VALUTAZIONE IMDb
5,5/10
658
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaNancy Peterson and her friends want to get a spot on Bob Crosby's TV show, but their agent has linked them.Nancy Peterson and her friends want to get a spot on Bob Crosby's TV show, but their agent has linked them.Nancy Peterson and her friends want to get a spot on Bob Crosby's TV show, but their agent has linked them.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 candidatura in totale
Gloria DeHaven
- Hannah Holbrook
- (as Gloria De Haven)
Fred Aldrich
- Man in Bus Terminal
- (non citato nei titoli originali)
Marie Allison
- Showgirl
- (non citato nei titoli originali)
Charlotte Alpert
- Showgirl
- (non citato nei titoli originali)
Suzanne Ames
- Showgirl
- (non citato nei titoli originali)
Joan Arnold
- Secretary
- (non citato nei titoli originali)
Walter Bacon
- Townsman
- (non citato nei titoli originali)
Recensioni in evidenza
Tony Martin was the only singer/actor who I EVER had a crush on, so I totally disagree with the reviewer who said that he's only fit for gangster roles (REAL women don't want a man who looks pretty like a woman)! I graduated HS in 1955, so I was younger than Janet Leigh in 51, but I loved his big hit "I get ideas". As to the film, he did not look as good as I remember in publicity pictures (there was not the extent of distribution back then so I do not remember ever seeing him in film). I agree that his acting was not superb, but not much worse than Gene Kelly, tho' the dancing could be better. In those days the studios tried to make their people as versatile as possible. I think I'll save this one on DVD just for old times sake (of my old crush) because (with that "Big Chief Hole in the Ground" musical number), it will probably not get much exposure in the future. It is not at all PC (it's almost offensive even to me). It is surely offensive to native Americans.
Howard Hawks and RKO combine to make a MGM musical but fails as this musical lacks pow wow even though Busby Berkeley did some choreography.
Janet Leigh plays Nancy Peterson who leaves her small home town of Pelican Falls to go to New York and make it big on Broadway. She bumps into three out of work showgirls who were on tour with a flop show and now try to get back to New York and they want to give their agent a piece of their mind for leaving them stranded.
The sleazy agent is Lew (Eddie Bracken) who always ducking and diving. He promises a lot and delivers little. He wants to keep hold of his number one talent Dan Carter (Tony Martin) from quitting show business by promising him that he will get him a spot on a television show with musician Bob Crosby but it is more lies. Carter meets Peterson over a suitcase mix up and he teaches her not be taken in by shysters but he himself gets roped in by his agent's outlandish schemes.
The film drags despite a few bright song and dance numbers from the showgirls. A lot of the songs are a dull and the deli store owners and their shtick is interminable.
Janet Leigh plays Nancy Peterson who leaves her small home town of Pelican Falls to go to New York and make it big on Broadway. She bumps into three out of work showgirls who were on tour with a flop show and now try to get back to New York and they want to give their agent a piece of their mind for leaving them stranded.
The sleazy agent is Lew (Eddie Bracken) who always ducking and diving. He promises a lot and delivers little. He wants to keep hold of his number one talent Dan Carter (Tony Martin) from quitting show business by promising him that he will get him a spot on a television show with musician Bob Crosby but it is more lies. Carter meets Peterson over a suitcase mix up and he teaches her not be taken in by shysters but he himself gets roped in by his agent's outlandish schemes.
The film drags despite a few bright song and dance numbers from the showgirls. A lot of the songs are a dull and the deli store owners and their shtick is interminable.
First of all, to those upset about the Indian number - get a life. This was '51. Don't take it so seriously - and keep away from pictures with Mantan Moreland, etc.
Then there are the criticisms about Tony Martin. He has the dark look, so some people automatically assume he should portray gangsters. Prejudice, prejudice against dark-haired people. Tsk.
Martin sang grand opera in this movie, pop songs, novelties and did beautifully with all of them. Not all of the music was memorable, but even the songs that might be described as mediocre were beautifully presented. The girls were attractive and personable. Miss Leigh was a doll and, yes, she did her own singing and dancing.
No one can knock Ann Miller. What a great talent. Speaking of talent, The Charlivels were outstanding as a high wire act, and as dancers.
Interesting casting was Max Baer's bro, Buddy, also a boxer, as a tough swabbie.
The Bob Crosby number, where he compares himself with brother Bing was very well done - real life situation. The one thing I missed - I wish his band had played some of its trademark Dixieland. OOoops - is that word offensive to northern ears? The plot was ancient but, who cares. Howard Hughes put this together and came up with a fun, pleasant movies.
Then there are the criticisms about Tony Martin. He has the dark look, so some people automatically assume he should portray gangsters. Prejudice, prejudice against dark-haired people. Tsk.
Martin sang grand opera in this movie, pop songs, novelties and did beautifully with all of them. Not all of the music was memorable, but even the songs that might be described as mediocre were beautifully presented. The girls were attractive and personable. Miss Leigh was a doll and, yes, she did her own singing and dancing.
No one can knock Ann Miller. What a great talent. Speaking of talent, The Charlivels were outstanding as a high wire act, and as dancers.
Interesting casting was Max Baer's bro, Buddy, also a boxer, as a tough swabbie.
The Bob Crosby number, where he compares himself with brother Bing was very well done - real life situation. The one thing I missed - I wish his band had played some of its trademark Dixieland. OOoops - is that word offensive to northern ears? The plot was ancient but, who cares. Howard Hughes put this together and came up with a fun, pleasant movies.
Old-fashioned without being embarrassing, "Broadway" features Janet Leigh as a sparkling small town lass who moves to the Big Apple to work in theater, falling in league with other young hopefuls and staging their own revue. Not too far-fetched(Carol Burnett did the same thing in real-life)and Janet bounces happily throughout. Not really remarkable, but a nice time-filler. Bob Crosby pokes fun at older brother Bing in the film's most self-conscious moment. **1/2 from ****
A run-of-the-mill musical with Tony Martin and Janet Leigh in the lead roles. Eddie Bracken provides semi-comic relief. You can see the hand of producer Howard Hughes in this one, with its profusion of showgirls and, for 1951, a heaping helping of skin(albeit, G-rated by today's standards).
Lo sapevi?
- QuizThe roles played by Charles Dale and Joe Smith were orginally intended for Stan Laurel and Oliver Hardy, who had to drop out of the film due to an illness contracted by Laurel while filming Atollo K (1951).
- BlooperWhen Janet Leigh takes the newspaper clipping from her mirror (after seeing Bob Crosby), you can see that the back of the clipping is unprinted.
- Citazioni
Lew Conway: I admit I told a few little white lies...
Nancy Peterson: Little white lies?
Lew Conway: All right then, great big purple ones.
- ConnessioniFeatured in Histoire(s) du cinéma: Toutes les histoires (1988)
- Colonne sonoreAre You a Beautiful Dream?
by Jule Styne and Leo Robin
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Two Tickets to Broadway
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 46min(106 min)
- Proporzioni
- 1.37 : 1
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