson who must have been grateful to get away from girl next door roles.

What I liked most is that this movie's based on the life of Dr. Emily Dunning Barringer, so they have to give this biopic a dose of realism. So, the story doesn't go over-the-top with the man vs. Woman/career vs. Homemaker thing and comes across as genuine.

It was also nice to see June Allyson in a role that wasn't either the ingenue or the good wife.

The early 20th century wasn't an easy time for a woman doctor, though many (like Dr. Barringer) were willing to put up with whatever was thrown their way, in order to practice medicine.

Some of the opposition was unbelievable, like when Dr. Seth Pawling (Gary Merrill) is reluctant to hire her, despite her having graduated third in her med school class! He insists women don't have what it takes to be good doctors, though she soon proves him wrong!

She does a great job, first on ambulance duty, later saving a life despaired of, and then during a typhoid epidemic.

She has some clashes with Ben Barringer, (Arthur Kennedy) the doctor she loves, with both making sacrifices, both for their careers and for each other, which sets the stage for their future together.

I've said enough and won't give away more. Just check it out, as it's worth it.

This is a fairly accurate re-telling of the Emily Dunning story. She was a turn of the century doctor, and being a woman doctor, therefore treated like a freak, or publicity hound. Sadly, the tale is always the same: woman/minority enters field dominated by white males and is mistreated and pressured to quit. Dunning was a doctor decades before women were given the right to vote! And she didn't just deliver babies, she was out on ambulance calls day and night. Quite an impressive figure, but June Allyson (reminding me of a more winsome version of ER's Maura Tierney) is only adequate as Dunning. The film has its moments, yet the struggles Dunning truly incurred in overcoming the male doctor establishment and public attitude is only moderately presented here. It's as if the male dominated film-making establishment didn't want their doctor counterparts to look too bigoted. And much of the film is devoted to Allyson's relationship with Arthur Kennedy (Dr. Barringer -- in real life became her husband). Once again, the filmmakers are more concerned with stressing the standard woman-as-love-interest-only angle. It also starts to slow down in the second half, unfortunately. But this is the only film covering Dunning's interesting story so it's worth looking at at least for that reason.

The Girl in White might be seen as a feminist drama by some. It concerns a woman at the turn of the century who wants to become a doctor (June Allyson) who faced adversity when the men around her try to squash her dreams. She prevails and wins their respect including that of the man who wants to marry her (Arthur Kennedy). The reason this movie works is that the message isn't pushed upon the audience the way it would be if the film were remade today. It is somewhat inspirational, but mostly it just tells a story.

Allyson is great as always and very sweet. A line from the movie describes her well, "You just make people feel good so that they forget themselves, their own troubles. Sometimes that means more than any medicine." The man who speaks the lines, Kennedy, is excellent in this film. He has mastered the art of showing emotions without verbally referencing them first.