Francis all'accademia

The third in the FRANCIS THE TALKING MULE series is yet another ordinary affair, with nothing much to recommend in it. The setting is military school, with Francis missing in action far too much of the time, as well as most of the laughs, apparently. The only thing interesting for me was spotting a very young Leonard Nimoy as a cadet late into the film.

It's a shame that more entertainment was not accomplished with this formula, as Donald O'Connor and his jabbering jackass had the potential for being an entertaining pair together.

** out of ****

It lacks the warmth found in the original film, but it is certainly funnier and has a better storyline than the second installment. Some audiences may be put off by the military setting considering that this film is supposed to be a light family film, but it does add some tensions to the story.

Francis the Mule is not quite the center of attention (It is as though the film should be called "Peter Goes to West Point"), but his role is much more involved here than it was in the second film. In fact, the film shift the attention away from Peter Stirling to Francis towards the end of the film.

On the whole, this film is worth your time whether or not you are a fan of the series.

This is the third in the Francis, the Talking Mule series. It begins with Peter and Francis at a plant where they save the building from being blown up. So Stirling now ends up at West Point. Some later familiar faces turn up here: David Janssen (credited as Dave, later of "The Fugitive") and James Best (yes, the later Roscoe P. Coltrane on "The Dukes of Hazzard"!) as a couple of guards at the place giving Peter a hard time, and Leonard Nimoy (partially recognizable as a younger version of Mr. Spock from the original "Star Trek" despite not wearing his hair with bangs and no pointy ears!) as one of the cadet football players. As usual, the funniest scenes involve Chill Wills' voice as the mule and his interactions with not only Donald O'Connor but some of the supporting players who discover Francis talking to them. So on that note, Francis Goes to West Point is worth a look.

I have to admit, this film has nothing much to recommend it except for the fact that it was among the very first movies I ever saw. I believe it was in the Fox Theater in New Orleans, off Elysee Blvd. way, way back there. I know I was young enough to be mightily impressed at how on earth they got a mule to talk! I'm still not sure.

Anyway, Donald O'Connor is one of the more underrated musical comedy guys from back then, and the show as a whole is pleasantly sawdust-brained. It's part of my education in films, and I love it just for that.

Although I have always had a strong affection for the Francis pictures, probably because I grew up with them, I always found that the preponderance of military settings in the series was a little claustrophobic and cramped the potential for humour. (Consequently my favourites have always been Francis Goes to the Races and Francis Covers the Big Town). In Francis Goes to West Point I find this tendency to be at its most pronounced. Not only are we saddled with a military setting (and a confined one at that, so that there is not even the chance to open the story out a little), but as well as the usual mandatory romance between Peter Stirling and some Universal starlet, there is a another romantic subplot involving other cast members, and a hackneyed football sub-plot as well. For this reason I have always found this instalment the weakest in the series, an honour generally accorded to Francis in the Haunted House, but I'd take that over this any day. Pity that the opening scenes where Stirling saves a government plant from saboteurs didn't lead to some other kind of storyline.