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IMDbPro

Meet Boston Blackie

  • 1941
  • Approved
  • 1h
VALUTAZIONE IMDb
6,6/10
738
LA TUA VALUTAZIONE
Rochelle Hudson and Chester Morris in Meet Boston Blackie (1941)
CommediaCrimineDramma

Aggiungi una trama nella tua linguaWhen a murder occurs on an ocean liner docked in New York, the trail leads to Coney Island and a spy ring.When a murder occurs on an ocean liner docked in New York, the trail leads to Coney Island and a spy ring.When a murder occurs on an ocean liner docked in New York, the trail leads to Coney Island and a spy ring.

  • Regia
    • Robert Florey
  • Sceneggiatura
    • Jay Dratler
    • Jack Boyle
  • Star
    • Chester Morris
    • Rochelle Hudson
    • Richard Lane
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    738
    LA TUA VALUTAZIONE
    • Regia
      • Robert Florey
    • Sceneggiatura
      • Jay Dratler
      • Jack Boyle
    • Star
      • Chester Morris
      • Rochelle Hudson
      • Richard Lane
    • 26Recensioni degli utenti
    • 10Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto8

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    Interpreti principali34

    Modifica
    Chester Morris
    Chester Morris
    • Boston Blackie
    Rochelle Hudson
    Rochelle Hudson
    • Cecelia Bradley
    Richard Lane
    Richard Lane
    • Inspector Faraday
    Charles Wagenheim
    Charles Wagenheim
    • The Runt
    Constance Worth
    Constance Worth
    • Marilyn Howard
    Jack O'Malley
    • Monk
    George Magrill
    George Magrill
    • Georgie
    James Seay
    James Seay
    • Mechanical Man
    • (as Michael Rand)
    Harry Anderson
    • Dart Game Barker
    • (non citato nei titoli originali)
    Sam Bernard
    Sam Bernard
    • Telescope Man
    • (non citato nei titoli originali)
    James Blaine
    James Blaine
    • Police Captain
    • (non citato nei titoli originali)
    Harry Bowen
    Harry Bowen
    • Hot Dog Vendor
    • (partecipazione non confermata)
    • (non citato nei titoli originali)
    Stanley Brown
    Stanley Brown
    • Max - Police Lab Technician
    • (non citato nei titoli originali)
    Eddie Fetherston
    • Freak Show Barker
    • (non citato nei titoli originali)
    Budd Fine
    • Police Officer
    • (non citato nei titoli originali)
    Richard Fiske
    Richard Fiske
    • Police Officer
    • (non citato nei titoli originali)
    Byron Foulger
    Byron Foulger
    • Blind Man
    • (non citato nei titoli originali)
    Jack Gardner
    • Tunnel of Horror Barker
    • (partecipazione non confermata)
    • (non citato nei titoli originali)
    • Regia
      • Robert Florey
    • Sceneggiatura
      • Jay Dratler
      • Jack Boyle
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti26

    6,6738
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    Recensioni in evidenza

    csteidler

    Wit to spare

    When Boston Blackie leaves a room, he likes to leave a witty note for Inspector Faraday—written in soap in large letters across a mirror. I have to admit—ever since seeing this movie, I've been looking for an opportunity to leave somebody a soap-on-mirror note. That Blackie is indeed an irresistible character, a sharp wit who leaves a clean but clever mark.

    Chester Morris is excellent in that title role—fast moving, confident, a magician and a sleuth. And possibly a jewel thief…though in this film we never really know that for sure.

    Richard Lane is also strong as the police inspector who is Blackie's dedicated stalker, friendly rival or both. Blackie always outwits the inspector but never makes him look stupid; Inspector Faraday vows to catch Blackie and lock him up but never resorts to dirty tricks and is not grudging in his respect for Blackie's nerve, expertise and luck.

    Rochelle Hudson is very good as Cecilia Bradley, properly impressed by this man Boston Blackie who essentially hijacks her car but does it in a very dashing manner. Hudson is just right, actually—romantically interested, yes, but still plenty sharp enough to follow events and lend assistance as needed. Her smart and attractive performance hits just the right notes.

    Good script, excellent pace, just the right amount of humor…oh, and all the standard amusement park elements, including a Mechanical Man who figures snugly into the plot. A top notch series opener all the way!
    8binapiraeus

    Boston Blackie, the safe cracker hero!

    Now if THAT wasn't a novelty, especially in the 40s, in the middle of the Production Code reign (which EXPLICITLY says: "The treatment of crimes against the law must not... make criminals seem heroic and justified"!): Columbia Pictures took the hero of Jack Boyle's stories from the 1910s - 'Boston Blackie', a jewel thief and safe cracker! - and made him the protagonist of a whole series of 14 movies; a bigger number than quite popular and utterly decent 'Ellery Queen' or the highly moralistic 'Whistler' stories ever reached.

    And from the first movie on, this safe cracker hero, thanks to Chester Morris' wonderful, charming as well as cheeky and clever performance, but also to the way the script models him, certainly IS heroic, and has the audience's FULL sympathy despite his illegal 'hobby' that has made him widely known to the police - he's even got something like a feud-friendship with Inspector Faraday.

    Well, the reason his 'petty crimes' are forgivable is that, when it comes to CAPITAL crime, Boston Blackie becomes a REAL help for the police: because he's not only enormously smart and quick, but he also knows magical tricks and a lot of other things the average cop has got no idea of.

    So, in this case, he himself becomes a murder suspect, and at the same time has to clear himself, to escape the assaults of the real murder gang AND to blow up a spy ring! With him is his friend and 'colleague' called 'the Runt', and a beautiful young lady whose car he 'hijacked' while fleeing from the gangsters - and sometimes with him, sometimes against him is Inspector Faraday...

    You just CAN'T help loving this cheeky, wisecracking, smart rogue, and feel the suspense throughout the movie where he is almost constantly on the run from someone; this wonderful movie, full of excitement and fun, is the beginning of a wonderful film series of which you shouldn't miss a single one!
    8ccthemovieman-1

    Fast-Moving Blackie Opener

    This was my first look at this old-time crime "series," if you will, of hour-long tales starring Chester Morris as "Boston Blackie." I don't know enough about the character, since this was my first look, to make many comments on him but Morris reminds me a bit, with his smugness, of William Powell playing "Nick Charles" of "The Thin Man" movie fame.

    In a nutshell, I found this movie surprisingly fast-paced and entertaining. I hope they all are similar to this with interesting characters and a good mix of crime, snappy dialog that includes humor, nice-looking "dames," chase scenes and the like. Yes, it's dated but that's okay for the most part although some scenes you shake your head with the implausibility. At the end, Blackie makes a throw that a Major Leauge baseball pitcher couldn't make, but despite the credibility it was a short, fun story that doesn't drag.

    Rochelle Hudson filled the bill as the female lead. I remember her from a Shirley Temple film or two. Richard Lane was a bit odd as "Inspecor Faraday." He kept saying - or hinting - that he cared about Blackie but but at the same time he kept trying to put him in the electric chair. Some friend!

    Overall, enjoyable, and I hope I see many of the 13 others in the series is they are as fast- paced as this one.
    7AlsExGal

    Chester Morris makes this series worth watching

    I actually like some of the later Boston Blackie films better than this one, but it is a good enough opener to the series. Chester Morris usually played a hard-boiled tough guy whether he was portraying an actual criminal or just a remorseless cheating husband as he was in "The Divorcée". As Blackie he shows a good bit of finesse and range - he admits he was a thief, and apparently one that has never really been caught, but now he's going straight. He's tough when he has to be, he's a friend when he can be, a ladie's man when he gets the opportunity, and honest if possible. He is even trusted by Inspector Faraday, his nemesis, to not run away if he promises that.

    This opener to the series has a patriotic theme, with Blackie's chivalry on board an ocean liner leading to the infiltration of a nest of spies. Made shortly before the beginning of World War II, a conflict that most people saw coming, movies with patriotism and spies were common up to two years before Pearl Harbor. I didn't find the story or Blackie's romantic lead particularly interesting, but I love watching Chester Morris at work here. Plus the other characters are fun too.

    In particular, Charles Wagenheim as "the runt" manages to be Blackie's trusty if not very helpful associate who is reliable comic relief without becoming whiny or annoying. Inspector Farraday is no Keystone Cop, but I would think after the first half dozen times Blackie solves the crime, gift wraps the criminals, and hand delivers them to the precinct door, Farraday might begin to believe Blackie had changed.

    Highly recommended as an entertaining vehicle for an underrated actor - Chester Morris.
    7whpratt1

    Train trip to Valley Stream, L.I., NY

    Always like Chester Morris, (Boston Blackie) who made sixteen (16) of these films and also was Boston Blackie on the radio during the 1940's. In this film Boston Blackie takes a cruise and winds up with a corpse in his stateroom and finds himself being arrested many times by Inspector Farraday (RIchard Lane) and also handcuffed over and over again. In one scene Boston Blackie takes the driver's seat of an auto owned by Rochelle Hudson, (Cecelia Bradly) who is very attractive and proceeds to drive the car onto a train traveling to Valley Stream, Long Island, New York. In the next scene he winds up in Coney Island in Brooklyn, N.Y. where he gets involved with a spy ring with Inspector Farraday always trying to arrest poor Boston Blackie who was an ex-con for being a safe cracker years ago. These Boston Blackie films were usually shown as a double features in the movie houses on Saturday nights during the 1940's. Enjoy

    Altri elementi simili

    Confessions of Boston Blackie
    6,4
    Confessions of Boston Blackie
    Alias Boston Blackie
    6,4
    Alias Boston Blackie
    After Midnight with Boston Blackie
    6,4
    After Midnight with Boston Blackie
    Boston Blackie's Chinese Venture
    6,1
    Boston Blackie's Chinese Venture
    One Mysterious Night
    6,1
    One Mysterious Night
    Boston Blackie Goes Hollywood
    6,2
    Boston Blackie Goes Hollywood
    Boston Blackie Booked on Suspicion
    6,4
    Boston Blackie Booked on Suspicion
    Le inchieste di Boston Blackie
    7,5
    Le inchieste di Boston Blackie
    Boston Blackie and the Law
    6,3
    Boston Blackie and the Law
    Boston Blackie's Rendezvous
    6,3
    Boston Blackie's Rendezvous
    Trapped by Boston Blackie
    6,4
    Trapped by Boston Blackie
    A Close Call for Boston Blackie
    6,0
    A Close Call for Boston Blackie

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      This was the first in a series of Boston Blackie films starring Chester Morris and was sufficiently popular to spawn 13 more hour-long pictures released by Columbia from 1941 to 1949. Most of the films in the series worked on a twelve day schedule.
    • Blooper
      At 42.58 Farraday and a uniformed officer arrive at Blackie's apartment building, with Blackie right behind them. At 48.26 the officer is looking out a window to the street with Blackie driving off, but the police car is gone.
    • Citazioni

      Cecelia Bradley: Who are you, or who do you think you are ?

      Horatio 'Boston Blackie' Black: At the moment, I'm a fugitive from an autopsy.

    • Connessioni
      Followed by Confessions of Boston Blackie (1941)
    • Colonne sonore
      Santa Lucia
      (uncredited)

      Traditional Italian folksong

      Played as backround music at the amusement park

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    Dettagli

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    • Data di uscita
      • 20 febbraio 1941 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Rasto nas Trevas
    • Luoghi delle riprese
      • Coney Island, Brooklyn, New York, New York, Stati Uniti
    • Azienda produttrice
      • Columbia Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h(60 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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