Il lepre vendicativo

Tex Avery finally follows up 1940's "A Wild Hare" with a worthy sequel, in which a hunting dog is sniffing for some rabbit and comes upon a certain wabbit hole.

After seeing him in four previous films, the audience has become more familiar with Bugs, so Bugs naturally starts to confide in them with glances and asides ("What can I do t'dis guy next?"). It works better than when Cecil Turtle did the same kind of thing in the previous "Tortoise Beats Hare." We don't know this little green lizard...why should we trust him? Bugs, on the other hand, we know by now is all right...and we can definitely trust him.

Not to say that Bugs isn't sugar and spice, of course. He still has a cocky streak to him, and at the end of the picture even sasses the audience. Could Bugs be the first animated hero that shows contempt for the people rooting for him?

Mike Maltese introduces some great gags in this story, and it's only a shame that he didn't work on any more Bugs cartoons with Avery, as they could have come up with masterpieces.

The story is not exactly unfamiliar territory, and is occasionally predictable, but I thoroughly enjoyed The Heckling Hare and found it had a number of interest points. The animation is nice enough to look at, the backgrounds are audacious to watch especially, and the music is a lovely, rousing touch. One major point of interest are some very clever and hilarious sight gags, especially the lengthy fall down the cliff, and the dialogue is funny. Another point of interest is Tex Avery voicing the dog, I felt he did a very good job and his character was entertaining. But for me Bugs steals the show, arrogant and cunning, with excellent vocal work from Mel Blanc. Overall, hilarious and has a lot of interest, but not absolutely exceptional. 8/10 Bethany Cox

Heckling Hare, The (1941)

*** (out of 4)

The hunting dog Willoughby is out sniffing for a rabbit and of course finds Bugs Bunny but soon he's going to wish he hadn't. This is another winning short from director Avery who apparently walked away from Warner after a falling out due to the ending here. I certainly don't know all of the details but I did find the ending here to be the best thing about the movie, although one could argue the actual payoff is a tad bit of a cheat. The rest of the film isn't among Avery's best work but I think it's still a good film. Both Bugs and Willoughby work well together and there are plenty of funny scenes including the before mentioned ending as well as another scene where the dog thinks he has killed bugs.

This was an interesting episode, in the way that it is the earliest I have seen of Bugs Bunny where he is most like his later, fully developed self. He plays many gags that he plays in his most famous episodes and of course outwits the dog who is trying to catch him. I enjoyed the episode because these gags were done well, the dog was an amusing character (and not voiced by Mel Blanc, which is surprising, instead voiced by a Looney Tunes director), Bugs Bunny was amusing and the animation was good (the background animation was reminiscent of "Bambi).

There was one thing which slightly put me off the episode, which was the screaming of the dog and Bugs Bunny as they are falling from a high height at one point in the episode. In the era this episode was made, for some reason, you find the occasional long scene of screaming, or pain, which is not only boring but off-putting.

In this cartoon, a dog is sniffing along the ground, obviously hunting, when he realises he has passed a rabbit hole. He starts sniffing into the hole, Bugs Bunny popping up his ears to investigate the intruder and then going above ground through a different hole, while the dog digs a hole elsewhere. Sound familiar? Yes, if you are familiar with Bugs Bunny episodes where he is being hunted, the way Bugs Bunny constantly outwits the dog will be in no way a surprise to you.

I recommend this episode to people who like Bugs Bunny and the way he outwits people trying to kill him. Enjoy "The Heckling Hare"! :-)

8 and a half out of ten.

Bugs Bunny sure was a mischievous rascal, particularly in his early years. A smug, conceited and pitiless little fiend, Bugs often appeared to take a near-sadistic pleasure in tormenting his enemies. Of course, that he is the "prey" works considerably in his favour, and audiences will always continue to cheer him on, as nobody likes to see a cute little wabbit become a hunter's next meal. But the most interesting aspect of these cartoons is how the writers cunningly invert the usual scenario, with Bugs, in effect, becoming the hunter of the story, though we instinctively continue to celebrate his successes. Willoughby the hunting dog may be an exceedingly dim-witted canine, perhaps even bordering on mental retardation, but the audience considers him fair game for Bugs' farcical style of bullying. Just why is Bugs the hero in this cartoon, and, indeed, in most of his cartoons? A worthwhile counterpoint to this trend is in Tex Avery's 1941 short 'Hare Beats Rabbit,' starring Bugs and Cecil B. Turtle, in which the bigheaded rabbit is decisively beaten in a foot-race by the quietly-deceitful reptile.

These tantalising questions aside, Tex Avery's 'The Heckling Hare (1941)' provides some solid entertainment, which is the real reason why we're watching it. After Willoughby (voiced by Avery) catches Bugs' scent at the entrance of a rabbit-hole, he goes into digging-overdrive, and is so focused on the task at hand that he fails to notice the rabbit (Mel Blanc, as always) idling above him with a carrot between his teeth. Numerous outrageous chase sequences ensue, one ending in the depths of a river and another in a thousands-of-metres plummet from a ridiculously-high cliff. There is some very convincing personality animation in the sequence where Willoughby believes himself to have crushed Bugs to death with his own hands, and he touchingly collapses into tears as he lays a bouquet of flowers at the entrance to the rabbit-hole. Bugs, displaying that uniquely-compassionless streak of his, thinks nothing of this emotion and merely exploits it for some further humiliation.

'The Heckling Hare' moves at a brisk pace for seven minutes, and continues at this pace until the closing seconds, when it forgets to add an ending. In actual fact, the cartoon's conclusion was severely truncated by producer Leon Schlesinger, who allegedly felt that the final punchline ("Hold on to your hats, folks. Here we go again!" as the pair fall off another cliff) would somehow be perceived by audiences as having undesirable connotations. This lack of resolution blemishes the film to an extent; I liked the idea of the unusually-protracted freefall, but I was waiting for another good idea to bookend the gag, and it never came (perhaps the instantaneous brakes were a spoof of traditional cartoon physics, abused so frequently for comedic effect). In any case, Avery was aghast at the changes made to his cartoon, and he stormed out of the studio. He eventually wound up with the fortunate folks at MGM, with whom he worked until 1953.