La vita che sognava

I had never heard of the film, BOOTS MALONE, but William Holden has always stood as one of my all time favorite actors, so I decided to watch it - and, boy, am I glad I did!, because in the process I hit upon a superlative example of unpretentions filmmaking and peerless direction.

In addition, I had the great pleasure of watching one of Holden's career-best shows. Here, he is a near-bum horseracing jock agent, moneyless and ready to steal candy from the comparative babe that is Johnny Stewart, a boy who lost his father and is on the run from his Paris, France-based business-running dictatorial mother, and just wants to realize a personal dream of running as jockey.

Holden is a gray hero. He takes a beating for causing racetrack bet losses to a heavy, seemingly does not have the moral force to get even, and instead trains the opportunity spotlight on the youngster... but Holden is the one who gets taught a lesson.

In keeping with his two- or three-timing character, at the end Holden is on the run from the mob for failing to throw the race, and he catches the train of opportunity - his American Dream may yet be in Paris, France... even if Stewart's mother looks a bit too shrewish for comfort!

Fitting, realistic cinematography, strong dialogue, solid acting across the board make this a must-see. 8/10.

I have lived and worked with thoroughbred racehorses for over thirty years and "thoroughly" enjoy re-watching and recommending "Boots Malone." It is an actual "Hollywood Classic" because it tells a story and tells it well. It is distressing to read the many poor synopses of the movie and the "I'm-a-cineaste-and-you'll-never-be" attitude of the reviewers. Boots is charging Tommy for "jockey" lessons after Tommy reveals that he has a lot of money. Boots is also considering "selling" Tommy back to his mother. This is the exact same character which he portrays in the also excellent Stalag 17 (scum of the earth with lots of class).

The film has everything you could possibly want to tell your friends about the racetrack. From organized gambling, win-mad owners, touts, corner-cutting sharpies (that's Boots), claiming races, auctions, the joke with the muck sack (Tommy falls in the pit), the Stewards review of the objection, and especially the scene in the Jock's Room where Tommy calls a rider "rail-shy." The man really is a jockey and beats the snot out of the kid.

Just a few things wrong, though, and it's almost like the mistakes were made deliberately. First, jockey agents are not permitted in the saddling paddock before a race. This is a rule. Second, the racetrack, Dellington, is on the East Coast, north of Baltimore according to the train destination board. Since the movie appears to have been made at Del Mar, there are palm trees in the background. Third, I've never been to an auction where there are drunken men in tuxedos and women in evening gowns. These things are strictly business. If you think you're smarter than the rest of the people there, you'd better be prepared to prove it.

Oh, and one more thing. Had I been a Steward, "White Cargo" would have been disqualified for interference. The objection was that Tommy hit the other horse with his whip, which he did not do because he is whipping with his left hand. But the horse is "getting out" badly precisely because the rider is whipping left-handed and pulling the horse to the right with the hand holding the reins. Watch for it when you go to the races, it is a frequent occurrence.

I only watched "Boots Malone" because it was one of William Holden's early starring roles. However, I was not excited about having to watch a film that seemed like a B-movie about horse racing...a topic I couldn't care less about in the first place. However, I was shocked....despite a relatively low budget and a no-name actor in one of the leads, it was terribly entertaining.

Boots Malone (Holden) is a down and out agent for jockeys. He apparently lost his big money jockey and has hit upon hard times...and is forced to sleep in the stables with his buddy, Stash (Stanley Clements). Their fortunes change when a rich runaway teen (Billy Pearson) joins up with him and wants to learn the business.

The movie is like a behind the scenes look at the folks who are often overlooked in the horse racing industry and it never failed to keep my interest. Very well written and a nice film with heart...an excellent film and one which shocked me in so many positive ways.

By the way, it's odd that newcomer Pearson was billed around 8th in the movie...he was clearly the co-star of the picture.

One of the best horse, jockey and racing stable films ever made. An enjoyable Lassie Comes Home film with racehorses instead of dogs. It illustrates with great accuracy the thoroughbred race horse-world with what appears to be authentic been there- done that background talk and which transports the viewer into the somewhat risky world of the small County Fairs travelling race horses trainers, hired on the spot track-jockeys and conscientious track officials. Apart from the star Wm Holden the casting was superb, Holden's acting and city-gent physical-appearance did not fit the horse-trainer role he played. In my view the actor who played the blacksmith role a Mr Basil Ruysdael was by far the best actor for this Boots Malone role (a likeable, friendly and honest horse trainer) Holden should have played the winning horses wealthy upmarket owner with the champion to be boy-jockeys screen mother playing the part of Holden loveable wife and the wannabe -jockey boys mother. This is a 9 star film, and I award a Golden Horse Shoes to all the cast. Johnny Stewart the boy actor/newcomer was exceptional. With very few script changes you have here a Classic Box Office Winner here. Thank you to the producers and the 'gamblers' who financed this 1952 Boys Town with Horses Film. Watch it and shut up and escape the dreaded Covid-19 news for 1-hour 45 minutes, this is a good film, and its made for children everywhere and code-approved!

Stars bill holden. The 1950s were HUGE for him; he had just made sunset boulevard, and would go on to make sabrina and stalag 17. Won the oscar for stalag. Here, he's a washed up jockey's agent. His star jockey died, so now he's sleeping in the back room. Until a kid (johnny stewart) shows up who wants to be a rider. And that keeps malone around for a while. The gangsters show up and want to control the outcome. It's pretty contrived, but i'm sure stuff like this actually did happen. There's always someone looking to make a buck! Small roles for harry morgan (from dragnet and MASH), and stan clements. It's all cute, and silly, and over the top. The kid has kind of run away from home. Will they ever contact his mother? Can he learn to ride? Directed by william dieterle. Clement died young at 55. He was married to beautiful gloria grahame for three years! Grahame also died young at 57. The kid (stewart) seems to have had about ten roles in the 1950s, and then disappeared. The film is okay, if the story is a bit silly. P.s. The goose is home is a line from the movie!