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Una ragazza per bene

Titolo originale: Nice Girl?
  • 1941
  • Approved
  • 1h 31min
VALUTAZIONE IMDb
6,5/10
471
LA TUA VALUTAZIONE
Deanna Durbin, Robert Stack, and Franchot Tone in Una ragazza per bene (1941)
CommediaDrammaMusical classicoMusicaleRaggiungimento della maggiore età

Aggiungi una trama nella tua linguaA young girl finds herself attracted to one of her father's business partners.A young girl finds herself attracted to one of her father's business partners.A young girl finds herself attracted to one of her father's business partners.

  • Regia
    • William A. Seiter
  • Sceneggiatura
    • Richard Connell
    • Gladys Lehman
    • Phyllis Duganne
  • Star
    • Deanna Durbin
    • Franchot Tone
    • Walter Brennan
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    471
    LA TUA VALUTAZIONE
    • Regia
      • William A. Seiter
    • Sceneggiatura
      • Richard Connell
      • Gladys Lehman
      • Phyllis Duganne
    • Star
      • Deanna Durbin
      • Franchot Tone
      • Walter Brennan
    • 12Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie totali

    Foto37

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    + 30
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    Interpreti principali56

    Modifica
    Deanna Durbin
    Deanna Durbin
    • Jane Dana
    Franchot Tone
    Franchot Tone
    • Richard Calvert
    Walter Brennan
    Walter Brennan
    • Hector Titus
    Robert Stack
    Robert Stack
    • Don Winthrop Webb
    Robert Benchley
    Robert Benchley
    • Prof. Oliver Wendall Holmes Dana
    Helen Broderick
    Helen Broderick
    • Cora Foster
    Ann Gillis
    Ann Gillis
    • Nancy Dana
    Anne Gwynne
    Anne Gwynne
    • Sylvia Dana
    Elisabeth Risdon
    Elisabeth Risdon
    • Martha Peasley
    Nana Bryant
    Nana Bryant
    • Mary Peasley
    Georgie Billings
    • Pinky Greene
    • (as George Billings)
    Tommy Kelly
    Tommy Kelly
    • Ken Atkins
    Marcia Mae Jones
    Marcia Mae Jones
    • Jane's Friend at Benefit
    Kathryn Adams
    Kathryn Adams
    • Bride
    • (non citato nei titoli originali)
    Frank Austin
    Frank Austin
    • Small Town Man
    • (non citato nei titoli originali)
    Brandon Beach
    • Townsman
    • (non citato nei titoli originali)
    Ralph Brooks
    Ralph Brooks
    • Celebration Guest
    • (non citato nei titoli originali)
    Nora Bush
    • Townswoman
    • (non citato nei titoli originali)
    • Regia
      • William A. Seiter
    • Sceneggiatura
      • Richard Connell
      • Gladys Lehman
      • Phyllis Duganne
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti12

    6,5471
    1
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    10

    Recensioni in evidenza

    8SimonJack

    A good small town America comedy before the U.S. enters the war

    "Nice Girl?" is a very good comedy set in a small town where Prof. Oliver Wendell Holmes Dana is the principal of the high school. He is a widower with three daughters and a housekeeper-cook. He also is doing research with rabbits at his home. The girls are growing up under the wings of a correct grammarian and language parent. And the banter between the family members is deliciously funny. Theirs is a home with humor, as the one rule of the Dana house is that all jokes are funny.

    Although Robert Benchley is in a supporting role as Prof. Dana, his role stands out. He's at the heart of much of the dialog humor. Others contribute their share in incidents, situations and some lines. Deanna Durbin is Jane, the middle and older teenage daughter. She's also a local celeb of sorts who sings at community events. That's what qualifies this also as a musical, but it's mostly a comedy with some drama.

    Jane's sisters are Anne Gwynne as Sylvia and Ann Gillis as Nancy. Helen Broderick is the housekeeper, Cora Foster; Walter Brennan plays Hector Titus, the mailman and community band leader who also is fond of Cora; and Robert Stack is Don Winthrop Webb, the next-door neighbor, genius of a car mechanic and boyfriend of Jane. Franchot Tone plays Richard Calvert, the advance man for a foundation that has just awarded Prof. Dana a two year research grant.

    All the Dana household expect the advance man to be an old, pudgy guy with a beard. So, when Calvert arrives, the three girls vie for his attention initially. And, his arrival leads to most of the mayhem that ensues.

    The story isn't particularly unusual. It is a comedy and part drama with a somber segment. But the humor and the small town portrayal give it a feel of wholesomeness. And, with the relationships among members of the Dana household, including Cora, this is a very good picture of family. For these reasons and the quick and clever dialog in places, I rate this film fairly high.

    When the family sits down to eat, Prof. Dana says grace, "We thank you for this food and the fun of eating it together in peace. Amen." The poignancy of his prayer would be felt instantly by the audiences at that time, because global war had begun.

    This movie came out in February of 1941. World War II was in its second year, although the U. S. wouldn't be drawn into the war for 10 months. Still, the U. S. was supporting Great Britain and the Allies. At film's end, Don joins the Army and Jane sings a rousing song, "Thank You America." Then, a video attached at the end has Deanna singing a chin-up song for the Brits, "There'll Always Be an England." As the film ends, the standard appeal to buy war bonds and stamps appears.

    I think most people will still enjoy this film well into the 21st century. Here are some favorite lines.

    Prof. Dana, talking to himself as he writes at his desk, "This is the thesis of my exegesis. Thesis of my exegesis? Exegesis... treatise. This is the thesis of my treatise."

    Jane Dana, as she makes notes while feeding rabbits, "No, it'll be a long time before I know anything, except maybe the habits of rabbits."

    Prof. Dana, "Anything wrong?" Jane, "Well, why, Dad? You notice a change in me?" Prof Dana, "Oh, no sudden change. Of course, since the day when I used to walk the floor with you, you have grown up a little."

    Jane Dana, "I'm afraid I'm not very sophisticated." Prof. Dana, "Sophisticated? Heh, now you are being young. Real sophistication, dear, is just another name for good taste. Sophistication isn't doing, it's knowing."

    Jane Dana, "You know any more tricks with potatoes?" Don Webb, "Well, no." Jane, "Then, let's go home."

    Sylvia Dana, to Nancy, "One does not blow on one's soup." Nancy Dana, "Oh, doesn't one?" Prof. Dana, "Well, there are several schools of thought on the art of soup cooling. There are the blowers, the fanners, the diluters with ice water, and the wait-till-it- coolers."

    Nancy Dana, when the phone rings, "May I be excused? I think it's for me. I'm anticipitating (sic) a call. " Jane Dana, "Nancy, anticipating." Nancy, "Thank you, Jane."

    Sylvia Dana, "father, you really should do something about that child." Prof. Dana, "What, lock her up? We tried that with you. By the way, whatever became of that butcher boy with adenoids?" Cora Foster, "Oh, he's still got 'em."

    Nancy, to Sylvia, "One does not read one's book when one's at the dinner table." Sylvia, "Father, speak to Nancy." Prof. Dana, "Hello, Nancy."

    Prof. Dana, "There's only one rule in this house, Mr. Calvert. All jokes are funny."

    Cora Foster, "Listen, little big mouth. Lightning doesn't always strike in the same place, but your father isn't lightning." Nancy, "That was a very coarse remark."

    Nancy, "Hector, I found out what men really are - apes. All of 'em, apes!. After today, I will look upon all men with impunity." Prof. Dana, "First, I'd look up impunity in the dictionary. Hi, Hector." Hector Titus, "Howdy, professor."

    Jane Dana, crying on her dad's shoulder, "Oh, dad, I did something that was so stupid, so cheap. I threw myself at him, and he didn't even kiss me. He didn't even try." Prof. Dana, holding back a delighted laugh, "Why, the bounder!"

    Prof. Dana, "Well, I wouldn't say that your homecoming went unnoticed. And you must be prepared to have a few eyebrows raised at you. But what's a little gossip when those who count know the truth."

    Prof. Dana, "What this town needs is a good five-cent scandal."
    PrincessAnanka

    Wonderful Girl!

    No other studio in Hollywood during the 30s and 40s could so beautifully evoke the haunting beauty of small town America than Universal. In the l941 "Nice Girl," a magical Deanna Durbin is set against probably the most ravishing recreation of Somewhere, USA ever put on film. Deanna's house is memorable with its big, wide windows, open to the wind, the cozy den and bedroom. Most haunting of all is when Deanna sings "Old Folks at Home" at a July 4th celebration near a river. Gorgeous photography, shadows, lights, all-American faces are unforgettable as Deanna sings. Remember that this was made just as America began to fight in World War II. The ending is a masterpiece. Deanna sings "Thank you America" in a radiant, thrilling way. the video shows you immediately an alternate ending that was shown in England at that time, "There'll always be an England." Robert Stack is so gorgeous looking you wonder why he didn't become a major star. Wonderful supporting cast, more great music and this all combines to make "Nice Girl?" a much beloved addition to your library. If you don't like music, then study it for its all-American wholesomeness, sincerity and the styles and clothes of a long ago era. A masterpiece!
    9lisa-wolofsky

    Thank You, Deanna!

    I must start my review by stating that I was born in 1935 in Montreal, Quebec, Canada, wherein I have lived my entire life to the present date and will continue to live here as long as I still exist. Canada was one of Great Britain's Dominions until it became a nation forming, to the present day, part of the British Commonwealth of Nations titularly led by the British monarch, presently the Queen. Yesterday, by chance, for the very first time, I watched Nice Girl?, on my computer, it having been shown a few years ago on TCM. I knew nothing about it other than its star, Deanna Durbin, who's face and singing voice I had always adored as a kid. and that it was dated from 1941. I found the movie to be delightful from the start. The actors and their acting were/was super; humour laughingly appropriate; small town U.S.A. July 4th festivities with Deanna's songs gorgeously sung and after Robert Stack climbed out from under the army truck and she sang the patriotic Thank You America so wholesomely, I had concluded that the movie, now ending, was indubitably worth 7 stars. I was about to bestow them when suddenly, shockingly, something happened. She began to sing again! "There'll Always Be An England" a song we regularly heard on the radio, learned and sang in my pre-teen primary school years, and which I haven't heard again since the War's end. I was both dumbfounded and elated. A verification on IMDb showed me that filming of the movie took place from November 11, 1940 to January 1941. The big party took place on the July 4th weekend so it must have depicted July 1940, yet the U.S. didn't enter the war until Pearl Harbour, seventeen months later. even though her boyfriend left to join the army a day or two after that weekend. The army audience was there in full uniform to listen to her singing it!! Big unanswerable question!! But it doesn't matter. She sang it so fulsomely, with such heart. I can still remember big parts of that song today. For that song, so sung, my score of the film's points MUST rise an additional minimal two points, from 7 to nine!
    6richard-1787

    Very good and very weak

    This is basically two movies that have nothing to do with each other.

    On the one hand, there are the musical numbers, mostly solos for Durbin. They are often very beautifully and movingly performed. Simple, but deeply felt. Some of Durbin's best singing.

    And then there is the rest of the movie, the plot. It is paper thin, not developed, not interesting, not worth watching.

    Which left me wondering: why didn't Universal put at least a little effort into creating a decent script to showcase Durbin's beautiful, moving performances? The cast is fine. All of the leads had given great performances in great movies. They could have handled much better material easily.

    Why didn't Universal bother to come up with something for them? Why did they leave Durbin stranded with nothing to work with? A mystery.
    5planktonrules

    Meh...

    In 1941, Deanna Durbin was the biggest star at Universal and helped to save the sagging studio. However, this film represents a big of an awkward period. Up until this period, Deanna played young and virginal characters but by 1941, she was entering her 20s and having her play such roles was problematic to say the least! So, instead of a small change, the studio decided to try to titillate and named her next film "Nice Girl?" and they publicized that this sweet young lady would get her first screen kiss. Unfortunately, the film also is rather dull and when seen today it's not exactly a crowd pleaser.

    The dull and slow-moving plot finds Mr. Oliver Dana (Robert Benchley) trying to raise his three daughters with the help of his housekeeper (Helen Broderick). The main focus is on Jane (Durbin) and whether or not she'll get the slow-witted Don (Robert Stack) or Richard Calvert (Franchot Tone). As for Don, he's much more interested in cars than sex and Richard is downright old compared to Deanna (he's 16 years her senior). It's all punctuated with Durban singing and ends with her singing a rousing patriotic tune--which varied depending on if you lived in the US or UK!

    As I said...slow and dull. Not a bad film but one that never help my interest and was far from one of Durbin's best.

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      In the British release of this film, Deanna Durbin's finale was the patriotic favorite, "There'll Always Be an England" (music by Ross Parker and Harry Parr Davies, lyrics by Hugh Charles). Durbin's "Thank You America" (music and lyrics by Walter Jurmann and Bernie Grossman), a song which didn't become popular despite Durbin's commercial single on Decca, closed the U.S. print. Both endings are included on the VHS and DVD release of the movie from Universal Studios.
    • Blooper
      There are no pygmies in Australia. Calvert should have been studying Australian aborigines.
    • Citazioni

      Jane Dana: Who wants to be just useful and contented? After all, I'm not a cow.

    • Versioni alternative
      Original prints featured different final songs for the US (Thank You America) and UK (There'll Always Be an England) markets. The 2011 DD Video UK release on DVD featured both songs cut into the film (US first, followed by UK).
    • Connessioni
      Referenced in Film is Dead. Long Live Film! (2024)
    • Colonne sonore
      Old Folks at Home
      Written by Stephen Foster

      Sung by Deanna Durbin

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    Dettagli

    Modifica
    • Data di uscita
      • 21 febbraio 1941 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Tuya seré
    • Luoghi delle riprese
      • Universal Studios - 100 Universal City Plaza, Universal City, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Universal Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 890.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 31min(91 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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