La porta d'oro

Charles Boyer, stuck in Mexico due to immigration problems, plans to get into the United States by way of marriage to schoolteacher Olivia de Havilland, who is under the impression that Boyer really loves her. Beautifully-made romantic drama from director Mitchell Leisen has a complicated scenario which sometimes falls prey to its uneven tone (the linchpin of the plot has Boyer deceiving de Havilland as long as possible, which undermines their courtship sequences with a bit of sourness). Still, the look of the picture is fascinating, the art direction and cinematography vivid and memorable...and, as always, Olivia plays a simple, goodhearted woman like nobody's business; she simply glows in roles such as this. Boyer is also fine--though, because of the mechanics of the plot, he isn't terribly sympathetic. Adapted from Ketti Frings' (then-unsold) novel, "Memo to a Movie Producer" by Oscar-nominated screenwriters Charles Brackett and Billy Wilder; de Havilland also received a nomination, as did the film as Best Picture. A gem. *** from ****

How can you be French and not love this film? First the lead is French;and in a small supporting part,there is Victor Francen,one of Julien Duvivier's ("La Fin Du Jour ",1939) and Abel Gance's ("J'accuse" 1918 and 1937) favorite actors.Plus "La Marseillaise " in the final sequences.Plus Olivia De Havilland who has been living in Paris for years.Except for Bertrand Tavernier,most of FRench critics do not speak highly of Mitchell Leisen's overlooked gem.

This is the kind of superior melodrama I love.Olivia De Havilland is one of the greatest actresses of all time,one of those who never think twice when it comes to playing demeaning parts.She is so moving,so tender and so endearing that beauty Paulette Goddard almost leaves me indifferent.And I wonder why Boyer...

The very structure of the film is highly original,being a long flashback,the hero telling his story (perhaps too much voice over) to a director to earn money (but we will know why in the last minutes )because he thinks all his trials can make a great film!Truth can be stranger than fiction cause he is in a film himself! The subject of the movie is still topical today when you see so many people leaving their country for the wealthy ones (not only America:in France ,Russians and others are actually fighting to get French citizenship).For that matter,one of the peaks is when Victor Francen declaims Emma Lazarus's poem which is graven on a tablet within the pedestal on which the Statue of Liberty stands.There are subplots and Mitchell Leisen's talent manages to make them as interesting as the three leads .You may remember the lady who wants his baby to be an American and the way she makes her dream come true,maybe more than Boyer/Havilland's honeymoon.

A honeymoon that takes them to an old Mexican village where they go to mass,with a candle in their hand.A scene that recalls Murnau's "daybreak" .

Emmy (De Havilland) is a woman who has never known love.She really wants to hold back the dawn ,to make her dream longer than the night.She gave all she had and she 's so altruistic she even returns good for evil.When she realizes that she's through with her pursuit of happiness,she simply puts her glasses.

I had seen Leisen's film when I was still a child.I saw it last night.With the same pleasure.

One of the all-time great tearjerkers, this film satisfies on many levels: it offers a truly involving and emotionally moving story, an abundance of well-drawn and complex characters, an unusual setting, and three excellent stars (Charles Boyer, Olivia de Havilland, and Paulette Goddard). Boyer's character narrates much of the film, describing how he woos and weds sweet schoolteacher de Havilland in order to gain American citizenship, and this device allows us to listen in as his jaded, mercenary persona mellows and purifies under the influence of his innocent bride. Full of wry humor and a colorful supporting cast, this film deserves to be better known.

A fabulous film with an all star cast of Charles Boyer, Olivia De Havilland and Paulette Goddard. Boyer plays a man who is trying to get US citizenship, the only way by which turns out to be, marrying De Havilland's character. There is a sweet scene between the two when they set off on honeymoon and they play beautifully together throughout. Paulette Goddard is wonderful as the scheming other half and it's nice to see at the end that she gets what she's after!! Clever start to the film too - look out for Veronica Lake making a movie - and a lovely ending that really couldn't get any better.

This movie is worth watching for the performances of Olivia deHavilland--unbelievably naive but Olivia has an internal sincerity that carries it off--and Charles Boyer--jaded and conniving but wonderful and romantic, a much better actor than is remembered. And Paulette Goddard too. Just watching these 3 actors in a movie is great fun. It's also an interesting and sympathetic view of a group of immigrants fleeing the war in Europe who had made it to Mexico with the hope of getting into the US. (The film came out in 1941--probably before the US had entered the war.) Boyer is Romanian, a dancer and gigolo who is broke and feeling hopeless by the time he meets Olivia, a teacher who has brought her students on a field trip to Mexico for the 4th of July (which seems like rather an odd choice when you think about it). And, there is some really tiresome interactions between the teacher and her quite incorrigible students--but hang on, it passes. Then we get to watch Boyer's insincere seduction of her and then her authentic seduction of him, the discovery of his trick and potential paradise lost. The ending? Boy, I'd love to know the story of that ending--was it the original as written? Please Paramount, put it out on DVD with commentary. Somebody must know. Anyway, despite its flaws, the performances are wonderful and it's a viewing pleasure. (Yes, a 10 is a little high for a rating--in quality, it's probably more like an 8, but in fun- value, I still give it 10, and maybe it will help get it DVDed.)