Adventures of Superman

I love all 104 episodes of the Adventures of Superman. This show kept my interest with it's mix of adventure, sci fi, crime, warmth, and comedy. Only one style would have bored me, but Superman had it all and continues to entertain me. The characters were wonderful. It's still a delight to spend time with Jimmy Olsen, Perry White, and Inspector Henderson. I also love both Lois Lanes. The first Lois is all business and the second Lois melts my heart with that smile of hers! George Reeves is fantastic in each and every episode. The Adventures of Superman is still a joy for me to behold in 2005. I can always count on any one of the 104 episodes to make me smile. All of them bring joy to my heart and there are very few shows that can entertain me for 104 episodes.

"The Adventures of Superman" was, in the 1950s, the ultimate adventure show for kids, a series that transcended low budgets, often laughably bad scripts, and a torturous shooting schedule each season to become a genuine 'TV Classic'. Next to "I Love Lucy", the series is, perhaps, the most frequently rerun of any show of that decade; in shooting several seasons in color, it was a major trend setter (particularly as there were VERY few color televisions at the time); as a show that was syndicated, and not owned by a network (Kellogg's Cereal sponsored and financed the program) it paved the way for all the syndicated programs that followed. It's place in television history cannot be denied, and it's story is complete with drama, success, and tragedy, and a hero whose life and strange death still fuels controversy, to this day.

Superman, DC Comics' high-flying hero, had already achieved success on radio, in animated short films, and in two movie serials, when a low-budget feature film, SUPERMAN AND THE MOLE MEN, paved the way for the television series. The film replaced serial star Kirk Alyn with brawnier, square-jawed George Reeves, a youthful 37-year old whose promising film career had been derailed by WWII. He was joined by Phyllis Coates, replacing the serials' Noel Neill as ace reporter Lois Lane, and the pair made the transition to television, joined by 19-year old Jack Larson, as photographer/cub reporter Jimmy Olsen, and veteran character actor John Hamilton as editor Perry White. Helmed initially by veteran producer Robert Maxwell, the series utilized the same 'assembly line' formula of the movie serials, shooting multiple episodes at one time (which was why the cast always wore the same outfits), relying on action-heavy scripts heavy with Gothic atmosphere, and creating 'master' FX shots that were reused constantly, keeping the budget within acceptable limits. (While the 'flying' shots have been the object of humor over the years, the use of wires and a 'flying pan' in front of a rear projection provided the most realistic 'look' yet achieved, and the technique would still be in practice when SUPERMAN RETURNS was filmed, 55 years later.) Reeves' 'Man of Steel' was a street brawler, unafraid to duke it out with villains, and his 'Clark Kent' was every bit as no-nonsense as his 'Superman'. The program was actually quite adult, for a comic book adaptation, and the first season episodes are considered the best of the series.

When Phyllis Coates left the show, in 1953 (believing it would not be renewed, she signed for other film work), Noel Neill returned, softening the character of Lois Lane, but participating in some of the series' greatest episodes, including the most popular episode ever filmed, "Panic in the Sky", where Superman attacks an asteroid 'head-on', resulting in amnesia and near doom for Earth. By now, the 'wired' take-offs of Superman were replaced by vaulting off a springboard (after Reeves had barely escaped serious injury after dropping over ten feet when the 'liftoff' wires broke).

When Whitney Ellsworth took over production duties for the series, pressure from Kellogg's (due to the show's tremendous popularity, and investigations into the detrimental effect of violence on children) to tone down the mayhem resulted in episodes becoming increasingly silly and far-fetched. As this coincided with the series' move to color, the marked difference is clearly evident. The color episodes (particularly in the last two seasons) are, by-in-large, held in far less regard than the black and white ones.

By the series' final season, George Reeves would look chubby, and far older than his 43 years, Noel Neill would sport flaming red hair, and the episodes, shot on a very tight budget, were nearly unwatchable (other than the series' finale, "The Trials of Superman", directed by Reeves, where the cast are all placed in "Perils of Pauline"-style catastrophes).

While Larson and Neill would move on to other projects, and John Hamilton soon passed away, George Reeves found himself type-cast as Superman, with his career considered to be at a standstill. The assumption that depression resulted in his committing suicide in 1959, at 45, has, however, been the subject of debate for over 40 years. It turns out that Kellogg's was prepared to finance a new season of "Superman", that Reeves had several upcoming directing opportunities, he was about to be married, and that on the night of his death, he was in excellent spirits. There is a growing belief that his 'suicide' was actually murder, by a 'hit man' hired by either by his ex-girlfriend, or her jealous husband. While the truth may never be known, the news of his death devastated a generation of children, who truly believed he WAS Superman.

While Christopher Reeve and Brandon Routh may be the definitive "Men of Steel" for their generations, and Dean Cain and Tom Welling have their fans, George Reeves, and "The Adventures of Superman", carry on a legacy that will never fade away. Each year introduces new fans to the series, and reminds us baby boomers of how fortunate we were to be there, at the beginning.

What a hoot!! I loved it. I watched this television series as a little kid but the stories in this first season were so old (almost 55 years ago!), I didn't remember more than a few scenes, although they sure brought back memories.

The special effects and the credibility (picking a scene apart) were beyond bad. Apparently, they had a budget of about $5 a show, or so it looks, so you'd see the same scene over and over in various episodes. I could write volumes on all the ludicrous scenes that made no sense but that's what helps make this so entertaining. It's so bad, it's good! I don't want to sound like I am criticizing this because I thoroughly enjoyed it and have already purchased the second season.

It was especially fun to see the first show, the TV version of the origins of Superman. Then, as the episodes continued, to hear the innocence of a young Jimmy Olsen saying, "Jeepers, Mr. Kent," "Golly, gee whiz" and other similar exclamations. I laugh every time I hear those. Wow, compare that to today's TV.

Phyllis Coates was good as Lois Lane. It's too bad she left after one year. I'd rate her a slightly better Lane than Noel Neill, but Noel was good, too. Lois and Jimmy, with their nosiness, naiveté and just plain stupidity would have to be bailed out by Superman show after show.

George Reeves is likable as Superman but I got tired of John Hamilton screaming all the time as Perry White. They did calm him down a bit in subsequent years, but that first year all he did was yell.

Each episode was completely different and entertaining on this DVD package. This is great stuff for nostalgia buffs. Right now, I am in the middle of watching the second season on DVD and look forward to all of the sets that will be released.....hopefully, all of the seasons.

Growing up in the 1950's I was an avid collector of comics. One of my favorites was superhero Superman. The other was Plastic Man. For some reason few have heard of the original Plastic Man, but Superman is still very much with us and probably will be for some time to come. Before judging this series, one must remember that only televisions that showed black and white were on the market. There was no color. If an early television show was produced in color it was for other reasons, say possible release on the big screen. Some producers hoped to string two or three episodes of a popular television series together and distribute it to movie houses as one feature as was done with The Lone Ranger. Also, there were no big-screen TV's. Therefore special effects could be kept fairly primitive (and inexpensive) because the viewer wouldn't be seeing much anyway. The average TV screen was about 13". A person was uptown if he/she had a 17" screen.

There were Superman movies out at the time featuring other actors rather than "the real" Superman, George Reeves. The Superman TV shows were compact, well-written, and well-performed. For me Noel Neill will always be Lois Lane. Ditto for Jack Larson as Jimmy Olsen, John Hamilton as Perry White, Robert Shayne as Inspector Bill Henderson, and even though Christopher Reeves did a bang-up job as a later Superman, George Reeves will always be Superman for my generation.

Another reason I was so drawn to the Superman TV show was because a stunt man who was married to my cousin at the time appeared in one of the episodes. In the episode, "The Wedding of Superman" Doyle Brooks played Mr. Poole, one of the heavies. Brooks was born in the little hamlet of Bethesda, Arkansas, married my cousin and set out to become a movie star in Hollywood. He ended up a successful stuntman but did very little acting. His biggest success was playing the Ajax White Knight in a now famous television commercial.

Superman's may come and go but George Reeves will always be "the" Superman to all of us who were kids in the 1950's.

It was a different time and different era when this now legendary program was first televised. Yes some of the episodes toward the end of the series are on the hokey and corny side. However this show is a part of television history. The opening credits with the great theme music always set the mood. My favorite was the two part ` The Unknown People' episode. Although I always thought Noel Neill was a cuter and sexier Lois Lane Phyllis Coates played the part to a T. Jack Larsons Jimmy Olsen idolized Clark Kent as a father figure like the character did in the comics. John Hamilton was superb as the gruff but understanding Perry White. Robert Shayne as Inspector Henderson who never solved a case by himself but did it matter? Then George Reeves. Other actors donned the costume through the years but George Reeves was and always will be Superman, and when you think about it that's not too shabby.