Il fischio a Eaton Falls

While "The Whistle at Eaton Falls" is neither a famous film nor one that's highly rated, I absolutely loved it and think it's a terrific lesson about basic economics. It manages to tell a very intelligently written story in such an exciting way that it left me very impressed despite its overall current score of 6.8. If you give the film a chance, I think there's a good change you'll like it.

The story is set in a New England town where the economy is based on a couple factories. After one of them closes, this makes it only one...and if that company fails, so goes the town. But the owner of the existing factory has bad news...they cannot keep up with the competition and unless there's a reorganization of the company (which means, at least temporarily, some layoffs), the company will have to close. Before he can implement this austerity plan, however, he has to consult with the head of the local union, Brad Adams (Lloyd Bridges). Adams is reluctant to go along with the plan and before he can say yea or nay, disaster strikes when the president of this plastics company is killed in a plane crash. Now here is where it gets interesting. The dead man's widow is going to pick a new president to run her company...and she picks Brad. After all, the union appears to be behind him and he is a smart and reasonable man...perhaps he can somehow manage to keep the company afloat.

I loved so much about this film. Instead of showing the union or management as being 'the enemy', it's more about give and take and basic economics. It's also interesting because it delves into human nature...and explores the motivations of some who wouldn't mind destroying the company! Overall, exquisitely written and although it might seem a bit cerebral, an excellent lesson and an excellent and exciting story. Well done by everyone...especially Bridges and Murray Hamilton, who played the local jerk trying, for his own ends, to destroy everything.

In the midst of monsters from outer space and marauding dinosaurs, here is an attempt to deal with a real world problem: the decline of light manufacturing in small American cities, despite an overall boom in the US economy. The suspense is gripping, as Lloyd Bridges grapples with old loyalties and new necessities. This picture would make an excellent second feature for Rod Serling's masterpiece, "Patterns" (1956).

THE WHISTLE AT EATON FILES (1951) is a real time capsule of turn of the 20th century America and that is its greatest asset. Shot almost entirely in the town of Portsmouth, NH and a couple of other New England locations, it gives us the look and feel of what is was like back then. This is only fitting as producer Louis de Rochemont started his career by making the popular MARCH OF TIME short documentaries shown in theaters in the 1930s. He continued to make documentaries during World War II. After the war he made a couple of dramatic films in a Film Noir setting starring James Cagney before making what he called docudramas of which WHISTLE AT EATON FALLS is one.

It tells the story of the struggle between labor and management at a plastics factory in the fictional town of Eaton Falls, New Hampshire. The factory's equipment is old and outdated and can no longer produce products at a competitive price. The opportunity arises to install more efficient equipment which will employ only half the workforce. The head of the local union naturally opposes this until the company CEO points out that not doing it will result in the closure of the plant and the loss of all jobs. When he is unexpectedly killed in a plane crash, the union boss is appointed the new head of the company. How does he keep the plant open and protect his workers?

Complicating matters are a disgruntled office manager who resents being passed over and a union troublemaker who tries to organize a general strike of all the employees. The CEO's widow is sympathetic to the worker's plight but is opposed by her lawyers and other top management. After a beloved worker is killed in a confrontation, things are ready to explode and only a miracle can save the plant. Despite being a low budget, independently produced feature shot on location, it's still a Hollywood movie with a "deus ex machina" ending which concerns a new phenomenon called television.

A young Lloyd Bridges is very good as the union boss who becomes CEO. He is likable but tough when he needs to be. Silent movie star Dorothy Gish (Lilian's sister), in one of her rare sound film appearances, is even better. The strong supporting cast includes Ernest Borgnine, Murray Hamilton, Anne Francis, and Arthur O'Connell. The movie was directed by Noir specialist Robert Siodmak.

The biggest problem with WHISTLE is producer de Rochemont's insistence on even-handedness. There are heroes and villains on both sides and as a result there is no dramatic tension just a "you are there" approach. In trying to appeal to both union and management viewpoints, he wound up appealing to neither. The film flopped big time and then disappeared from view for over 60 years. It was finally located in the Library of Congress...For more reviews visit The Capsule Critic.

At first glance you might think this is another story of technology's double edged sword. This film has lots of twists, turns, drama and division to make it highly entertaining. Poor Lloyd Bridges is stuck in the middle. Can he find a solution to please everyone?

Business is tough. The owner of the plastic manufacturing plant in town wants to put in new machines, but that will furlough half the workers. When he dies, his widow, Dorothy Gish, puts union leader Lloyd Bridges in charge. He gets a quick education in business and union relations.

Producer Louis De Rochemont had been the longtime producer of the prestigious THE MARCH OF TIME newsreel series. He brought his concern with contemporary issues to this movie. Even seventy years later, the issues seem fresh and relevant and the faces, even those of well known actors, seen real.