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Maisie Was a Lady

  • 1941
  • Approved
  • 1h 19min
VALUTAZIONE IMDb
6,7/10
740
LA TUA VALUTAZIONE
Lew Ayres and Ann Sothern in Maisie Was a Lady (1941)
Showgirl Maisie Ravier finds herself once again out of work. She meets a wealthy playboy who hires her to be his family's new maid. Maisie soon finds herself trying to mend the family's many problems.
Riproduci trailer2: 07
1 video
33 foto
CommediaDramma

Aggiungi una trama nella tua linguaShowgirl Maisie Ravier finds herself once again out of work. She meets a wealthy playboy who hires her to be his family's new maid. Maisie soon finds herself trying to mend the family's many... Leggi tuttoShowgirl Maisie Ravier finds herself once again out of work. She meets a wealthy playboy who hires her to be his family's new maid. Maisie soon finds herself trying to mend the family's many problems.Showgirl Maisie Ravier finds herself once again out of work. She meets a wealthy playboy who hires her to be his family's new maid. Maisie soon finds herself trying to mend the family's many problems.

  • Regia
    • Edwin L. Marin
  • Sceneggiatura
    • Elizabeth Reinhardt
    • Mary C. McCall Jr.
    • Myles Connolly
  • Star
    • Ann Sothern
    • Lew Ayres
    • Maureen O'Sullivan
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    740
    LA TUA VALUTAZIONE
    • Regia
      • Edwin L. Marin
    • Sceneggiatura
      • Elizabeth Reinhardt
      • Mary C. McCall Jr.
      • Myles Connolly
    • Star
      • Ann Sothern
      • Lew Ayres
      • Maureen O'Sullivan
    • 17Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Trailer
    Trailer 2:07
    Trailer

    Foto33

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    + 27
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    Interpreti principali44

    Modifica
    Ann Sothern
    Ann Sothern
    • Maisie Ravier
    Lew Ayres
    Lew Ayres
    • Bob Rawlston
    Maureen O'Sullivan
    Maureen O'Sullivan
    • Abby Rawlston
    C. Aubrey Smith
    C. Aubrey Smith
    • Walpole
    Joan Perry
    Joan Perry
    • Diana Webley
    Paul Cavanagh
    Paul Cavanagh
    • 'Cap' Rawlston
    Edward Ashley
    Edward Ashley
    • Link Phillips
    Rita Johnson
    Rita Johnson
    • Undetermined Secondary Role
    • (scene tagliate)
    Henry O'Neill
    Henry O'Neill
    • Undetermined Secondary Role
    • (scene tagliate)
    John T. Bambury
    • Midget
    • (non citato nei titoli originali)
    Barbara Bedford
    Barbara Bedford
    • Nurse
    • (non citato nei titoli originali)
    Margaret Bert
    • Boy's Mother at Carnival
    • (non citato nei titoli originali)
    Henry Blair
    Henry Blair
    • Boy Walking at Carnival
    • (non citato nei titoli originali)
    Joan Blair
    • Girl
    • (non citato nei titoli originali)
    Hillary Brooke
    Hillary Brooke
    • House Guest
    • (non citato nei titoli originali)
    Charles D. Brown
    • 'Doctor' in Sideshow
    • (non citato nei titoli originali)
    Georgia Carroll
    Georgia Carroll
    • House Guest
    • (non citato nei titoli originali)
    Charles Coleman
    Charles Coleman
    • The Second Butler
    • (non citato nei titoli originali)
    • Regia
      • Edwin L. Marin
    • Sceneggiatura
      • Elizabeth Reinhardt
      • Mary C. McCall Jr.
      • Myles Connolly
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti17

    6,7740
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    10

    Recensioni in evidenza

    10Ron Oliver

    Sothern Sizzles

    Our MAISIE WAS A LADY, or at least took care of one after going to work for two very wealthy siblings.

    In this, the fourth entry in the Maisie series (1939-1947), lovable Ann Sothern continues to shine as the brassy showgirl who uses her innate decency and good old common sense to see her - and those around her - through life's rough patches. Although the film can boast of good production values and a fine supporting cast, Sothern remains the primary reason to watch.

    Lovelorn Maureen O'Sullivan and alcoholic Lew Ayres are the sister & brother in need of Maisie's not-so-gentle ministrations. Paul Cavanagh, as their too-often-absent father, does well with his few scenes. Ushering in some unexpectedly serious sequences, Edward Ashley as O'Sullivan's caddish boyfriend, and pretty Joan Perry as his jilted lover, give the film a raw edge often missing in most comedies.

    Best of all is wonderful Sir C. Aubrey Smith as the family's elderly, kindhearted butler. In a role which could have been rather insignificant in lesser hands, the old gentleman works a gentle magic with his lines and turns his part into one of the film's highlights.

    Movie mavens will recognize Billy Curtis & Jerry Maren as two of the carnival's Little People, and Hans Conried as one of the silly house guests.
    6bkoganbing

    Maisie and the idle rich

    In this entry in the Maisie series our showgirl from Brooklyn finds herself involved with the Rawlston family. She gets involved because a drunken Lew Ayres reprising some of his role as drunken playboy Nick Seton from Holiday gets Ann Sothern fired from her carnival act.

    Through some interesting circumstances Sothern winds up working for the Rawlston family whose head is Paul Cavanaugh who runs an airplane factory, son Ayres and daughter Maureen O'Sullivan who Cavanaugh thinking her a plain Jane just smothers completely. He is glad however that O'Sullivan has found Edward Ashley and maybe someone from the same social background to take her off his hands.

    Ashley is from the same background, but what he is is a thoroughgoing WASP blue chip rat. When O'Sullivan finds he's two timing her it almost becomes tragic and our Brooklyn showgirl springs into action.

    Of course things work out for the best as Maisie instills some common sense into these upper crust folks. It's always happy for Sothern except that when the next film in the series comes along you know it didn't work out.

    I must also single out C. Aubrey Smith as the family butler who has instilled those same blue chip values that his employers have. He and Sothern have some great scenes together.

    Maisie fans and others will like this.
    7jjnxn-1

    Bangles, beads and common sense

    Maisie finds herself in yet another pickle and out of a job thanks to an inebriated Lew Ayres. When the judge rather ludicrously forces Lew to make restitution to her by employing her at his mansion she finds the joint badly in need of her common sense to sort it's inhabitants out. If you're a fan of the series than you know what to expect. The flashy Maisie through dint of her down to earth smarts accesses the situation and sets about making things right.

    Ann Sothern drives this breezy vehicle like a master. Full of sass, piping up when she sees something wrong and knocking chips off of shoulders right and left these movies would be nothing without her. As always she's provided with a solid supporting cast, the best in this group being C. Aubrey Smith, and an inconsequential story but Ann's the reason to watch.
    7Kind67

    Maureen O' Sullivan's Performance is A Treasure!

    There are already a number of well-written reviews that explain the movie very well so I'm not going to give a full-fledged review here. What I will point out is how much I loved Maureen O'Sullivan's performance as Abigail in this film. She plays a woman that is so kind, sweet, and thoughtful--not to mention pretty that you want to take her home to marry your son. However, there is also a torment to the character's life because she feels unloved due to circumstances that are apparent when you see the film. Ms. O'Sullivan gives such a dramatic depth to her characterization and is so appealing that she really deserves an award. You just want to watch her over and over again. A captivating and brilliant performance in an important role in the film. Ann Sothern, C. Aubrey Smith, and Lew Ayres are wonderful, too, but I just can't say enough about Maureen O'Sullivan in this film.

    The one other comment I will make is the last scene was quite disappointing to me and detracted somewhat from my enjoyment of the film but to discuss why would risk others not wanting to see the film and Maureen O'Sullivan's performance is definitely worth seeing and appreciating.
    8alonzoiii-1

    Worth the Time

    A surprisingly strong entry in the long-running Maisie series, this one features a fairly standard plot but strong performances from Lew Ayres and Maureen O'Sullivan. Maisie, through a an accumulation of mildly amusing circumstances, ends up as maid at a typical home of the idle (but troubled) rich. But why is the young man of th house (Lew Ayres) in a constant state of not-very-amusing intoxication? And why is Maureen O'Sullivan so neurotic, unhappy, and about to marry a pretty obvious fortune-hunter? And can Maisie save this household, or will she abandon the job in utter disgust? Watch the movie. None of the answers will surprise you that much, but Ayes' performance here is a standout, and Ann Southern's Maisie is a whole lot better than usual in the dramatic scenes. (It's permissible to fast forward through the heartwarming comic ones)

    Altri elementi simili

    Maisie
    6,6
    Maisie
    Ringside Maisie
    6,4
    Ringside Maisie
    Gold Rush Maisie
    6,2
    Gold Rush Maisie
    Swing Shift Maisie
    6,2
    Swing Shift Maisie
    Congo Maisie
    6,2
    Congo Maisie
    Maisie Gets Her Man
    6,2
    Maisie Gets Her Man
    Una donna in cerca di brividi
    6,3
    Una donna in cerca di brividi
    Up Goes Maisie
    6,2
    Up Goes Maisie
    Maisie Goes to Reno
    6,2
    Maisie Goes to Reno
    La donna fantasma
    7,2
    La donna fantasma
    Cortina di spie
    6,3
    Cortina di spie
    Night After Night
    6,7
    Night After Night

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      In the opening scene at the carnival, the carnival barker at the Freak Show is the actor Joe Yule. He is the father of Mickey Rooney.
    • Blooper
      The position of Maisie's hand while the father and son are talking at the foot of the staircase.
    • Citazioni

      Maisie Ravier, an alias of Mary Anastasia O'Connor: To each to their own tastes, said the woman as she kissed the cow.

    • Connessioni
      Followed by Ringside Maisie (1941)
    • Colonne sonore
      Jingle Bells
      (1857) (uncredited)

      Written by James Pierpont (as J.S. Pierpont)

      Sung a cappella by Lew Ayres and the 5 midgets

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    Dettagli

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    • Data di uscita
      • 10 gennaio 1941 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • En flicka på halsen
    • Luoghi delle riprese
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Metro-Goldwyn-Mayer (MGM)
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 19 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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